A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
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8 |
9 |
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5 |
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1 |
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6 |
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8 |
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4+3 |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
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1+1+5 |
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26 |
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I |
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7 |
8 |
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2 |
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7 |
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8+3 |
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1+1 |
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10 |
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16 |
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20 |
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2+3+6 |
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1+1 |
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26 |
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22 |
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25 |
26 |
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3+5+1 |
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1 |
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8 |
9 |
1 |
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8 |
9 |
1 |
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+ |
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1+2+6 |
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26 |
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1 |
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1 |
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1 |
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+ |
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occurs |
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3 |
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occurs |
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3 |
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3 |
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occurs |
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4 |
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occurs |
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1+2 |
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occurs |
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1+5 |
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6 |
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6 |
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+ |
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occurs |
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1+8 |
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7 |
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7 |
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occurs |
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2+1 |
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occurs |
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2+4 |
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9 |
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9 |
- |
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+ |
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occurs |
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2 |
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1+8 |
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26 |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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1 |
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7 |
8 |
9 |
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8 |
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26 |
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA
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5 |
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18 |
18 |
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2 |
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35 |
8 |
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3 |
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25 |
7 |
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4 |
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5 |
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76 |
22 |
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4 |
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48 |
21 |
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6 |
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55 |
28 |
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2 |
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2 |
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27 |
9 |
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9 |
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10 |
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133 |
61 |
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9 |
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121 |
49 |
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9 |
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2 |
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23 |
14 |
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1 |
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9 |
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65 |
29 |
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First Total |
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3+5 |
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5+7 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
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1+4 |
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1+8 |
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Second Total |
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1+2 |
Reduce to Deduce |
2+3 |
1+4 |
1+5 |
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Essence of Number |
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A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ENGLISH
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
-.-
G |
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7 |
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GOOD |
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2 |
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22 |
13 |
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2 |
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19 |
10 |
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G |
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7 |
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GOOD |
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4+1 |
2+3 |
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G |
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7 |
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GOOD |
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-.-
THE LIGHT IS RISING NOW RISING IS THE LIGHT
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
T |
= |
2 |
- |
6 |
TWENTY |
107 |
26 |
8 |
S |
= |
1 |
- |
3 |
SIX |
52 |
16 |
7 |
L |
= |
3 |
- |
7 |
LETTERS |
99 |
27 |
9 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
A |
= |
1 |
- |
8 |
ALPHABET |
65 |
29 |
2 |
- |
- |
|
- |
32 |
Add to Reduce |
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|
- |
- |
1+7 |
- |
|
Reduce to Deduce |
4+1+0 |
1+4+0 |
4+1 |
- |
- |
8 |
- |
|
Essence of Number |
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|
|
LIGHT AND LIFE
Lars Olof Bjorn
1976
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).
IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
1 000 000 000 'LETTERS'."
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA
THE MAGIC MOUNTAIN
Thomas Mann 1875 - 1955
Page 660
"In the evening, on the stroke of ten, they gathered privily, and in whispers mustered the apparatus Hermine had provided, consisting of a medium-sized round table without a cloth, placed in the centre of the room, with a wine glass upside-down upon it, the foot in the air. "Round the edge of the table, at regular intervals, were placed twenty-six little bone counters, each with a letter of the alphabet written on it in pen and ink."
"ROUND THE EDGE OF THE TABLE, AT REGULAR INTERVALS, WERE PLACED TWENTY-SIX LITTLE BONE COUNTERS. EACH WITH A LETTER OF THE ALPHABET WRITTEN ON IT IN PEN AND INK."
- |
- |
- |
- |
- |
DIVINATION |
- |
- |
- |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
|
- |
|
DIVINATION |
|
|
|
- |
- |
5+4 |
- |
1+0 |
- |
1+1+7 |
5+4 |
5+4 |
- |
- |
|
- |
|
DIVINATION |
|
|
|
- |
- |
- |
- |
- |
DIVINE |
- |
- |
- |
- |
- |
- |
- |
- |
THOUGHT |
- |
- |
- |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
- |
THOUGHT |
- |
- |
- |
- |
- |
- |
- |
- |
DIVINE |
- |
- |
- |
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
7+2 |
- |
1+3 |
Reduce to Deduce |
1+6+2 |
7+2 |
7+2 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
- |
- |
- |
- |
DIVINE |
- |
- |
- |
- |
- |
- |
- |
- |
THOUGHT |
- |
- |
- |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
U |
= |
3 |
- |
1 |
U |
21 |
3 |
3 |
D |
= |
4 |
- |
1 |
D |
4 |
4 |
4 |
V |
= |
4 |
- |
1 |
V |
22 |
4 |
4 |
E |
= |
5 |
- |
1 |
E |
5 |
5 |
5 |
N |
= |
5 |
- |
1 |
N |
14 |
5 |
5 |
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
G |
= |
7 |
- |
1 |
G |
7 |
7 |
7 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
H |
= |
8 |
- |
1 |
H |
8 |
8 |
8 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
THOUGHT |
- |
- |
- |
- |
- |
- |
- |
- |
DIVINE |
- |
- |
- |
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
7+2 |
- |
1+3 |
Reduce to Deduce |
1+6+2 |
7+2 |
7+2 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
D |
= |
4 |
- |
6 |
DIVINE |
63 |
36 |
9 |
T |
= |
2 |
- |
7 |
THOUGHT |
99 |
36 |
9 |
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
7+2 |
- |
1+3 |
Reduce to Deduce |
1+6+2 |
7+2 |
1+8 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
FINGERPRINTS OF THE GODS
G Hancock1995
Page 287
"What one would look for, therefore, would be a universal language"
"WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
THE
ENGLISH LANGUAGE
TRANSMUTED INTO NUMBER
IS
ONE OF THE MAIN CONDUITS
THROUGH WHICH APPEAR CLEARER UNDERSTANDING
OF
THOSE REFRACTED PATTERNS AND SENSIBILITIES APPARENTLY RANDOM
DESCRIBING ENERGIES WHICH INTERMINGLED WITHIN THE GREAT HERE AND NOW
ARE
CONSIDERED
THE
CREATIVE LIVING EXPERIENCE
THE LIGHT IS RISING RISING IS THE LIGHT
2 |
IS |
28 |
10 |
1 |
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
9 |
UNIVERSAL |
121 |
40 |
4 |
4 |
MIND |
40 |
22 |
4 |
2 |
IS |
28 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
33 |
First Total |
|
|
|
3+3 |
Add to Reduce |
3+7+8 |
1+6+2 |
2+7 |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
E |
= |
5 |
- |
2 |
EX |
11 |
2 |
2 |
U |
= |
3 |
- |
6 |
UMBRIS |
82 |
28 |
1 |
E |
= |
5 |
- |
2 |
ET |
25 |
7 |
7 |
I |
= |
9 |
|
10 |
IMAGINIBUS |
104 |
50 |
5 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
V |
= |
4 |
- |
9 |
VERITATEM |
113 |
41 |
5 |
- |
- |
|
- |
31 |
First Total |
|
|
|
- |
- |
3+5 |
- |
3+1 |
Add to Reduce |
3+5+8 |
1+4+2 |
2+5 |
- |
- |
|
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
|
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
4 |
Essence of Number |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
S |
= |
1 |
- |
7 |
SHADOWS |
89 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
|
9 |
PHANTASMS |
111 |
30 |
3 |
I |
= |
9 |
- |
4 |
INTO |
58 |
22 |
4 |
T |
= |
2 |
- |
5 |
TRUTH |
87 |
24 |
6 |
- |
- |
|
- |
33 |
Add to Reduce |
|
|
|
- |
- |
3+2 |
- |
3+3 |
Reduce to Deduce |
4+4+1 |
1+3+5 |
2+7 |
- |
- |
|
- |
6 |
Essence of Number |
|
|
|
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
76 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
121 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+7 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
Reduce to Deduce |
2+3 |
1+4 |
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
4 |
|
64 |
28 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
3 |
|
34 |
16 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
3 |
|
58 |
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
5 |
|
56 |
29 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
60 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
3 |
|
52 |
25 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
5 |
|
65 |
29 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
5 |
|
49 |
31 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
28 |
|
4 |
|
64 |
28 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
3 |
|
34 |
16 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
|
3 |
|
58 |
13 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
29 |
|
5 |
|
56 |
29 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
60 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
3 |
|
52 |
25 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
5 |
|
65 |
29 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
31 |
|
5 |
|
49 |
31 |
31 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
24 |
|
4 |
|
42 |
24 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
22 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
23 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
4+0 |
Add to Reduce |
5+2+2 |
2+4+3 |
2+2+5 |
|
|
|
|
|
7+0 |
4+2 |
|
2+4 |
6+3 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
ZERO ONE TWO THREEFOUR FIVE SIX SEVEN EIGHT NINE
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock1996
Chapter 14
Space-Time Co-ordinates
Becoming equipped
Page 232
The Utterances conventionly numbered 471, 472 and 473 in the" ancient Egyptian Pyramid Texts contain information of an extraordinary nature. In view of the importance of this information,we set it out in full below:
I am the essence of a god, the son of'a god, the messenger of a god. [says the Horus-King]. The Followers of Horus cleanse me, they bathe me, they dry me, they recite for me the Spell [formula] for Him who is on the Rightway, they recite for me the Spell of Him who Ascends, and I ascend to the sky.
I will go aboard this-Bark of Re [the Solar Bark] ... Every god will /Page 233/ rejoice at meeting, me as they rejoice at meeting Re [the-sun] when he ascends from the eastern side of the sky inpeace, in peace.
The sky quivers, the earth quakes before me, for I am a magician, I possess magic . . . I have come that I may glorify Orion; that I may set Osiris at the head, that I may set the gods upon their thrones.
O Mahaf, Bull of the gods [Taurus-Hyades], bring me this [solar bark] and set me on yonder side . . . The reed-floats of the sky are set down for me by the day-bark that I [the solar Horus-King] may go up to them to Re at the Horizon. The reed floats of the sky are brought down to me by the night bark that I may go up on them to Horakhti at the Horizon. I go up to the eastern side of the sky where the gods are born, and I am born as Horus, as Him of the Horizon . . . I have found the Akhus with their mouths equipped . . .
'Who are you?' say they [the Akhus], with their mouths equipped.
I am an Akhu with my mouth equipped,'
'How has this happened to you,' say they, the Akhus with-their with their mouths equipped, 'that you have come to-this place more noble than any place?'
'I have come to this place more noble than any place because: The reed-floats of the sky were set down- for Re [the sun disc and the emblem of the Horus- King] that Re might-cross [the Milky Way] on them to Horakhti at the Horizon . . . '8
These Utterances appear to describe an important part of the HorusKing's initiatory journey - an ordeal of questions and answers based on astronomical science - wrapped.up in esoteric symbols. The inquisitors are the 'Followers of Horus', also .known as the Akhus (the 'Venerables', the 'Shining Ones', the 'Transfigured Spirits', etc., etc.). Moreover, as we would expect, the Horus-Kings cosmic journey begins in the Taurus-Hyades region of the sky, on the right bank of the Milky Way and-proceeds along the ecliptic path to end at Leo i.e. 'Horakhti', at the horizon. Here, at this place more noble than any place', the Akhus greet him - indeed he claims to have become an Akhu himself - and give him the final, instructions or directions that he will need to complete his quest.
What we have to consider is the possibility that these, final instructions might somehow have 'equipped' the Horus-King 'to make the necessary journey back in time, to the 'First Time' and-into the cosmic Kingdom of Osiris when sky and ground were united in perfect harmony."
WHO ARE YOU SAY THEY THE AKHUS WITH THEIR MOUTH EQUIPPED
?
I
AM AN AKHU WITH MY MOUTH EQUIPPED
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
A |
= |
1 |
- |
2 |
AN |
15 |
6 |
6 |
A |
= |
1 |
- |
4 |
AKHU |
41 |
15 |
6 |
W |
= |
5 |
- |
4 |
WITH |
60 |
24 |
6 |
M |
= |
4 |
- |
2 |
MY |
38 |
11 |
2 |
M |
= |
4 |
- |
5 |
MOUTH |
77 |
23 |
5 |
E |
= |
5 |
- |
8 |
EQUIPPED |
93 |
48 |
3 |
B |
- |
30 |
|
28 |
First Total |
|
|
|
- |
- |
3+0 |
- |
2+8 |
Add to Reduce |
3+4+7 |
1+4+0 |
4+1 |
- |
- |
3 |
- |
10 |
Second Total |
|
|
|
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
1+4 |
- |
- |
- |
- |
|
- |
1 |
Essence of Number |
|
|
|
Page 219
"Akhu, meaning variously, the'Shining Ones', the 'Star people' or the 'Venerables'. In this way they will lead us back to the trail of the 'Followers of Horus' and to the notion that for thousands of years - spanning both the prehistoric and the historic periods - the members of a hidden academy may have been at work behind the scenes in Egypt, observing the stars with scientific rigour and manipulating men and events according to a celestial timetable . . ."
Page 244
Secret spell
We suspect that for thousands of years before the Pyramid Age, hundreds of generations of Heliopolitan astronomer priests had kept the constellation of' Orion continuously under observation, paying particular attention to its place of meridian-transit - i.e. the altitude above the horizon at which it crossed the celestial meridian. We think that careful records were kept, perhaps written, perhaps orally encoded in the ancient 'mythological' language of precessional astronomy.20 And we suppose that note was taken of Orion's slow precessional drift - the effect of which was that the constellation would have seemed to be slowly drifting northwards along the west 'bank' of the Milky Way.
It is our hypothesis that the mythical image of the vast.body of Osiris slowly being.carried to the north, 'i.e.'drifting' on the waters of the Nile, is a specific piece of astronomical terminology coined to describe the long-terrn changes being effected' by precession in Orion's celestial, 'address'. In the Mephite Theology.as the reader will recall, this drift was depicted as havig commenced in the south, symbolically called Abydos (in archaeological 'terms the. most southerly 'shrine' of Osiris), and to have carried the 'body' of'the dead god to a point in the north symbolically called Sokar, i.e. the Memphite necropolis (the most northerly shrine: of Osiris), As we saw in Part III, the Shabaka Texts tell Us that when he reached this point:
Osiris was drowned in his water. Isis and Nepthys looked out, beheld him, and attended to him, Horus quickly commanded Isis and Nepthys to grasp Osiris and prevent his [submerging]. They heeded in time and brought him to land. He entered the hidden portals in the glory of the Lords of Eternity. Thus Osiris came.into.the earth at the Royal Fortress [Memphisj, to the north 'Of the land to which he had come [Abydos].21.
In the light of what we now know it is hard to-imagine that the reference to Osiris coming 'into the earth' (or down to earth?) could signify anything other than the physical construction of the body of Osiris on the ground' on the west banks of the Nile - in the form of the great Pyramid-fields of the sprawling Memphite necropolis. Since Osiris is Orion the desire to achieve such an effect would more than adequately explain why the, three Pyramids of Giza should have been arranged in the pattern of.the three stars of Orion's belt. Moreover, since we know that the stated goal of the Horus-King's quest was not only to find the astral 'body' of Osiris but to find it as it was in the 'First Time', we should not be .surprised by the fact that the Pyramids, as we saw in Part I, are set out on the ground in the pattern /Page246/that they made at the beginning (i.e. 'southernmost point') of that constellation's upward (i.e. 'northerly') precessional half-cycle.
So we wonder whether it is possible that the quest of the Horus King might have had as its ultimate objective the acquisition of knowledge concerning the 'First Time' - perhaps even the acquisition of specific knowledge from that remote epoch when the gods had walked the earth?
Several passages in the Pyramid Texts invite such speculation, For example, we.are told that the Horus-King must 'travel upstream' - i.e. must push against the natural drift of 'time' - in order to reach Orion-Osiris in his proper 'First Time' setting:
Betake yourself to the Waterway, fare upstream [south], travel about Abydos ill this spirit-form of yours which the gods command to belong to you; may a stairway I road] to the Duat be set up for you to the Place Where Orion Is _ . . . 22
They have found Osiris ... 'When his name became Sokar' [Memphite necropolis).. :. Wake up [Osiris] for Horus . . . raise yourself . .. fare southward [upstream] to the lake, cross over the sea [sky'], for you are he-who stands untiring in the midst of Abydos ... 23
Betake 'yourself to- the Waterway, fare upstream . . .traverse Abydos. The celestial portal to the Horizon is open to you ... may you remove yourself to the sky, for the roads of the celestial expanses which lead up to Horus are cleaned for you . . . for you have traversed. the Winding Waterway [Milky Way] which is in the north of the sky as a star crossing the sea which is beneath the sky _ The Duat has grasped your hand at the Place Where Orion Is . . . 24
Likewise there is a striking passage in the Coffin Texts which refers to some secret 'spell-or formula to allow the deceased' to use the 'path of Rostau' on the land-and in the sky (i.e. the path to the. Giza necropolis on land and to Orion's belt in the sky) in order to 'go down to any sky he wishes to go down to' . . . 26
I have passed on the path of Rostau, whether on water or on land, and these are the paths of Osiris [Orion], they are in the limit of the sky: As for him who knows the spell [formula] for going down into them, he himself is a god in the suite of Thoth [meaning he is as wise as Thoth, 'the controller of the stars'"] [and] he will go down-to any sky he wishes to go down to . . . 26
Page 247
Special numbers
We suspect that the phrase to 'go down to any sky' suggests an awareness - and recording - of precessionally induced changes in the positions of the stars over long "periods of time. And we also note its implication that if the chosen initiate was equipped with the correct numerical spell then he would be able to work out - and visualize the correct positions of the stars in any epoch of his choosing, past or future.
Once again Sellers stands out amongst Egyptologists for being the first to have entertained such apparently outlandish notions. 'It is possible', she writes, 'that early man encoded in his myths special numbers; numbers that seemed to reveal to initiates an amazing knowledge of the movement of the celestial spheres.' 27·
Such numbers, she argues, appear to have been derived from a sustained, scientific study of the cycle of precession and a measurement of its rate and, puzzlingly, turn out to be extremely 'close to the calculations made with today's sophisticated procedures'. Intriguingly, too, there is evidence not only 'that these calculations were made, and conclusions drawn', but.alsothat'they were transmitted to others by secret encoding that was accessible only to an elite few':28 In short, Sellers concludes, 'ancient man Calculated a special number that he believed would bring this threatening cycle [of precession] back to its starting point .. .' 29
The 'special number' to which Sellers is referring to is 25,920 (and multiples and divisions of it) and thus represents the duration, in solar years, of a full precessional cycle or 'Great Year'.30 She shows how it can be derived from a variety of simple combinations of other numbers - 5, 12, 36, 72, 360, 432, 2160, etc., etc. - all of which are in turn derived from precise observations of precession. Most crucially of all, she shows that this peculiar sequence of numbers occurs in the ancient Egyptian myth of Osiris where, notably '72 conspirators' are said to have been-involved with Seth in the murder of the God-King.3'
As was shown in Fingerprints of the Gods; the sun's perceived motion through the signs of the zodiac at the vernal equinox proceeds at the rate of one degree every seventy-two years. From this it follows that a movement of the vernal point through 30 degrees will take 2I60 /Page 248/ years to complete, 60 degrees will take 4320 years, and a full 360- degree cycle will require 25,920 years."
Curiously enough, as the reader will recall from Part I, the Great Pyramid itself incorporates a record of these precessional numbers - since its key dimensions (its height and the perimeter of its base) appear to have been designed as a mathematical model of the earth's polar radius and equatorial circumference on a scale of 1:43,200. The number 43,200 is, of course, exactly 600 times 72. What we have in - this remarkable monument, therefore, is not just a scale model of a hemisphere of the earth but also one in which the scale involved incorporates a 'special number' derived from one of the key planetary motions of the earth itself - i.e. the rate of its axial precession.
In short it seems that secret knowledge is indeed available in the myth of Osiris and in the dimensions of the Great Pyramid. With this secret knowledge, If we wanted to fix a specific date- say 1008 years in the future - and communicateit to other initiates, then we could do so with the special number' 14 (72 x l4 = I008).We would also have to specify the 'zero point' from which they were to make their calculations - i.e the present epoch - and this might be done with some kind of symbolic or mathematical marker to indicate where the vernal point presently is, i.e. moving out.of Pisces and into Aquarius.
A similar exercise could likewise be carried out in reverse. By following the 'eastwards' direction along the ecliptic path we can 'find' (calculate, work out) where the vernal point was at any epoch in the past. Thus if today we wished to use the precessional code to direct attention towards the Pyramid' Age we would need to confide to other initiates the 'special number' of 62.5 (72 x 62.5 = 4500 years ago = approximately 2500 BC). Again, we could rule out any ambiguity as to the zero date from which the calculations were to be made if we could find a way to indicate the present position of the vernal point.
We have seen that this is what Sneferu appears to have done with the two Pyramids at Dahshur, which map the two sides of the head of the celestial bull - the 'address' of the vernal point in his epoch. And in a sense, though with a great deal more specificity and precision, this could also be exactly what the builders of the Great Pyramid were doing when they deliberately targeted the southern shafts of the King's and Queen's Chambers on the meridian-transits of such /Page 249/ significant stars as Orion and Sirius in the epoch of 2500 BC.To be clear about this, it seems to us well worth investigating the possibility, that by setting up such obvious and precise 'time markers' they. were trying to provide an unambiguous zero point - circa 2500 BC .; for calculations that could only be undertaken by initiates steeped in the mysteries of precession, who were equipped by their training to draw out the hidden portents concealed in certain 'special numbers'.
We note in passing' that if the Horus-King could have' been provided with the 'special number' III.III, and had used it in the way described above; it would have led him back to (72 x III.III years =) 7,999.99 years before the specified 'ground zero', i.e. to almost exactly 8000 years before 2500 BC - in short, to 10,500 BC .
We know this seems like wishful numerology of the worst sort - i.e, 'factoring in' an arbitrary.value to a set of calculations so as to procure - spurious 'corroboration' for a specific 'desired date (in 'this case the date of 10,500 BC, twelve and a half thousand years before the present, that we have already highlighted in Chapter 3 in connection with the Sphinx and the Pyramids of Giza). The problem, however, is tliat the number III.III may well not be anarbitrary value . At any rate, it has long been recognized that the main numerical factor in the design of the Great Pyramid, and indeed of the Giza necropolis as a whole, is the prime number II - a prime number being one that is only divisible by itself to produce the whole number I. Thus II .divided by II, i.e. the ratio II:II, produces the whole number I (while II divided by anything else," i.e. any other ratio, would, of neccessity, generate a fraction).
What is intriguing is the way that the architecture of the Great Pyramid responds to the number rr when it is divided, or multiplied, by other whole numbers. The reader will recall, for example, that its side length of just over 755 feet is equivalent to 440 Egyptian royal cubits - i.e. II times 40 cubits." In addition, its height-to-base ratio is , 7:II.34 The slope ratio of its sides is 14:11 (tan 51 degrees 50').35 And the slope ratio of the southern shaft of the King's Chamber - the shaft that was targeted on Orion's belt in ,2500 BC - is II:II (tan 45 degrees)."
Arguably, therefore, the ratio II:II, which integrates with our /Page 250/
'special number' III.III, could be considered as a sort of mathemati cal key, or 'stargate' to Orion's belt, Moreover,as"we shall see, a movement of III.III degrees 'backwards 'along the ecliptic from 'ground-zero' at the Hyades-Taurus, the head of the celestial bull, would place the vernal point 'underneath' the cosmic lion.
Is it not precisely such a location, underneath the Great Sphinx, that the Horus-King is urged to investigate as he stands between its paws 'with his mouth equipped' and faces the questions of the Akhus whose initiations have led' him this far? Indeed, does it not seem probable that the 'quest-journey' devised by the 'Followers of 'Horus' was carefully structured so as to sharpen the mind of the initiate by requiring him to piece together all the clues himself until he finally arrived at the-realization that somewhere underneath the Great Sphinx of Giza was something,(written or pictorial records, artefacts, maps.astronomical charts) that touched on 'the knowledge of a divine origin', that was of 'irnmense importance, and that had been concealed there since the 'First Time'?
,In consideririg such questions, we are reminded of the Hermetic doctrines which transmit a tradition of the wisdom god Thoth who was said to have 'succeeded in understanding the mysteries of the heavens [and to have] revealed them by inscribing them-in sacred books' which he "then hid here on earth, intending that: they should be searched for by future generations but "found only by the fully worthy'37 Do the 'sacred books of 'Thoth', or their equivalent, still lie in the bedrock beneath the Great Sphinx of Giza, and do the 'fuIly worthy' still seek them there?
Seekers after truth
Other questions, too, have been raised implicitly and explicitly in the foregoing chapters:
I Were the Great Sphinx and the great Pyramids of Giza designed to serve as parts of-an immense three-dimensional 'model' of the sky of the 'First Time'?
2 Could other features of the necropolis also be part of this model?
3 If so, then has enough survived for us to compare the model with computer simulations of the skies above Giza in previous epochs /Page 251/
and thus. arrive at an accurate archaeoastronomical dating for the 'First Time', i.e. for.the true .'genesis'of the extraordinary civilization of Egypt?
By looking at-simulations of the ancient skies would we not, to use the language of the Egyptian funerary texts, be 'going down to any sky we wished to go down to'? ,
Is it an accident that so many of these iexts~have survived for thousands of years, or could their compilers have intended them to survive and carefully designed them in such a way that human nature would ensure their copying and recopying down the ages (a process that has been promiscuously resumed 'in the last century and.a half since the decipherment of the ancient Egyptian hieroglyphs, with the Coffin Texts, the Pyramid Texts, the Book of the Dead, etc., etc., now translated and reprinted in dozens of modern languages and editions - and even available on CD-ROM)?
6 In other words, is it not possible in our readingsof the texts, in our analysis of the rituals to which they were linked, that. we have stumbled upon a message of primordial antiquity that was composed not: just for the Pyramid Age, and not just for the Horns-Kings of ancient Egypt, but for all 'seekers after the truth' from any culture, in any epoch, who might-be 'equipped' to put texts and monuments together and to view the skies of former times?
Page 252 (number omitted)
Chapter 16
Message ina Bottle?
'We have reached this fascinating point in our evolution. . . we have reached the time when we know we can talk to each other across the distances between 'the stars . . . '
Dr John Billingham, NASA Ames Research Center, 1995
Together with the ancient-texts and rituals that are linked to them, could the vast monuments of the Giza necropolis have been designed to transmit a message from one culture to another - a message not across space but across time?
Egyptologists reply to-such questions by rolling their eyes and hooting derisively. Indeed they would not be 'Egyptologists' (or at any rate they could not long remain within that profession) if they reacted with anything other than scorn and disbelief to suggestions that the necropolis might be more than a cemetery, that the Great Sphinx might significantly predate the epoch of 2500 BC, and that the Pyramids might not be just 'royal tombs'. By the same token, no selfrespecting Egyptologist 'would be prepared to consider, even for a moment, the outlandish possibility that some sort of mysterious 'message" might have been encoded into the monuments.
So whom should we turn to for advice when confronted by what we suspect may be a message from a civilization so far distant from us in time as to be almost unknowable? .
Anti-cipher
The only scientists actively working on such problems today are those involved in the Search for Extraterrestrial Intelligencec- SETI for /Page253/ short . They endlessly sweep the heavens.for messages from distant civilizations and they have therefore naturally had to give some thought to what might happen if they ever did identify such, a message. According to Dr Philip Morisson of the Massachusetts Institute of Technology:
To begin with we would know very.little about it. If we received it we would not understand what we're getting. But we would have an unmistakable signal full of structure, full of challenge. The best people would try to decode it, and it will be easy to do because those who have constructed it would have made it easy to decode, otherwise there's no point. This is anti-cryptography: 'I want to make a message for you, who never got in touch with any symbols of mine. no key no clue, nevertheless you'll be able to read it . . .' I would haveto fill it full of clues and unmistakable clever devices. . . 1
In his book, Cosmos, Professor Carl Sagan of Cornell Universersity rnakes much the same point - and does so, curiously enough, with reference to the ancient Egyptian hieroglyphic system. He explains that the 'Egyptian hieroglyphics are, in significant part a simple substitution cipher. But not every hieroglyphic is a letter or symbol. Some are pictographs . . .' When it comes to transhition, this 'mix of letters and pictographs caused some grief for interpreters . . .' In the early nineteenth century, however, a breakthrough was made by the French scholar Champollion who deciphered the famous 'Rosetta Stone', a slab of black basalt bearing identical inscriptions in Egyptian hieroglyphics and in Greek. Since Champollion could read the Greek, all he needed was some kind of 'key' to relate specific hieroglyphs to specific Greek words or letters. This key was provided by the constant repetition in the Greek text of the name of Pharaoh Ptolemy V and an equal number of repetitIons in the Egyptian text of a distinctive oblong enclosure - known as a cartouche containing a repeated group of hieroglyphs. As Sagan comments:
The cartouches were the key . . . almost as though the Pharaohs of Egypt had circled their own names to make the going easier for Egyptologists two thousand years in the future. . . What a joy it must have been [for Champollion] to open this one-way communication channel with another civilization, to permit-a culture that had been /Page 254/ mute for millennia to speak of its history, magic, medicine, religion, politics and philosophy.2
Professor Sagan then offers a comparison that is highly apposite to our present inquiry. 'Today,' he says:
we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood. Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible as . possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We :believe there is a common language that all technical civilizations, no matter how .different, must have. That common language is science and mathematics, The laws of Nature are the same everywhere?
It seems to us that if there is indeed a very ancient 'message' at Giza then it is likely to be expressed in the language of science and mathematics that Sagan identifies - and for the same reason. Moreover, given its need to continue 'transmitting' coherently across thousands of years (and chasms of cultural change), we think that the composer of such a message would be likely to make use of the Precession of the Equinoxes, the one particular 'law of Nature' that can be said to govern, and measure - and identify - long periods of terrestrial time.
Durable vehicles
The Pyramids and the Great Sphinx at Giza are, above all else, as elegant, as complex, as internally consistent and as utterly 'alien' as the extraterrestrial intelligence that Sagan envisages (alien in the sense of the tremendous, almost superhuman scale of these structures and of their uncanny - and in our terms apparently unnecessary precision).
Moreover, returning briefly to Dr Philip Morisson's remarks quoted earlier, we think that the Giza necropolis also qualifies rather. well for the description 'packed full of clues and unmistakable clever devices'.4 Indeed, it seems to us that a truly astonishing quantum of /Page 255/ ingenuity was invested by the Pyramid builders to ensure that the four fundamental aspects of an 'unmistakable' message were thoroughly elaborated .here:
I the creation of durable, unequivocal markers which could serve as beacons.to-inflame the curiosity and-engage the intelligence of future generations of seekers;
2 the use of the 'cominon language' of precessiona astronomy;
3 the use of precessional co-ordinates to signal specific timereferents linking past to present and present to-future;
4 Cunningly. concealed store-rooms-or 'Halls of Records' that could only be found and entered by those who were fully initiated in the 'silent language' and thus could read and follow its clues.
In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context.is understood, we have also to consider the amazing profusion of funerary texts that have oome down to us from all periods of Egyptian history - all apparently emanating from the same very few common sources.5 As we have seen, these texts operate like 'software' to the monuments' 'hardware', charting the route that the Horus-King (and all other future seekers) must.follow,
We recall a remark made by Giorgio de .Santillana and Hertha von Dechend in Hamlet's Mill to the effect that the'great strength of myths as vehicles for specific technical information is that they are capable of transmitting that information independently of the knowledge of individual-story-tellers.6 In other words-as long as a myth continues be told true, it will also continue to trailsmit any higher message that may-be concealed within its structure - even if neither the teller or the.hearer understands that message.
So, too we suspect, with the ancient Egyptian funerary texts. We would-be surprised if the owners of'many of the coffins and tomb walls onto-which they were copied-had even, the faintest inkling that specific astronomical observations and directions were being duplicated at their expense. What motivated. them was precisely what the texts offered - the lure of immortal life. Yet by taking that lure did they inot-in fact guarantee a kind-of immortality for the textss themelves? Did they not ensure that so many faithful copies would /Page 256/ be made that some at least would-be bound to survive for many thousands of years?
We think that there were always people who understood the true 'science of immortality' connected to the texts, and who were able to read the astronomical allegories in which deeper secrets, not granted to the common herd, lay concealed. We presume that these people were once' called the 'Followers of Horus', that they operated as an invisible college behind the scenes in Egyptian prehistory and history, that their primary cult centre was at Giza-Heliopolis, and that they were responsible for the initiation of kings and the realization of blueprints. We also think that the timetables they worked to - and almost everything of significance that they did - was in one way or another written in the stars.
Hints and memories
The powerfully astronomical character of the" Giza necropolis, although ignored by Egyptologists, has been recognized by openminded and intuitive researchers throughout history. The Hermetic Neoplatonists of Alexandria, for example, appear to have been acutely sensitive to the possibility of a 'message' and were quick to discern the strong astral qualities of the textual material and the monuments.' The scholar Proclus (fifth century AD) also acknowledged that the Great Pyramid was astronomically designed - and with certain specific stars in mind. Indeed, in his commentary on Plato's Timaeus (which deals with the story of the lost civilization of 'Atlantis'), Proclus reported strangely that 'the Great Pyramid was used as an observation for Sirius'."
Vague memories of an astronomically constructed 'message' at Giza appear to have filtered down to the Middle Ages. At any rate the Arab chroniclers in this period spoke of the Great Pyramid as 'a temple to the stars'. . ."
Page 278
Treasure map
We said earlier that in the architectural-astronomical system of the Pyramid builders the position of the vernal point along the ecliptic which denoted the 'Splendid Place of the "First Time'" was considered to be 'controlled' by the position of Osiris-Orion at the meridian: 'slide' Orion's belt up from its location at 2500 BC and the vernal point is 'pushed' westwards around the ecliptic (and forward in time) in the direction Taurus -) Aries Pices - Aquarius; 'slide' it down and the vernal point is pushed 'east', i.e. back in time, in the direction Taurus - Gemini - Cancer - Leo. So in 10,500 BC, with the belt stars fully 'slid down' to their lowest possible altitude above the horizon, how far around the ecliptic has the vernal point been 'pushed? We know it is in Leo. But where in Leo?
Computer simulations show that it lay exactly III. III degrees east. of the station that it had occupied at 2500 BC. Then it had been at the head of the Hyades- Taurus close to the right bank of the Milky Way; 8000 years earlier it lay directly under the rear paws of the constellation-of Leo.
As we have hinted, this is a location that is likely to have a terrestrial 'double'. The three stars of Orion's belt have their terrestrial doubles in the form of the three Great Pyramids. The constellation of Leo Horakhti has its terrestrial double in the form of Hor-em-Akhet, ie.. the Great Sphinx. The 'Horizon of the Sky' has its terrestrial double in the form of the 'Horizon of Giza'. And the Great Sphinx crouches literally within this 'Horizon'.
Page 279
It was to the breast of the Great Sphinx, at the summer solstice in the Pyramid Age, that the quest of the Horus-King led. There he encountered the Akhus:
'How has this happened to you', say they, the Akhus with their mouth equipped, 'that you have come to this place more noble than any other place?'
'I have come . . . because the reed floars.of the sky were set down for Re [the sun-disc and cosmic 'double' of the Horus King] that Re might cross [the Milky Way] on them to Horakhti at the Horizon' 18
In other words, the Horus-King has successfully understood and used the clues provided in the ritual. He has noted and followed the path of the sun during the solar year from its starting point - designated in the texts as being beside the Hyades-Taurus, i.e. 'Bull of the Sky' - and thence across the MilkyWay until the moment of its conjunction with Regulus, the heart-star of Leo. He has then taken this celestial treasure map, transposed its co-ordinates to the ground, made his way across the River Nile and ascended to the Giza plateau, coming eventually to the breast of the Sphinx.
We think that he received there the necessary clues or instructions to find the entrance to the terrestrial Duat, to tlie 'Kingdom ofOsiris' on the ground - in short to the 'Splendid Place of the "First Time" ' where he would have to go in order to complete his quest. And we suggest that these clues were designed to encourage him to track the vemal point, just as we have done, to thel ocation that it would have occupied in 10,500 BC when Orion's belt had reached the lowest point - its precessional cycle.
In other words it is our hypothesis that the Giza monuments, the past, present and future skies that lie above them, and the ancient funerary texts that interlink them, convey the lineaments of a message. In attempting to read this message we have done no more than follow the initiation 'journey' of the Horus-Kings of Egypt. And the ancient Horns-Kings we, too, have arrived at a most intriguing crossroad. The trail of initiation has guided us, directed us finally lured us to stand in front of the Great Sphinx and, like Oedipus, to confront the ultimate riddles: 'Where did we come from?' are we to go to?'
Page 283 (number omitted)
Conclusion
Return to the Beginning
I stand before the masters who witnessed.
the genesis, 'who were the authors of their own forms,
who walked the dark, circuitous passages of their own becoming ... I stand
before the masters who witnessed the
transformmation of the body of a man into the
body in spirit, who were witnesses to
resurrection when the corpse of Osiris
entered the mountain and the soul of Osiris
walked out shining . . . when he came forth
from death, a shining. thing, his face white
with heat . . . I stand before the masters who
know the histories of the dead, who decide
which tales to hear again, who judge, the
books of lives as either full or empty, who are
themselves authors of truth. And they are
Isis and Osiris, the divine intelligences. And
when the story is written and the end is good
and the soul of a man is perfected, with a shout they lift him into heaven . . .'
Ancient Egyptian Book of the Dead (Normandi Ellis translation)
The dictionary tells us that, separately from its modern usage the word, 'glamour' has a traditional meaning roughly equivalent to 'magic.spell or 'charm', and is the Old Scottish variant of: 'grammar . . . hence a magic spell, because occult 'practices were popularly associated with learning.'
Is it possible that men and women of great wisdom and learning cast a 'glamour' over the Giza necropolis at some. point in the distant / Page 284/ past? Were they the possessors of as yet unguessed-at secrets that they wished to hide here? And did they succeed in concealing those secrets almost in plain view? For thousands of years, in other words, has the ancient Egyptian royal cemetary at Giza veiled the presence of something else - something of vastly greater significance for the story of Mankind?
One thing we are sure of is that unlike the hundreds of Fourth Dynasty mastaba tombs to the west of the Sphinx and clustered around the three great Pyramids, the Pyramids themselves were never designed to serve primarily as burial places. We do not rule out the possibility that the Pharaohs Khufu, Khafre and Menkaure may at one time have- been buried within them - although there is no evidence for this - but we are- now satisfied. that the transcendent effort and skill that went into the construction of these awe-inspiring monuments was motivated by a higher purpose.
We think that purpose was connected to the quest for eternal life wrapped up in a complete religious and spiritual system that the ancient Egyptians inherited from unknown predecessors and that they later codified in -their eerie and other-worldly funerary and rebirth texts. We suggest, in short, that it was the goal of immortality , not just for one Pharaoh but for many, that the corridors and passages and hidden chambers and concealed gates.and doorways of the Giza complex were ultimatelydesigned to serve. Depicted in the Book of What is in the Duat as being filled with monsters, these narrow, claustrophobic, terrifying places, hemmed in on all sides by sheer stone walls, were in our view conceived as the ultimate testing ground for initiates. Here they would be forced to face and overcome their most horrible and debilitating fears. Here they would pass through unimaginable ordeals of the spirit and the mind. Here they would learn esoteric wisdom through acts of concentrated intelligence and will. Here they would be prepared, through practice and experience, for the moment of physical death and for the nightmares that would follow it, so that these transitions would not confuse or paralyse them - as they might other, unprepared, souls - and so that they might become 'equipped spirits' able to move as they wished through heaven and earth, 'unfailingly, and regularly and eternally'.1
Such was the lofty goal of the Hems-King's quest and the ancient /Page 285/ Egyptians clearly believed that in order to attain it the initiate would have to participate in the discovery, the unveiling, the revelation, of something of momentous importance - something that would bestow wisdom, and knowledge of the 'First Time', and of the mysteries of the cosmos, and of' Osiris, the Once and Future King.
We are therefore reminded of a Hermetic Text, written in Greek but compiled in Alexandria in Egypt some 2000 years ago, that is known as the Kore Kosmu (or Virgin of the World).2 Like other such writings, this text speaks of' Thoth, the ancient Egyptian wisdom-god, but refers to him by his Greek name, Hermes:
Such was all-knowing. Hermes,who saw all things, and seeing understood, and understanding had the power both to disclose and to give explanation. For what he knew .he graved on.stone; yet though.he graved them onto stone he hid them mostly . . . The sacred symbols of the cosmic .elements [he] hid. away hard by the secrets of Osiris . . . keeping sure silence, that every younger age of cosmic.time might seek for them..3
The text then tells us that before he retumed to Heaven' Hermes invoked .a spell on the secret writings and knowledge that he had hidden:
O holy books, who have been made by my immortal hands, by incorruption's magic spells . . . free from decay throughout eternity remain, and incorrupt from time. Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until Old Heaven doth bring forth meet instruments for you . . .4
What instruments might lead to the recovery of, 'unseeable and unfindable' secrets concealed at Giza?
Our research has persuaded us that a scientific language of processional time and allegorical astronomy was deliberately expressed in the principal monuments there and in the texts that relate to them. From quite an early stage in our investigation, - we hoped that this language might shed new light on the enigmatic civilization of Egypt. We did not at first suspect, however, that it would-also turn out to encode specific celestial co-ordinates or that . . . these. would. transpose onto the ground in the form of an arcane /Page 286/ 'treasure map', directing the attention of seekers to a precise location in the bedrock deep beneath the Sphinx.
Nor did we suspect, until we met them, that others such as the Edgar Cayce Foundation and the Stanford Research Institute - see Part II - might already.he looking there.
Osiris breathes
Throughout this investigation we have tried to stick to the facts, even when the facts have been very strange.
When we say that the Sphinx, the three Great Pyramids, the causeways and other associated monuments of the Giza necropolis form a huge diagram we are simply reporting a fact. When we say that this diagram depicts the skies above Giza in 10,500 BC we.are reporting a fact. When we say that the Sphinx bears erosion marks which indicate that itr was carved before the Sahara became a desert we are reporting a fact. When we say that the ancient Egyptians attributed their civilization to 'the gods' and to the 'Followers of Horus' we are reporting facts. When we say that these divine and human,civilizers' were remembered as having come to the Nile Valley in Zep Tep - the 'First Time' - we are reporting a fact. When we say that the ancient Egyptian records tell us this 'First Time' was an epoch in the past were thousands of years before the era of the Pharaohs\we are repotrtin a fact:
Our ciivilization has had the scientific wherewithal to get. to grips with the many problems of the Giza necropolis for less than two centuries, and it is only in the last two decades that computer technology has made it possible for us to reconstruct the ancient skies and see the patterns and conjunctions that unfolded there. During this period access to the site, and knowledge about it, has been monopolized. by members of the archaeological and Egyptological professions who have agreed amongst themselves as to the origin, and age, and function of the monuments. New evidence which does not support this scholarly consensus, and which might actively undermine it, has again and again been overlooked, or sidelined,and sometimes even deliberately concealed from the public. This; we assume, is why everything to do with the shafts of'the Great Pyramid /Page 287/ their stellar alignments, the iron plate, the relics, and the discovery - of the' door' - has met with such peculiar and inappropriate responses from Egyptologists and. archaeologists. And. we assume that-. it explains, too, why the same scholars have paid such scant attention to the solid case that geologists have made for the vast antiquity of the Sphinx.5
The Giza monuments are a legacy for Mankind, preserved almost intact over thousands of years, and, outside the privileged circles of, Egyptology and archaeology, there is today a broad-based expectation that they .might be about to reveal a remarkable secret. That expectation may or may not prove to be correct. Nevertheless in an intellectual culture polarized by public anticipation and orthodox reaction, we feel it is only wise that, future explorations at the necropolis should be conducted with complete 'transparency' and accountability. In particular the opening of the 'door' inside the southern shaft of the Queen's Chamber, the videoscopic examination of the northem shaft, and any further remote-sensing: surveys conducted around the Sphinx, should. be carried out under the scrutiny of the international mass media and should not be subjected to bizarre and inexplicable delays.
We cannot predict what new discoveries will be made by such research, or even whether any new discoveries will be made. However, after completing our own archaeoastronomical investigation, and following the quest of the Horus-King, we are left with an enhanced sense of the tremendous mystery of this amazing site - a sense that its true story has only just begun to be told. Looking at the awe-inspiring scale and precision of the monuments we.feel, too, that the purpose of the ancient master-builders was sublime, and that they did indeed find a way to initiate those who would come after thousands of years in the future - by making. use of the universal language of the stars.
They found a way to send a message across the ages in a code so simple and so self-explanatory that it might rightly be described as an anti-cipher.
Perhaps the time has come to listen to that clear, compelling signal that beckons to us out of the darkness of prehistory. Perhaps the time /Page 288 / has come to -seek- the buried treasure of our forgotten genesis and destiny:
Stars fade like memory-the instant before dawn. Low-in the east the sun appears, golden as an opening eye, That which can be named must exist. That which is named can be written. That which is written.shall be remembered. That which is remembered lives. In the land of Egypt Os iris breathes.
OSIRIS SO I R IS IS I R SO OSIRIS
OS999S SO 9 9 9S 9S 9 9 SO OS999S
OSIRIS SO I R IS IS I R SO OSIRIS
OSIRIS ISIS OSIRIS
CHRISTOS CHRIST SO SEE HERE IS THE CHRISTOS
6 |
CHRIST |
77 |
30 |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
2 |
|
34 |
7 |
7 |
1 |
|
18 |
9 |
9 |
1 |
|
3 |
3 |
3 |
4 |
|
56 |
20 |
2 |
8 |
CHRISTOS |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
8 |
CHRISTOS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
8 |
CHRISTOS |
3 |
3 |
3 |
C |
= |
3 |
= |
- |
|
- |
- |
- |
- |
- |
- |
- |
2 |
|
34 |
7 |
7 |
- |
- |
- |
- |
1 |
|
18 |
9 |
9 |
- |
- |
- |
- |
1 |
|
3 |
3 |
3 |
- |
- |
3 |
- |
4 |
|
56 |
20 |
2 |
C |
= |
- |
= |
8 |
CHRISTOS |
111 |
39 |
21 |
- |
- |
3 |
- |
- |
- |
1+1+1 |
3+9 |
2+1 |
C |
= |
- |
= |
8 |
CHRISTOS |
3 |
12 |
3 |
- |
- |
- |
- |
- |
- |
- |
1+2 |
- |
C |
= |
3 |
= |
8 |
CHRISTOS |
|
|
|
C |
= |
3 |
= |
- |
|
- |
- |
- |
- |
- |
- |
- |
2 |
|
34 |
7 |
7 |
- |
- |
- |
- |
1 |
|
3 |
3 |
3 |
- |
- |
- |
- |
1 |
|
18 |
9 |
9 |
C |
= |
3 |
= |
8 |
CHRISTOS |
111 |
39 |
21 |
- |
- |
- |
- |
- |
- |
1+1+1 |
3+9 |
2+1 |
C |
= |
3 |
= |
8 |
CHRISTOS |
3 |
12 |
3 |
- |
- |
- |
- |
- |
- |
- |
1+2 |
- |
C |
= |
3 |
= |
8 |
CHRISTOS |
|
|
|
SO OSIRIS IRIS IS IS IRIS OSIRIS SO
SO THIS SIRIUS THIS SO
- |
|
- |
- |
- |
2 |
|
34 |
7 |
7 |
3 |
|
36 |
27 |
9 |
1 |
|
19 |
1 |
3 |
6 |
OSIRIS |
89 |
35 |
21 |
- |
- |
8+9 |
3+5 |
2+1 |
6 |
OSIRIS |
17 |
8 |
8 |
- |
- |
1+7 |
- |
- |
6 |
OSIRIS |
8 |
8 |
8 |
OSIRIS = 89 8x9 = 72 = 8x9 89 = OSIRIS
CONSPIRITORS
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
3 |
SET |
44 |
17 |
8 |
- |
- |
|
|
|
|
|
|
- |
- |
1+6 |
1+3 |
|
1+8+9 |
7+2 |
1+8 |
- |
- |
|
|
|
|
|
|
- |
- |
|
|
|
1+8 |
- |
- |
- |
- |
7 |
|
|
|
|
|
O |
= |
6 |
6 |
OSIRIS |
89 |
35 |
8 |
H |
= |
8 |
5 |
HORUS |
81 |
27 |
9 |
I |
= |
9 |
4 |
ISIS |
56 |
20 |
2 |
- |
- |
|
|
|
|
|
|
- |
- |
1+3 |
1+5 |
|
2+2+6 |
8+2 |
1+9 |
- |
- |
|
|
|
|
|
|
- |
- |
|
|
|
1+0 |
1+0 |
1+0 |
- |
- |
7 |
|
|
|
|
|
O |
= |
6 |
6 |
THE |
33 |
15 |
6 |
H |
= |
8 |
5 |
HORUS |
81 |
27 |
9 |
O |
= |
6 |
6 |
OF |
21 |
12 |
3 |
I |
= |
9 |
4 |
HOURS |
81 |
27 |
9 |
- |
- |
|
|
|
|
|
|
- |
- |
1+3 |
1+5 |
|
2+2+6 |
8+2 |
1+9 |
- |
- |
|
|
|
|
|
|
- |
- |
|
|
|
1+0 |
1+0 |
1+0 |
- |
- |
7 |
|
|
|
|
|
6 |
SOTHIS |
90 |
36 |
9 |
6 |
SIRIUS |
95 |
32 |
5 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
3 |
DOG |
26 |
17 |
8 |
S |
= |
1 |
4 |
STAR |
58 |
13 |
4 |
- |
- |
|
|
|
|
|
|
- |
- |
|
1+0 |
|
1+1+7 |
4+5 |
1+8 |
- |
- |
|
|
|
|
|
|
5 |
ORION |
71 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
3 |
SAH |
28 |
10 |
1 |
3 |
SPD |
39 |
12 |
3 |
4 |
SPDT |
59 |
14 |
5 |
4 |
SEPT |
60 |
15 |
6 |
9 |
SEPTEMBER |
103 |
40 |
4 |
4 |
ISIS |
56 |
20 |
2 |
6 |
OSIRIS |
89 |
35 |
8 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
S |
= |
1 |
- |
3 |
SOS |
53 |
26 |
8 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SO |
34 |
16 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
IS |
28 |
10 |
1 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
7 |
7 |
|
3 |
7 |
Daily Mail. Tuesday. March 31, 2015
Page 68
The point of pentangles
ANSWERS TO CORRESPONDENTS
QUESTION
Which culture first used the pentangle and how did it become associated with the occult?
THE pentangle is usually represented as the pentagram, a five-pointed, linear star within a circle, worn or drawn with the point facing up.
It served to mark directions in Sumerian texts, dating from about 30BC, and is found in most early cultures. The ancient Greeks established its symbolic status.
Greek mathematician and philosopher Pythagoras believed five was the number of perfection, because of the fivefold division of the body (head, arms and legs outstretched) mirroring the division of the soul into fire, water, air, earth and psyche. The Pythagoreans held the pentacle sacred to Hygeia, the goddess of healing.
Early Christians wore the pentagram to represent the five wounds of Christ and to symbolise thefive senses.
In the 14th-century English poem Sir Gawain And The Green Knight, the symbol decorates the shield of the hero, Gawain. The anonymous poet credits the symbol's origin to King Solomon, and explains that each of the five interconnected points represents a virtue tied to a group of five: Gawain is keen in his five senses, dextrous in his five fingers, faithful to the salvation provided through the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus and exemplifies the five virtues of knighthood.
Renaissance-era ritual magicians, Henry Cornelius Agrippa von Nettesheim (14861535) and Giordano Bruno (1548-1600), used the pentagram to represent the perfection of the human body. To Bruno, five was the `number of the soul' because the human form is bound by five outer points. He warned magicians and sorcerers could perform spells by using the pentagram as it was a window to the soul.
As Bruno and other Renaissance philosophers and magicians were executed under the Inquisition, perhaps the symbol came to be associated with evil forces.
By the mid-19th century, a further distinction had developed among occultists regarding the pentagram's orientation. With a single point upwards it depicted a spirit presiding over the four elements of matter and was essentially 'good'.
Occultists and satanists now claimed that the inverted pentagram was evil, the sign of the Devil even. Influential French occultist Eliphas Levi (1810-75) stated: 'A reversed pentagram, with two points projecting upwards, is a symbol of evil and attracts sinister forces because it overturns the proper order of things and demonstrates the triumph of matter over spirit. 'It is the goat of lust attacking the heavens with its horns, a sign execrated by initiates.'
Symbolic: Anton LaVey, of the Church of Satan, with an inverted pentangle (image omitted)
Brian Cummings, Hay-on-Wye, Powys.
THE NEW VIEW OVER ATLANTIS
John Michell 1983
Page 150
"A series of clues to the composition of the final pyramidion at the very apex of the Pyramid begins with an observation in A.E. Berriman's Historical Metrology on the antiquity of the British or Imperial inch. There are a number of old Egyptian weights in the British Museum, and others from Greece and Babylon, whose standard of reference has proved to be the cubic inch of gold. Were it not for the common but inappropriate use of metric units in publishing details of antique weights, that feature would be more generally recognized. Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
PYRAMID = 86 = PYRAMID
PYRAMID = 41 = PYRAMID
PYRAMID = 5 = PYRAMID
Five is the number chiefly associated with the pyramid form; which has five faces and five corners,
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
|
- |
|
|
1 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
D |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
32 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
3+2 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
Y RAM MARY MARY Y RAM
- |
- |
- |
- |
- |
PYRAMID |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
|
- |
|
|
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
|
- |
|
|
1 |
I |
9 |
9 |
9 |
- |
|
- |
- |
1 |
D |
4 |
4 |
4 |
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
41 |
- |
- |
- |
- |
- |
- |
8+6 |
4+1 |
4+1 |
P |
= |
|
|
7 |
PYRAMID |
14 |
5 |
5 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
P |
= |
|
|
7 |
PYRAMID |
5 |
5 |
5 |
- |
- |
- |
- |
- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
2 |
P+Y |
41 |
14 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
P |
= |
|
- |
4- |
PYRE |
- |
- |
- |
- |
- |
- |
- |
- |
AMID |
- |
- |
- |
|
- |
|
|
2 |
A+M |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
D |
4 |
4 |
4 |
A |
= |
|
- |
- |
AMID |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
8 |
|
8 |
- |
91 |
46 |
37 |
- |
- |
- |
- |
- |
- |
8+6 |
4+6 |
3+7 |
- |
- |
8 |
|
8 |
|
10 |
10 |
10 |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
8 |
|
8 |
|
1 |
1 |
1 |
PYRE AMIDST THE STONE
P |
= |
|
|
7 |
PYRAMID |
86 |
41 |
5 |
P |
= |
|
|
7 |
PHARAOH |
67 |
40 |
4 |
- |
- |
14 |
|
14 |
Add to Reduce |
153 |
81 |
9 |
- |
- |
1+4 |
- |
1+4 |
Reduce to Deduce |
1+5+3 |
8+1 |
1+8 |
- |
- |
5 |
|
5 |
Essence of Number |
9 |
9 |
9 |
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
|
5 |
GREAT |
51 |
24 |
6 |
P |
= |
7 |
|
7 |
PYRAMID |
86 |
41 |
5 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
G |
= |
7 |
|
4 |
GIZA |
43 |
25 |
7 |
|
|
|
|
21 |
First Total |
|
|
|
|
|
2+9 |
|
2+1 |
Add to Reduce |
2+3+4 |
1+1+7 |
2+7 |
|
|
|
|
3 |
Second Total |
|
|
|
|
|
1+1 |
|
|
Reduce to Deduce |
- |
- |
- |
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
G |
R |
E |
A |
T |
|
|
|
|
A |
|
|
|
|
|
|
|
|
I |
Z |
A |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
|
|
|
|
|
|
- |
|
- |
- |
- |
- |
- |
9 |
- |
|
6 |
- |
|
- |
9 |
8 |
- |
|
|
|
4+0 |
|
|
- |
|
|
|
- |
- |
|
8 |
|
|
|
|
|
|
- |
|
- |
- |
- |
- |
- |
9 |
- |
|
15 |
- |
|
- |
9 |
26 |
- |
|
|
|
6+7 |
|
|
1+3 |
4 |
|
|
|
|
|
|
|
|
G |
R |
E |
A |
T |
|
P |
|
|
|
|
|
|
|
|
|
|
|
I |
Z |
A |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
5 |
|
7 |
9 |
5 |
1 |
2 |
|
7 |
7 |
9 |
1 |
4 |
- |
4 |
|
- |
6 |
|
7 |
- |
- |
1 |
|
|
|
7+7 |
|
|
1+4 |
|
|
|
- |
- |
|
|
5 |
|
7 |
18 |
5 |
1 |
20 |
|
16 |
25 |
18 |
1 |
13 |
- |
4 |
|
- |
6 |
|
7 |
- |
- |
1 |
|
|
|
1+6+7 |
|
|
1+4 |
|
|
|
|
|
|
|
|
|
G |
R |
E |
A |
T |
|
P |
|
|
|
|
|
|
|
|
|
|
|
I |
Z |
A |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
20 |
8 |
5 |
|
7 |
18 |
5 |
1 |
20 |
|
16 |
25 |
18 |
1 |
13 |
9 |
4 |
|
15 |
6 |
|
7 |
9 |
26 |
1 |
|
|
|
2+3+4 |
|
|
|
9 |
|
|
- |
- |
2 |
8 |
5 |
|
7 |
9 |
5 |
1 |
2 |
|
7 |
7 |
9 |
1 |
4 |
9 |
4 |
|
6 |
6 |
|
7 |
9 |
8 |
1 |
|
|
|
1+1+7 |
|
|
|
|
|
|
|
21 |
|
|
|
|
G |
R |
E |
A |
T |
|
P |
|
|
|
M |
|
|
|
|
|
|
|
I |
Z |
A |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
1 |
- |
|
- |
- |
- |
1 |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
- |
``- |
2 |
- |
- |
|
- |
- |
- |
- |
2 |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
= |
|
3 |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
|
THREE |
3 |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
4 |
- |
4 |
|
- |
- |
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
- |
- |
- |
5 |
|
- |
- |
5 |
- |
- |
|
|
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|
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|
|
|
|
- |
- |
|
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
6 |
6 |
|
- |
- |
- |
- |
|
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occurs |
x |
|
= |
12 |
1+2 |
|
- |
- |
- |
- |
|
|
7 |
- |
- |
- |
|
|
7 |
7 |
- |
- |
- |
- |
- |
- |
- |
|
|
7 |
- |
- |
- |
|
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|
occurs |
x |
|
= |
28 |
2+8 |
|
- |
- |
- |
8 |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
- |
- |
8 |
- |
|
|
|
occurs |
x |
|
= |
16 |
= |
|
- |
- |
- |
- |
- |
|
- |
9 |
- |
- |
- |
|
- |
- |
9 |
- |
- |
9 |
- |
|
- |
- |
|
- |
9 |
- |
- |
|
|
|
occurs |
x |
|
= |
36 |
3+6 |
|
3 |
21 |
T |
H |
|
|
G |
R |
E |
A |
T |
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P |
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I |
Z |
A |
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- |
2+1 |
- |
|
- |
|
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|
- |
- |
- |
|
- |
- |
|
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- |
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|
4+2 |
|
|
2+1 |
|
1+1+7 |
|
4+5 |
3 |
3 |
T |
H |
|
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G |
R |
E |
A |
T |
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P |
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I |
Z |
A |
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- |
- |
2 |
8 |
5 |
|
7 |
9 |
5 |
1 |
2 |
|
7 |
7 |
9 |
1 |
4 |
9 |
4 |
|
6 |
6 |
|
7 |
9 |
8 |
1 |
|
|
- |
|
|
- |
|
- |
|
- |
3 |
3 |
T |
H |
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G |
R |
E |
A |
T |
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P |
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I |
Z |
A |
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THE |
33 |
15 |
|
|
SPHINX |
90 |
36 |
|
9 |
Add to Reduce |
123 |
51 |
15 |
|
Reduce to Deduce |
1+2+3 |
5+1 |
1+5 |
9 |
Essence of Number |
6 |
6 |
6 |
- |
SPHINX |
- |
- |
|
3 |
SPH |
43 |
16 |
|
|
I |
9 |
9 |
|
|
NX |
38 |
11 |
|
6 |
SPHINX |
90 |
36 |
18 |
|
- |
9+0 |
3+6 |
1+8 |
6 |
SPHINX |
9 |
9 |
9 |
|
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- |
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1 |
- |
8 |
9 |
|
6 |
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2+9 |
= |
|
1+1 |
|
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|
19 |
- |
8 |
9 |
|
24 |
|
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7+4 |
= |
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1+1 |
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- |
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- |
7 |
- |
- |
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- |
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= |
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= |
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- |
16 |
-- |
- |
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- |
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1+6 |
= |
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= |
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- |
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19 |
16 |
8 |
9 |
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24 |
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9+0 |
= |
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= |
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1 |
7 |
8 |
9 |
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6 |
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3+6 |
= |
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= |
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- |
- |
- |
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occurs |
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= |
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- |
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- |
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- |
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occurs |
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= |
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- |
- |
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occurs |
x |
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= |
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- |
- |
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occurs |
x |
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= |
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-- |
-- |
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- |
- |
- |
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occurs |
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= |
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- |
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occurs |
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9 |
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3+6 |
- |
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- |
3+6 |
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1 |
7 |
8 |
9 |
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6 |
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- |
- |
1 |
- |
8 |
9 |
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6 |
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2+9 |
= |
|
1+1 |
|
|
19 |
- |
8 |
9 |
|
24 |
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7+4 |
= |
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1+1 |
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- |
- |
- |
7 |
- |
- |
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- |
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= |
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= |
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- |
- |
16 |
-- |
- |
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- |
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1+6 |
= |
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= |
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- |
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19 |
16 |
8 |
9 |
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24 |
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9+0 |
= |
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= |
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1 |
7 |
8 |
9 |
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6 |
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3+6 |
= |
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= |
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- |
- |
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occurs |
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= |
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- |
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- |
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occurs |
x |
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= |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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-- |
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- |
- |
- |
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occurs |
x |
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= |
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occurs |
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= |
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9 |
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3+6 |
- |
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- |
3+6 |
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1 |
7 |
8 |
9 |
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6 |
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ENNEAD AND ENE AND ENNEAD
ENNEAD AND 555 AND ENNEAD
ENNEAD AND ENE AND ENNEAD
- |
- |
- |
- |
- |
ENNEAD |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
|
- |
|
|
1 |
N |
14 |
5 |
5 |
|
|
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|
1 |
E |
5 |
5 |
5 |
- |
|
- |
- |
2 |
A+D |
5 |
5 |
5 |
E |
= |
|
|
6 |
ENNEAD |
43 |
25 |
25 |
- |
- |
- |
- |
- |
- |
4+3 |
2+5 |
2+5 |
E |
= |
|
|
6 |
ENNEAD |
7 |
7 |
7 |
ENTERS THE E THE ENTERS
ENTERS THE FIVE THE ENTERS
Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html - Cached - Similar
What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 - Cached - Similar
Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]
"ETAON RISHD LFCMU GYPWB VKXJQ Z"
LOVE DIVINE GODS DIVINE LOVE
9 9 9 9 9 9 9 9 9666666666
THAT LIGHT THAT
THE
MAGIKALALPHABET
ISISIS
THE
ENGLISH ALPHABET
OF
CAPITAL LETTERS
TRANSPOSED INTO ROOT NUMBER
THE BULL OF MINOS
Leonard Cottrell 1953
Chapter VII
Page 90
THE QUEST CONTINUES
"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,
WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .
ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,
KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS
SUN 9 9 SUN
EARTH 7 7 EARTH
MOON 3 3 MOON
JUPITER 99 99 JUPITER
OM 6+4 = 10 1 + 0 = 1 = 10 = 6 + 4 = OM
I
ME
LIVING
MAGNETISM
POSITIVE + NEGATIVE
ISISIS MAAT IS IS MAAT ISISIS
I AM THAT EYE THAT EYE THAT AM I
I AM DROWNING ALWAYS DROWNING AM I
HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181
ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE
X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X
ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA
ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS
THE TIME IS COMING AND NOW IS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
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U |
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A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
.....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
|
LANGUAGES |
87 |
33 |
|
|
AND |
19 |
10 |
|
|
NUMBERS |
92 |
29 |
|
|
|
198 |
72 |
9 |
1+9 |
|
1+9+8 |
7+2 |
- |
10 |
- |
18 |
9 |
9 |
1+0 |
- |
1+8 |
- |
- |
1 |
- |
9 |
9 |
9 |
THE GUINNESS ENCYCLOPEDIA
John Foley
1993
ALPHABETOLOGY
SIGNS AND SYMBOLS
Page 22
The most commonly used numerical symbols throughout the modern World; the so-called Arabic numerals
1 2 3 4 5 6 7 8 9
derive ultimately from a system developed by the Hindus in India sometime between the 3rd Century B,C. and 6th Century A.D.
The more rounded Western Arabic numerals were introduced into Spain by the Moors in the 10th Century.
The first European to take serious note of the new numeration was the French scholar Gerbert of Aurilliac (Pope Sylvester II from 999 to 1003) who had studied the system in Spain
The Hindus are also credited with the invention at some unknown date of the symbol for zero, which was first written as a small circle and later reduced to a large dot.
The nine Indian figures are : 9 8 7 6 5 4 3 2 1
With these nine figures and with the sign O any number may be written.
Leonardo of Pisa
Liber abaci
1234 5 6789
ONE TWO THREE FOUR 5FIVE5 SIX SEVEN EIGHT NINE
1234 5 6789 9876 5 4321
NINE EIGHT SEVEN SIX 5FIVE5 FOUR THREE TEO ONE
9876 5 4321
- |
|
|
- |
- |
|
L+O |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
|
LOVE |
|
|
|
- |
|
5+4 |
1+8 |
1+8 |
|
LOVE |
|
|
|
- |
|
|
- |
- |
- |
|
|
- |
- |
- |
EVOLVE |
|
|
|
|
E+V |
27 |
9 |
9 |
|
O+L |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
|
EVOLVE |
|
|
|
- |
|
8+1 |
2+7 |
2+7 |
|
EVOLVE |
|
|
|
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
R |
= |
9 |
- |
7 |
ROSETTA |
98 |
26 |
8 |
S |
= |
1 |
- |
5 |
STONE |
73 |
19 |
1 |
- |
- |
10 |
- |
12 |
Add to Reduce |
|
|
|
- |
- |
1+0 |
- |
1+2 |
Reduce to Deduce |
1+7+1 |
4+5 |
|
- |
- |
1 |
- |
3 |
Essence of Number |
|
|
|
I
ME
REALITY
REAL = 9 9 = REAL
REALITY = 9 9 = REALITY
REVEALED = 9 9 = REVEALED
OUR REALITY = 9 9 = REALITY OUR
DIVINE THOUGHT GODS THOUGHT DIVINE
THOUGHT DIVINE 9 CREATORS 9 DIVINE THOUGHT
OSIRIS ISIS OSIRIS
CHRISTOS CHRIST SO SEE HERE IS THE CHRISTOS
6 |
CHRIST |
77 |
30 |
3 |
- |
|
- |
- |
- |
2 |
|
34 |
7 |
7 |
1 |
|
18 |
9 |
9 |
1 |
|
3 |
3 |
3 |
4 |
|
56 |
20 |
2 |
8 |
CHRISTOS |
111 |
39 |
21 |
- |
- |
1+1+1 |
3+9 |
2+1 |
8 |
CHRISTOS |
3 |
12 |
3 |
- |
- |
- |
1+2 |
- |
8 |
CHRISTOS |
3 |
3 |
3 |
SO OSIRIS IRIS IS IS IRIS OSIRIS SO
SO THIS SIRIUS THIS SO
- |
|
- |
- |
- |
2 |
|
34 |
7 |
7 |
3 |
|
36 |
27 |
9 |
1 |
|
19 |
1 |
3 |
6 |
OSIRIS |
89 |
35 |
21 |
- |
- |
8+9 |
3+5 |
2+1 |
6 |
OSIRIS |
17 |
8 |
8 |
- |
- |
1+7 |
- |
- |
6 |
OSIRIS |
8 |
8 |
8 |
OSIRIS = 89 8x9 = 72 = 8x9 89 = OSIRIS
LOVE DIVINE GODS DIVINE LOVE
9 9 9 9 9 9 9 9 9666666666
THAT LIGHT THAT
THE
MAGIKALALPHABET
ISISIS
THE
ENGLISH ALPHABET
OF
CAPITAL LETTERS
TRANSPOSED INTO ROOT NUMBER
THE BULL OF MINOS
Leonard Cottrell 1953
Chapter VII
Page 90
THE QUEST CONTINUES
"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,
WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .
ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,
KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS
SUN 9 9 SUN
EARTH 7 7 EARTH
MOON 3 3 MOON
JUPITER 99 99 JUPITER
OM 6+4 = 10 1 + 0 = 1 = 10 = 6 + 4 = OM
I
ME
LIVING
MAGNETISM
POSITIVE + NEGATIVE
ISISIS MAAT IS IS MAAT ISISIS
I AM THAT EYE THAT EYE THAT AM I
I AM DROWNING ALWAYS DROWNING AM I
HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
1818 ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ 8181
ONE EIGHT THREE SIX 1836 ISISIS 6381 SIX THREE EIGHT ONE
X X X 1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 X X X 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1 X X X
ABCDEFGHIJKLMNOPQRSTUVWXYZ 9 9 9 ZYXWVUTSRQPONMLKJIHGFEDCBA
ISISIS LOVE LOVE ISISIS ISISIS LIGHT 999 LOVE 999 LIGHT SISISI SISISI LOVE LOVE ISISIS
THE TIME IS COMING AND NOW IS
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
9+5 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
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Ptolemy
ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm
Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the
Well do I know that I am mortal, a creature of one day.
But if my mind follows the winding paths of the stars
Then my feet no longer rest on earth, but standing by
Zeus himself I take my fill of ambrosia, the divine dish.
- Ptolemy's epigram, from the Almagest, probably written by himself
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
7 |
PTOLEMY |
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|
Ptolemies - Livius
www.livius.org › index › ancient Greece › ancient Egypt
This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.
The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same.
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
The fourteen kings of this dynasty were all called Ptolemy
P |
= |
7 |
- |
- |
PTOLEMY |
- |
- |
- |
- |
- |
- |
- |
2 |
P+T |
36 |
9 |
9 |
- |
- |
- |
- |
2 |
O+L |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
Y |
25 |
7 |
7 |
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
1+0+6 |
3+4 |
3+4 |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
P |
= |
7 |
- |
|
PTOLEMY |
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|
The fourteen kings of this dynasty were all called Ptolemy
1 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
11 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
13 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
14 |
- |
P |
= |
7 |
- |
|
PTOLEMY |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+4+8+4 |
4+7+6 |
2+3+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+7 |
1+7 |
1+7 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
6 |
|
C |
= |
3 |
|
9 |
CLEOPATRA |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
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|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
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|
- |
- |
- |
- |
- |
- |
- |
- |
6+3+7 |
2+5+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+6 |
1+6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
1 |
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
2+4+4 |
1+7+2 |
2+8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
B |
= |
2 |
|
8 |
BERENICE |
|
|
|
P |
= |
7 |
|
7 |
PTOLEMY |
|
|
|
C |
= |
3 |
- |
9 |
CLEOPATRA |
|
|
|
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
RAMESSES
Egypt's Greatest Pharaoh
Joyce Tyldesley 2000
Page xxvi
"The Egyptians wrote their hieroglyphic texts without vowels, using consonants not found in our modem alphabet. In consequence, although we can read and understand the ancient writings we cannot be certain of the correct pronunciation of any word or name. This explains why different authors refer to the same individual by seemingly different names. Ramesses II, for example, variously appears in print as Ramesses, Ramses, Ramesse and Remeses while Queen Nefertari occasionally occurs as Nofretari. Throughout this book the most simple ,and widely accepted version of each proper name has been used with Ramesses preferred to the increasingly popular Ramses as the former most accurately represents the original Egyptian name. I follow current convention in using the words king and pharaoh interchangeably."
Page 1
1
Introducing Ramesses
"Some of Egypt's kings and queens have emerged from the obscurity of the tomb in sudden and spectacular fashion. The decoding of hieroglyphics, a tantalizing mystery until 1822, revealed the unexpected existence of the two aberrant New Kingdom pharaohs Hatchepsut and Akhenaten. The 1912 recovery of a magnificent portrait head from the ruined city of Amarna brought the beautiful Queen Nefertiti back to life, Above all, the unparalleled 1922 discovery of a virtually intact royal tomb in the Valley of the Kings allowed the hitherto insignificant boy-king Tutankha-men to triumph over death. Ramesses II, however, has never been in need of such a renaissance. Over the three millennia that have passed since his reign, his name - albeit in a distorted form - has never been forgotten.
Sixty-six relatively peaceful years on the throne had allowed Ramesses ample opportunity for self-promotion. By the time of his death in 1213 BC his monuments and image were to be found in every comer of his realm, The name of Ramesses was known and respected throughout the varied but inter-related kingdoms which made up what archaeologists now term the' Ancient World' - a wide circle of states encompassing Northern Turkey, Iran, Central Africa, Libya and the Balkans and extending as far west as Italy and even Spain. Within Egypt the highly efficient royal propaganda machine had elevated Ramesses to the status of living legend with divine attributes. In Nubia, Ramesses had already become a fully fledged god. A fortunate combination of circumstances - optimal Nile floods leading to good harvests, international stability and, of course, the extraordinary longevity which caused Ramesses to outlive not only his contemporaries but many of his children and grandchildren - had allowed Egypt to enjoy a continuity of government which was the envy of her neighbours. Whether by good luck or good management, Egypt flourished under Ramesses, and her people were grateful"
Page 34
A NEW BEGINNING: LIFE BEFORE RAMESSES
"Quietly and effectively, Horemheb laid the foundations for a renewed Egyptian prosperity whilst systematically erasing all trace of the unorthodox Amama period. This is generally regarded as an impersonal, political cleansing rather than a frenzied hate campaign; we have little evidence to suggest that Horemheb bore a personal grudge against Akhenaten and his god, although the dismantling and subsequent reconstruction, upside-down and mutilated, of Queen Nefertiti' s Theban Ben-ben temple within his own Karnak gateway hints at more complex feelings towards his sister-in-law. Could Horemheb's apparent dislike of Nefertiti have stemmed from his bad relationship with her daughter Ankhesenamen? Ultimately, however, Horemheb was too closely identified with the economic and military decline which ended the 18th Dynasty to escape entirely from the Amama shadow. Manetho chose to classify Horemheb, whom he knew as Oros, as the last king of the ailing 18th Dynasty and it was Horemheb's protege and successor, Ramesses I, a man with no personal links with the Amarna period, who was to be celebrated as the founder of the 19th.
Like his three immediate predecessors Horemheb had no son to follow him on to the throne and he too looked to the army for an heir, a sensible decision which would ensure that his successor would enjoy the full support of the military. Horemheb selected an ex-officer turned administrator called Paramessu, or Ramesses, son of the Commander of Troops Seti. This Ramesses, a near-contemporary of Horemheb, had proved his / Page 35 / abilities through many years of loyal service, first as a soldier where he rose to the position of General, and then as one of Egypt's two Viziers. In many ways his career mirrored that of Horemheb before him, but there was one important difference: Ramesses and his wife Sitre already had a living son and a living grandson, and therefore had the potential to found a dynasty. When Ramesses died after less than two years as king, Horemheb's judgement was vindicated. The throne passed smoothly to Ramesses' son Seti and Egypt was spared the doubts and uncertainties that had plagued her immediate past. Meanwhile, it now fell to Ramesses to bury Horemheb."
8 |
|
|
|
|
- |
R |
18 |
9 |
9 |
- |
A |
1 |
1 |
1 |
- |
M+E |
18 |
9 |
9 |
- |
S+S+E+S |
62 |
35 |
8 |
8 |
RAMESSES |
99 |
54 |
27 |
- |
- |
9+9 |
5+4 |
2+7 |
8 |
RAMESSES |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
8 |
RAMESSES |
9 |
9 |
9 |
8 |
|
|
|
|
- |
R+A |
19 |
10 |
1 |
- |
M+E+S+S+E+S |
80 |
44 |
8 |
8 |
RAMESSES |
99 |
54 |
9 |
- |
- |
9+9 |
5+4 |
- |
8 |
RAMESSES |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
8 |
RAMESSES |
9 |
9 |
9 |
8 |
RAMESSES |
- |
- |
- |
|
R |
18 |
9 |
|
|
A+M+E+S+S+E+S |
81 |
18 |
|
8 |
RAMESSES |
99 |
27 |
18 |
- |
- |
9+9 |
2+7 |
1+8 |
8 |
RAMESSES |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
8 |
RAMESSES |
9 |
9 |
9 |
Page 2
"Ramesses III was followed by his son, Ramesses IV, another Ramesses a wannabe', and then by a further six called Ramesses, a jumbled mixture of fathers sons, uncles and nephews all descended from Ramesses III :and all 'attempting to emulate the great Ramesses II"
Page 2
" Meanwhile the cult of the divine RAMESSES as a living god, continued to flourish."
Ramesses - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Ramesses
Ramesses also commonly spelled Rameses or Ramses is the name conventionally given in English transliteration to 11 Egyptian pharaohs of the later New ...
Ramesses II - Ramesses I - Ramesses III - Ramesses XI
Ramesses
From Wikipedia, the free encyclopedia
Ramesses
in hieroglyphs
Ramesses (/ˈræməsiːz/) — also commonly spelled Rameses or Ramses (/ˈræmsiːz/) — is the name conventionally given in English transliteration to 11 Egyptian pharaohs of the later New Kingdom period. The name Ramesses means "Ra [is] the one who gave birth [to] him".
Variants of the name include Ramose and Paramessu; these various spellings could be used to refer to the same person.[1]
19th DynastyRamesses I: founder of the 19th Dynasty
Ramesses II ("the Great")
20th Dynasty Ramesses III: adversary of the Sea Peoples
Ramesses IV
Ramesses V
Ramesses VI
Ramesses VII
Ramesses VIII
Ramesses IX
Ramesses X
Ramesses XI
8 |
RAMESSES |
I |
1293-1291
|
99
|
27
|
9
|
8 |
RAMESSES |
II |
1279-1212
|
99
|
27
|
9
|
8 |
RAMESSES |
III |
1182-1151
|
99
|
27
|
9
|
8 |
RAMESSES |
IV |
1151-1145
|
99
|
27
|
9
|
8 |
RAMESSES |
V |
1145-1141
|
99
|
27
|
9
|
8 |
RAMESSES |
VI |
1141-1133
|
99
|
27
|
9
|
8 |
RAMESSES |
VII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
VIII |
1133-1126
|
99
|
27
|
9
|
8 |
RAMESSES |
IX |
1126-1108
|
99
|
27
|
9
|
8 |
RAMESSES |
X |
1108-1098
|
99
|
27
|
9
|
8 |
RAMESSES |
XI |
1098-1070
|
99
|
27
|
9
|
Page 88
"The LUXOR TEMPLE, dedicated to AMEN in th form of the ithyphallic god MIN"
- |
MIN |
- |
- |
- |
- |
M |
13 |
4 |
4 |
- |
I |
9 |
9 |
9 |
- |
N |
14 |
5 |
5 |
3 |
MIN |
36 |
18 |
18 |
- |
- |
3+6 |
1+8 |
1+8 |
3 |
MIN |
9 |
9 |
9 |
Egypt's Making: The Origins of Ancient Egypt ...
librarum.org/book/37754/270
Page 270
The land contiguous to the original island was called Wetjeset-Neter. Other names by which the island was known in the beginning, as well as the Island of ...
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
J |
10 |
1 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
W |
= |
5 |
- |
8 |
WETJESET |
107 |
35 |
26 |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
= |
5 |
- |
5 |
NETER |
62 |
26 |
26 |
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
- |
- |
10 |
|
13 |
First Total |
|
|
|
- |
- |
1+0 |
- |
1+3 |
Add to Reduce |
1+6+9 |
6+1 |
5+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
The Messianic Temple
By: Austin, Allen 2011
"The Earliest Egyptian creation stories are not just similar to the book of Genesis, they are the same; in time they became convoluted, conflated and disconnected from their ancient past. Taking the Bible at its word, my research revealed some astonishing facts concerning the Egyptian Zep Tepi, or creation story. Did you know it contains the story of Adam and Eve? They are called Wa and Aa and were led out of the Djeba domain (Paradise) to the Wetjeset-Neter domain (Our Reality) because of the snake, the Great Leaping One. It also states the world was destroyed by a global flood and when the primeval waters receded, the Shebtiw (Noah's family) began rebuilding the world. It doesn't end there; there are more perfect parallels to the creation stories in Genesis and Early Jewish Writings."
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
J |
10 |
1 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
W |
= |
5 |
- |
8 |
WETJESET |
107 |
35 |
26 |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
= |
5 |
- |
5 |
NETER |
62 |
26 |
26 |
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
- |
- |
10 |
|
13 |
First Total |
|
|
|
- |
- |
1+0 |
- |
1+3 |
Add to Reduce |
1+6+9 |
6+1 |
5+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
J |
10 |
1 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
- |
- |
10 |
|
13 |
First Total |
|
|
|
- |
- |
1+0 |
- |
1+3 |
Add to Reduce |
1+6+9 |
6+1 |
5+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
- |
- |
- |
- |
1 |
J |
10 |
1 |
1 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
= |
5 |
- |
- |
NETER |
- |
- |
- |
W |
= |
5 |
- |
- |
WETJESET |
- |
- |
- |
- |
- |
10 |
|
13 |
First Total |
|
|
|
- |
- |
1+0 |
- |
1+3 |
Add to Reduce |
1+6+9 |
6+1 |
5+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
W |
= |
5 |
- |
8 |
WETJESET |
107 |
35 |
8 |
N |
= |
5 |
- |
5 |
NETER |
62 |
26 |
8 |
- |
- |
10 |
|
13 |
First Total |
|
|
|
- |
- |
1+0 |
- |
1+3 |
Add to Reduce |
1+6+9 |
6+1 |
5+2 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+6 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
ENTERS THE NETERS
GODS OF EDEN
Egypt's Lost Legacy and the Genesis of Civilization
Andrew Collins 1998
THE DIVINE SOULS
Page 162
How might we explain Akhenaten's strange fascination with the benben-stone? What did it mean to him, and why did he feel it necessary to place within the heart of his temple complexes cult objects that could easily have been construed as idolatrous fetish stones? As Egyptologist Donald Redford felt obliged to comment on this subject:
That Amenophis iv should, in the light of his well-attested aversion to polytheistic symbolism in mythology, have permitted this icon to a naive account of creation to find a prominent place in his thinking, is strange to say the least. Obviously the bnbn did not conjure up for the king the objectionable connections with mythology that we might have expected.35
To understand Akhenaten's reverence of the benben-stone we must look at exactly what this cult object meant to the Ancient Egyptians. In very basic terms it was the crystallisation of the primeval mound, or hill — the first solid ground that emerged from the primeval ocean in the darkness that preceded the light of the first morning. It was a representation of the djed-pillar, or perch, on which the primeval god Atum, a role adopted later by Re, was able to effect acts of creation in the world.36 A more detailed description of the benben-stone is given in the Pyramid Texts, found inscribed on the tomb walls of various Fifth- and Sixth-Dynasty pyramids, such as the Pyramid of Unas (c. 2370-2340 Bc) at Saqqara. This extraordinary collection of cosmological writings and magical spells constitutes what is perhaps the oldest body /Page 163/ of magical-religious material anywhere in the world. More significantly, Egyptian language scholar RT. Rundle Clark concluded that they were composed 'in the main' by the astronomer-priests of Heliopolis.37 Their repeated references to the solar cult ofAtum-Re and Annu (Heliopolis), as well as their direct connection with the kings and pyramids of Old Kingdom times, all point clearly towards a Heliopolitan origin for this material.
The original benben-stone positioned on a stone pillar in the court adjoining the Mansion of the Benben at Heliopolis was in effect a marker that symbolised the Point of First Creation, the place of sep tepi, the First Time, where the initial group of nine netjeru gods, known in Heliopolitan tradition as the Great Ennead, made their entry into the world. In time, these divine beings were followed by a second group of nine gods known as the Lesser Ennead, who were in turn followed by a third and final group of nine variable gods. Finally, these were replaced by a further group of 'mythical' individuals known in the Pyramid Texts as the Divine Souls.38
Egyptologist Abdel-Aziz Saleh recorded in his definitive work Excavations at Heliopolis that the Divine Souls are to be equated with the Shemsu-hor, who he described as 'the pre-dynastic lords, or monarchs, of the city'.39 These demi-gods were, he wrote, viewed by the priests of Heliopolis as the true founders of its first physical temple, known as the Mansion of the Princes or the Mansion of the Nobles.40 Indeed, the priesthood would seem to have been convinced that the Divine Souls had ruled from Heliopolis and its environs during a golden age prior to the coming of the mortal Horus-kings.41
To these astronomer-priests of great wisdom and understanding, such concepts were not simply myths;
Page 163
The original benben-stone positioned on a stone pillar in the court adjoining the Mansion of the Benben at Heliopolis was in effect a marker that symbolised the Point of First Creation, the place of sep tepi, the First Time, where the initial group of nine netjeru gods, known in Heliopolitan tradition as the Great Ennead, made their entry into the world. In time, these divine beings were followed by a second group of nine gods known as the Lesser Ennead, who were in turn followed by a third and final group of nine variable gods.
SEP TEPI 108-36-9 9-36-108 SEP TEPI
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ATLANTIS - a leading worldwide disaster myth. VIIb - Disaster ...
disasterarchaeology.ning.com/forum/.../atlantis-a-leading-worldwide-72
4 Jun 2010 - The mythological substratum of Atlantis. Part II ∙ Sep Tepi The ancient Egyptians had a concept they called the Sep Tepi (First Time), meaning ...
Sep Tepi
The ancient Egyptians had a concept they called the Sep Tepi (First Time), meaning the primordial golden age of the gods. According to the Egyptians’ own legends, the dynastic Egyptians enjoyed the exceptionally advanced technologies and mystical systems , which were actually the legacy of this elder culture, ended by a fierce catatstrophe. The Edfu building texts (Andrew Collins, The Gods of Eden) record the history of the Sep Tepi as it was passed down among the ancient priesthood. The texts describe a temple surrounded by a possibly man-made channel of water with a nearby field of reeds. This is called the Island of the Egg, and it is associated with the point of First Creation, or the Island of the Twin Flames. Divine pillars (djed pillars), were situated around a sacred domain here called the Wadjeset-Hor or Wadjeset-Neter (homeland), the original divine inhabitants of which numbered 60, along with the Sages and an enigmatic figure known simply as “This One (embodied bird). Then, the Eye wreaked destruction on enemy and allies alike, causing mass devastation. The first temple was destroyed and all the inhabitants died. There is a period of darkness where death and decay are everywhere, and the Island of the Egg is now renamed, being given titles like the Island of Combat, the Island of Trampling, and the Island of Peace. This is the end of the First Age, or Sep Tepi. Then, a second generation of divine inhabitants reclaimed this sacred area, the Shebtu (ogdoad of builder-gods). They inexplicably sailed away to another part of the world to continue their task of rebuilding. As time passed, the divine inhabitants of the Wadjeset-Neter were replaced by the Shemsu-Hor ( “Followers of Horus”), semi-divine beings who ruled pre-dynastic Egypt and, eventually by the Horus-kings of the First Dynasty circa 3100 BC. The ancient historian Manetho described a period of about 25 ky before the rise of Menes, first king of the First Dynastic period in Egypt. The first rulers were the gods themselves, particularly Horus, who ruled for a period of about 13 kya. Herodotus records that 11,340 years have passed since the reign of the first Pharaoh, placing the beginning of that reign in the 12th millennium. It is likely that this first Pharaoh was included among the Shemsu-Hor, who were recognized as being demi-divine like the later Horus-kings. Circa 3100 BC, Hor-Aha (Menes), united the Upper and Lower Egypt initiating the First Dynastic Period.
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FINGERPRINTS
OF
THE
GODS
Graham Hancock
1995
Chapter 43
Looking for the First Time
Page 403
Here is what the Ancient Egyptians said about the First Time, Zep Tepi, when the gods ruled in their country: they said it was a golden age' during which the waters of the abyss receded, the primordial , darkness was banished, and humanity, emerging into the light, was offered the gifts of civilization.' They spoke also of intermediaries between gods and men — the Urshu, a category of lesser divinities whose title meant 'the Watchers'.3 And they preserved particularly vivid recollections of the gods themselves, puissant and beautiful beings called the Neteru who lived on earth with humankind and exercised their sovereignty from Heliopolis and other sanctuaries up and down the Nile. Some of these Neteru were male and some female but all possessed a range of supernatural powers which included the ability to appear, at will, as men or women, or as animals, birds, reptiles, trees or plants. Paradoxically, their words and deeds seem to have reflected human passions and preoccupations. Likewise, although they were portrayed as stronger and more intelligent than humans, it was believed that they could grow sick — or even die, or be killed — under certain circumstances.'
Records of prehistory
Archaeologists are adamant that the epoch of the gods, which the Ancient Egyptians, called the First Time, is nothing more than a /page 404/myth.
FINGERPRINTS
OF
THE
GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
KEEPER OF GENESIS
A
QUEST
FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock
1996
Return to the Beginning
Page 283
'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .
I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'
Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
Tantalus - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Tantalus
Tantalus (Ancient Greek: Τάνταλος, Tántalos) was a Greek mythological figure, most famous for his eternal punishment in Tartarus. He was made to stand in a ...
Tantalus
From Wikipedia, the free encyclopedia
Not to be confused with Tantalus (son of Broteas).
Karagöl ("The black lake") in Mount Yamanlar, İzmir, Turkey, associated with the accounts surrounding Tantalus and named after him as "Lake Tantalus".
Tantalus (Ancient Greek: Τάνταλος, Tántalos) was a Greek mythological figure, most famous for his eternal punishment in Tartarus. He was made to stand in a pool of water beneath a fruit tree with low branches, with the fruit ever eluding his grasp, and the water always receding before he could take a drink. He was the father of Pelops, Niobe and Broteas, and was a son of Zeus[1] and the nymph Plouto. Thus, like other heroes in Greek mythology such as Theseus and the Dioskouroi, Tantalus had both a hidden, divine parent and a mortal one.
In mythology, Tantalus became one of the inhabitants of Tartarus, the deepest portion of the Underworld, reserved for the punishment of evildoers; there Odysseus saw him.[16] The association of Tantalus with the underworld is underscored by the names of his mother Plouto ("riches", as in gold and other mineral wealth), and grandmother, Chthonia ("earth").
Tantalus was initially known for having been welcomed to Zeus' table in Olympus, like Ixion. There he is said to have misbehaved and stolen ambrosia and nectar to bring it back to his people,[17] and revealed the secrets of the gods.[18]
Most famously, Tantalus offered up his son, Pelops, as a sacrifice. He cut Pelops up, boiled him, and served him up in a banquet for the gods. The gods became aware of the gruesome nature of the menu, so they did not touch the offering; only Demeter, distraught by the loss of her daughter, Persephone, absentmindedly ate part of the boy's shoulder. Clotho, one of the three Fates, ordered by Zeus, brought the boy to life again (she collected the parts of the body and boiled them in a sacred cauldron), rebuilding his shoulder with one wrought of ivory made by Hephaestus and presented by Demeter. The revived Pelops grew to be an extraordinarily handsome youth. The god Poseidon took him to Mount Olympus to teach him to use chariots. Later, Zeus threw Pelops out of Olympus due to his anger at Tantalus. The Greeks of classical times claimed to be horrified by Tantalus's doings; cannibalism and kin slaying were atrocities and taboo.
Tantalus's punishment for his act, now a proverbial term for temptation without satisfaction (the source of the English word tantalise[19]), was to stand in a pool of water beneath a fruit tree with low branches. Whenever he reached for the fruit, the branches raised his intended meal from his grasp. Whenever he bent down to get a drink, the water receded before he could get any. Over his head towers a threatening stone like the one that Sisyphus is punished to roll up a hill.[20] This fate has cursed him with eternal deprivation of nourishment.
In a different story, Tantalus was blamed for indirectly having stolen the dog made of gold created by Hephaestus (god of metals and smithing) for Rhea to watch over infant Zeus. Tantalus's friend Pandareus stole the dog and gave it to Tantalus for safekeeping. When asked later by Pandareus to return the dog, Tantalus denied that he had it, saying he "had neither seen nor heard of a golden dog." According to Robert Graves, this incident is why an enormous stone hangs over Tantalus's head. Others state that it was Tantalus who stole the dog, and gave it to Pandareus for safekeeping.
Tantalus was also the founder of the cursed House of Atreus in which variations on these atrocities continued. Misfortunes also occurred as a result of these acts, making the house the subject of many Greek tragedies. Tantalus's grave-sanctuary stood on Sipylus[21] but honours were paid him at Argos, where local tradition claimed to possess his bones.[22] In Lesbos, there was another hero-shrine in the small settlement of Polion and a mountain named after Tantalos
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THE MAGIC MOUNTAIN
Thomas Mann
1875 1955
MOUNTING MISGIVINGS
Page 150
I'm cheated right and left? ' And more of the same kind. I am at the end of my patience. And opposite me I have a poor creature, with churchyard roses blooming in her cheeks, an old maid from Sieben-burgen, who never stops talking about her brother-in-law, a man we none of us either know or wish to know. I could stand it no longer, I shook their dust from my feet, I bolted."
"You raised your flag and took to your heels," Frau Stohr stated.
" Precisely," shouted Settembrini. "I fled with my flag. All, what an apt phrase! I see I have come to the right place; nobody else here knows how to coin phrases like that. - May I be permitted to inquire after the state of your health, Frau Stohr?
It was frightful to see Frau Stohr preen herself.
" Good land! "she said. "It is always the same, you know your-self: two steps forward and three back. When you have been sitting here five months, along comes the old man and tucks on an-other six. It is like the torment of Tantalus: you shove and shove, and think you are getting to the top -"
" Ah, how delightful of you, to give poor old Tantalus a new job, and let him roll the stone uphill for a change! I call that true
benevolence. - But what are these mysterious reports I have been hearing of you, Frau Stohr? There are tales going about - tales about doubles, astral bodies, and the like. Up to now I have lent them no credence - but this latest story puzzles me, I confess."
Osireion - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Osireion
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th ...
From Wikipedia, the free encyclopedia
The Osirion at the rear of the temple of Seti I at Abydos, the underground entry to the Osireion is at the top of the picture, see image below
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb. [1] It was discovered by archaeologists Flinders Petrie and Margaret Murray who were excavating the site in 1902-3. The Osirion was originally built at a considerably lower level than the foundations of the temple of Seti, who ruled from 1294 - 1279 BC [2]. While there is disagreement as to its true age, despite the fact that it is situated at a lower depth than the structures nearby, that it features a very different architectural approach, and that it is frequently flooded with water which would have made carving it impossible had the water level been the same at the time of construction, Peter Brand says it "can be dated confidently to Seti's reign."[3]
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OSIREION 50 OSIREION
OSIREION 104 OSIREION
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I.
OSIRION 99 OSIRION
OSIRION 54 OSIRION
OSIRION 9 OSIRION
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50 |
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99 |
54 |
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Osireion - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Osireion
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th ...
From Wikipedia, the free encyclopedia
The Osirion at the rear of the temple of Seti I at Abydos, the underground entry to the Osireion is at the top of the picture, see (image omitted) below
The Osirion or Osireon is located at Abydos at the rear of the temple of Seti I. It is an integral part of Seti I's funeral complex and is built to resemble an 18th Dynasty Valley of the Kings tomb. [1] It was discovered by archaeologists Flinders Petrie and Margaret Murray who were excavating the site in 1902-3. The Osirion was originally built at a considerably lower level than the foundations of the temple of Seti, who ruled from 1294 - 1279 BC [2]. While there is disagreement as to its true age, despite the fact that it is situated at a lower depth than the structures nearby, that it features a very different architectural approach, and that it is frequently flooded with water which would have made carving it impossible had the water level been the same at the time of construction, Peter Brand says it "can be dated confidently to Seti's reign."[3]
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= |
|
|
|
- |
- |
|
|
|
18 |
|
|
|
|
|
|
1+8 |
|
|
= |
|
|
|
- |
7 |
|
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
15 |
19 |
9 |
18 |
9 |
15 |
14 |
|
|
|
9+9 |
|
|
1+8 |
|
|
|
- |
- |
6 |
1 |
9 |
9 |
9 |
6 |
5 |
|
|
|
4+5 |
|
|
= |
|
|
|
- |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
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|
occurs |
x |
|
= |
1 |
= |
|
2 |
|
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|
5 |
|
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|
occurs |
x |
|
= |
5 |
= |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
7 |
|
|
|
|
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|
|
|
|
|
|
- |
- |
|
8 |
|
|
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|
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|
- |
- |
|
- |
|
|
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|
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|
occurs |
x |
|
= |
|
2+7 |
|
24 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
2+4 |
- |
|
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|
|
2+1 |
|
|
- |
|
4+5 |
|
1+8 |
6 |
7 |
|
|
|
|
|
|
|
|
|
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|
|
7 |
|
|
|
|
- |
- |
6 |
1 |
|
|
|
6 |
5 |
|
|
|
|
|
- |
|
|
|
|
6 |
7 |
|
|
|
|
|
|
|
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|
7 |
|
|
|
|
7 |
|
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
6 |
1 |
9 |
|
9 |
6 |
5 |
|
|
|
3+6 |
|
|
= |
|
|
|
- |
15 |
19 |
9 |
|
9 |
15 |
14 |
|
|
|
8+1 |
|
|
= |
|
|
|
7 |
|
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
9 |
|
|
|
|
|
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|
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|
= |
|
|
|
- |
|
|
|
18 |
|
|
|
|
|
|
1+8 |
|
|
= |
|
|
|
7 |
|
S |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
15 |
19 |
9 |
18 |
9 |
15 |
14 |
|
|
|
9+9 |
|
|
1+8 |
|
|
|
- |
6 |
1 |
9 |
9 |
9 |
6 |
5 |
|
|
|
4+5 |
|
|
= |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
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|
|
|
|
|
occurs |
x |
|
= |
1 |
= |
|
|
|
|
|
|
|
|
5 |
|
|
|
occurs |
x |
|
= |
5 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
2+7 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
2+1 |
|
|
- |
|
4+5 |
|
1+8 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
- |
6 |
1 |
|
|
|
6 |
5 |
|
|
|
|
|
- |
|
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|
7 |
|
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|
7 |
|
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|
ORION OSIRIS SIRIUS IRIS ISIS ISIS IRIS SIRIUS OSIRIS ORION
69965 619991 199931 9991 9191 9191 9991 199931 619991 69965
ORION OSIRIS SIRIUS IRIS ISIS ISIS IRIS SIRIUS OSIRIS ORION
- |
ORION |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
5 |
ORION |
71 |
35 |
35 |
|
- |
7+1 |
3+5 |
3+5 |
5 |
ORION |
|
|
|
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
OR |
33 |
15 |
6 |
4 |
IRON |
56 |
29 |
2 |
2 |
IS |
28 |
10 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
ORIONIS |
99 |
54 |
9 |
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
ORI |
42 |
24 |
6 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
18 |
|
- |
9+9 |
5+4 |
1+8 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
NIS |
42 |
15 |
6 |
7 |
ORIONIS |
99 |
54 |
36 |
|
- |
9+9 |
5+4 |
3+6 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
ORION IS IS ORION
5 |
ORION |
71 |
35 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
ORIONIS |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
1 |
R |
18 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
1 |
N |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
7 |
ORIONIS |
99 |
54 |
45 |
|
- |
9+9 |
5+4 |
4+5 |
|
ORIONIS |
|
|
|
|
- |
1+8 |
- |
- |
|
ORIONIS |
|
|
|
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
- |
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
- |
O |
F |
- |
T |
H |
E |
- |
E |
Q |
U |
I |
N |
O |
X |
E |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
6 |
5 |
- |
6 |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
5 |
6 |
6 |
- |
1 |
+ |
= |
63 |
6+3 |
= |
|
= |
|
= |
|
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
15 |
14 |
- |
15 |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
14 |
15 |
24 |
- |
19 |
+ |
= |
180 |
1+8+0 |
= |
|
= |
9 |
= |
9 |
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
- |
O |
F |
- |
T |
H |
E |
|
E |
Q |
U |
I |
N |
O |
X |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
16 |
18 |
5 |
3 |
5 |
- |
- |
- |
- |
|
|
- |
6 |
- |
20 |
|
|
- |
5 |
17 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
1+2+6 |
= |
9 |
= |
|
= |
|
- |
|
7 |
9 |
5 |
3 |
5 |
- |
- |
- |
- |
|
|
- |
6 |
- |
2 |
|
5 |
- |
5 |
8 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
6+3 |
= |
9 |
= |
|
= |
|
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
- |
|
F |
- |
|
H |
E |
|
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
16 |
18 |
5 |
3 |
5 |
19 |
19 |
9 |
15 |
14 |
|
15 |
6 |
- |
20 |
8 |
5 |
|
5 |
17 |
21 |
9 |
14 |
15 |
24 |
5 |
19 |
+ |
= |
306 |
3+0+6 |
= |
9 |
= |
|
= |
|
|
|
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
|
6 |
6 |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
+ |
= |
126 |
1+2+6 |
= |
|
= |
|
= |
|
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
- |
|
F |
- |
|
H |
E |
|
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
1 |
- |
- |
|
occurs |
x |
3 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
1 |
= |
|
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
= |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4 |
FOUR |
|
- |
- |
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
5 |
- |
|
|
|
|
5 |
- |
- |
5 |
- |
- |
- |
5 |
occurs |
x |
7 |
= |
|
3+5 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
- |
|
|
|
|
- |
6 |
6 |
- |
- |
- |
- |
|
occurs |
|
5 |
- |
|
3+0 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
7 |
occurs |
x |
1 |
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
8 |
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
1+6 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
3 |
= |
|
2+7 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
126 |
|
|
- |
2+4 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4+1 |
- |
- |
2+4 |
- |
1+2+6 |
|
4+5 |
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
|
- |
- |
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
|
6 |
6 |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
- |
O |
F |
- |
T |
H |
E |
- |
E |
Q |
U |
I |
N |
O |
X |
E |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
|
|
9 |
6 |
5 |
- |
6 |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
5 |
6 |
6 |
- |
1 |
+ |
= |
63 |
6+3 |
= |
|
= |
|
= |
|
- |
- |
- |
- |
- |
- |
|
|
9 |
15 |
14 |
- |
15 |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
9 |
14 |
15 |
24 |
- |
19 |
+ |
= |
180 |
1+8+0 |
= |
|
= |
9 |
= |
9 |
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
- |
O |
F |
- |
T |
H |
E |
|
E |
Q |
U |
I |
N |
O |
X |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
16 |
18 |
5 |
3 |
5 |
- |
- |
- |
- |
|
|
- |
6 |
- |
20 |
|
|
- |
5 |
17 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
1+2+6 |
= |
9 |
= |
|
= |
|
|
7 |
9 |
5 |
3 |
5 |
- |
- |
- |
- |
|
|
- |
6 |
- |
2 |
|
5 |
- |
5 |
8 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
6+3 |
= |
9 |
= |
|
= |
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
- |
|
F |
- |
|
H |
E |
|
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
16 |
18 |
5 |
3 |
5 |
19 |
19 |
9 |
15 |
14 |
|
15 |
6 |
- |
20 |
8 |
5 |
|
5 |
17 |
21 |
9 |
14 |
15 |
24 |
5 |
19 |
+ |
= |
306 |
3+0+6 |
= |
9 |
= |
|
= |
|
|
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
|
6 |
6 |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
+ |
= |
126 |
1+2+6 |
= |
|
= |
|
= |
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
- |
|
F |
- |
|
H |
E |
|
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
1 |
- |
- |
|
occurs |
x |
3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
5 |
- |
|
|
|
|
5 |
- |
- |
5 |
- |
- |
- |
5 |
occurs |
x |
7 |
= |
|
3+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
- |
|
|
|
|
- |
6 |
6 |
- |
- |
- |
- |
|
occurs |
|
5 |
- |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
7 |
occurs |
x |
1 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
8 |
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
3 |
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
126 |
|
|
2+4 |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4+1 |
- |
- |
2+4 |
- |
1+2+6 |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
|
- |
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
|
6 |
6 |
- |
2 |
8 |
5 |
|
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
O |
F |
T |
H |
E |
E |
Q |
U |
I |
N |
O |
X |
E |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
|
|
9 |
6 |
5 |
6 |
- |
- |
8 |
- |
- |
- |
- |
9 |
5 |
6 |
6 |
- |
1 |
+ |
= |
63 |
6+3 |
= |
|
= |
|
= |
|
- |
- |
- |
- |
- |
- |
|
|
9 |
15 |
14 |
15 |
- |
- |
8 |
- |
- |
- |
- |
9 |
14 |
15 |
24 |
- |
19 |
+ |
= |
180 |
1+8+0 |
= |
|
= |
9 |
= |
9 |
24 |
P |
R |
E |
C |
E |
S |
S |
I |
O |
N |
O |
F |
T |
H |
E |
E |
Q |
U |
I |
N |
O |
X |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
16 |
18 |
5 |
3 |
5 |
- |
- |
- |
- |
|
- |
6 |
20 |
|
|
5 |
17 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
1+2+6 |
= |
9 |
= |
|
= |
|
|
7 |
9 |
5 |
3 |
5 |
- |
- |
- |
- |
|
- |
6 |
2 |
|
5 |
5 |
8 |
- |
|
- |
- |
- |
5 |
- |
+ |
= |
|
6+3 |
= |
9 |
= |
|
= |
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
|
F |
|
H |
E |
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
16 |
18 |
5 |
3 |
5 |
19 |
19 |
9 |
15 |
14 |
15 |
6 |
20 |
8 |
5 |
5 |
17 |
21 |
9 |
14 |
15 |
24 |
5 |
19 |
+ |
= |
306 |
3+0+6 |
= |
9 |
= |
|
= |
|
|
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
6 |
6 |
2 |
8 |
5 |
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
+ |
= |
126 |
1+2+6 |
= |
|
= |
|
= |
|
24 |
P |
R |
E |
C |
E |
S |
S |
I |
|
|
|
F |
|
H |
E |
E |
Q |
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1 |
- |
- |
|
occurs |
x |
3 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
5 |
|
|
|
|
5 |
- |
- |
5 |
- |
- |
- |
5 |
occurs |
x |
7 |
= |
|
3+5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
- |
6 |
6 |
- |
- |
- |
- |
|
occurs |
|
5 |
- |
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
7 |
occurs |
x |
1 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
8 |
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
2 |
= |
|
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
3 |
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
126 |
|
|
2+4 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
4+1 |
- |
- |
2+4 |
- |
1+2+6 |
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
|
- |
7 |
9 |
5 |
3 |
5 |
1 |
1 |
9 |
6 |
5 |
6 |
6 |
2 |
8 |
5 |
5 |
8 |
3 |
9 |
5 |
6 |
6 |
5 |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
6 |
- |
|
|
|
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
10 |
PRECESSION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
2 |
OF |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
3 |
THE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
9 |
EQUINOXES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
1 |
P |
16 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
|
1 |
F |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
Q |
= |
8 |
|
1 |
Q |
17 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
|
1 |
X |
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
PRECESSION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
OF |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
THE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
EQUINOXES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
18 |
- |
24 |
Add to Reduce |
306 |
153 |
18 |
|
|
|
|
|
|
|
|
16 |
|
- |
- |
1+8 |
- |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
|
|
|
|
|
3+5 |
3+0 |
|
1+6 |
2+7 |
- |
- |
9 |
- |
6 |
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
10 |
PRECESSION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
2 |
OF |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
3 |
THE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
9 |
EQUINOXES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
C |
= |
3 |
- |
1 |
C |
3 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
U |
= |
3 |
|
1 |
U |
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
E |
= |
5 |
|
1 |
E |
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
|
1 |
N |
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
X |
= |
6 |
|
1 |
X |
24 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
|
1 |
O |
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
6 |
|
1 |
F |
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
|
1 |
P |
16 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
H |
= |
8 |
|
1 |
H |
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
Q |
= |
8 |
|
1 |
Q |
17 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
|
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
PRECESSION |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
OF |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
THE |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
EQUINOXES |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
18 |
- |
24 |
Add to Reduce |
306 |
153 |
18 |
|
|
|
|
|
|
|
|
16 |
|
- |
- |
1+8 |
- |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
|
|
|
|
|
3+5 |
3+0 |
|
1+6 |
2+7 |
- |
- |
9 |
- |
6 |
Essence of Number |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
7 |
|
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
A |
= |
1 |
6 |
AUTUMN |
90 |
18 |
9 |
S |
= |
1 |
6 |
SUMMER |
89 |
26 |
8 |
W |
= |
5 |
6 |
WINTER |
89 |
35 |
8 |
S |
= |
1 |
6 |
SPRING |
83 |
38 |
2 |
- |
- |
8 |
24 |
Add to Reduce |
|
|
|
- |
- |
- |
2+4 |
Reduce to Deduce |
3+5+1 |
1+1+7 |
2+7 |
- |
- |
8 |
6 |
Essence of Number |
|
|
|
|
|
|
|
|
|
M |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
5 |
|
|
9 |
5 |
|
|
|
|
1 |
|
|
9 |
5 |
|
|
1 |
|
|
|
|
|
|
|
|
3+5 |
|
|
|
|
|
|
- |
- |
|
|
|
|
|
14 |
|
|
9 |
14 |
|
|
|
|
19 |
|
|
9 |
14 |
|
|
19 |
|
|
|
|
|
|
|
|
9+8 |
|
|
1+7 |
|
|
|
|
|
|
|
|
|
M |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
3 |
2 |
3 |
4 |
|
|
5 |
|
|
2 |
5 |
9 |
|
|
7 |
9 |
|
|
7 |
|
|
3 |
4 |
4 |
5 |
9 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
- |
- |
1 |
21 |
20 |
21 |
13 |
|
|
23 |
|
|
20 |
5 |
18 |
|
|
16 |
18 |
|
|
7 |
|
|
21 |
13 |
13 |
5 |
18 |
|
|
|
2+5+3 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
M |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
21 |
20 |
21 |
13 |
14 |
|
23 |
9 |
14 |
20 |
5 |
18 |
|
19 |
16 |
18 |
9 |
14 |
7 |
|
19 |
21 |
13 |
13 |
5 |
18 |
|
|
|
3+5+1 |
|
|
|
|
|
|
- |
- |
1 |
3 |
2 |
3 |
4 |
5 |
|
5 |
9 |
5 |
2 |
5 |
9 |
|
1 |
7 |
9 |
9 |
5 |
7 |
|
1 |
3 |
4 |
4 |
5 |
9 |
|
|
|
1+1+7 |
|
|
|
|
|
|
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
3 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+4 |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
45 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
2+4 |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+1 |
|
|
2+4 |
|
1+1+7 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
1 |
3 |
2 |
3 |
4 |
5 |
|
5 |
9 |
5 |
2 |
5 |
9 |
|
1 |
7 |
9 |
9 |
5 |
7 |
|
1 |
3 |
4 |
4 |
5 |
9 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
M |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
5 |
|
|
9 |
5 |
|
|
|
|
1 |
|
|
9 |
5 |
|
|
1 |
|
|
|
|
|
|
|
|
3+5 |
|
|
|
|
|
|
- |
|
|
|
|
|
14 |
|
|
9 |
14 |
|
|
|
|
19 |
|
|
9 |
14 |
|
|
19 |
|
|
|
|
|
|
|
|
9+8 |
|
|
1+7 |
|
|
|
|
|
|
|
|
M |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
3 |
2 |
3 |
4 |
|
|
5 |
|
|
2 |
5 |
9 |
|
|
7 |
9 |
|
|
7 |
|
|
3 |
4 |
4 |
5 |
9 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
- |
1 |
21 |
20 |
21 |
13 |
|
|
23 |
|
|
20 |
5 |
18 |
|
|
16 |
18 |
|
|
7 |
|
|
21 |
13 |
13 |
5 |
18 |
|
|
|
2+5+3 |
|
|
1+0 |
|
|
|
|
|
|
|
|
M |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
G |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
1 |
21 |
20 |
21 |
13 |
14 |
|
23 |
9 |
14 |
20 |
5 |
18 |
|
19 |
16 |
18 |
9 |
14 |
7 |
|
19 |
21 |
13 |
13 |
5 |
18 |
|
|
|
3+5+1 |
|
|
|
|
|
|
- |
1 |
3 |
2 |
3 |
4 |
5 |
|
5 |
9 |
5 |
2 |
5 |
9 |
|
1 |
7 |
9 |
9 |
5 |
7 |
|
1 |
3 |
4 |
4 |
5 |
9 |
|
|
|
1+1+7 |
|
|
|
|
|
|
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
1 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
3 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+4 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
45 |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+4 |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+1 |
|
|
2+4 |
|
1+1+7 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
3 |
2 |
3 |
4 |
5 |
|
5 |
9 |
5 |
2 |
5 |
9 |
|
1 |
7 |
9 |
9 |
5 |
7 |
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1 |
3 |
4 |
4 |
5 |
9 |
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- |
- |
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THE
PATH OF PTAH
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2 |
I+M |
22 |
13 |
4 |
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5 |
H+O+T+E+P |
64 |
28 |
1 |
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8+6 |
4+1 |
- |
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1+4 |
- |
- |
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2 |
I |
9 |
9 |
9 |
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5 |
M+H+O |
36 |
18 |
9 |
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5 |
T+E+P |
41 |
14 |
5 |
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8+6 |
4+1 |
2+3 |
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1+4 |
- |
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hiuchus/ophiuchus2.htm
History of Ophiuchus - Asklepius - Imhotep
"Aesclepius was, as I said earlier, a Greek whose attributes were nearly identical to those of Ancient Egyptian god of medicine I-Em-Hetep (whose name ... Aesclepius was, as I said earlier, a Greek deity whose attributeswere nearly identical to those of Ancient Egyptian god of medicine I-Em-Hetep (whose name translated means "He Who Cometh In Peace"). Now, in Egyptology, there are Gods (with a capital "G") and gods (with a small letter "g"), and I-Em-Hetep was a little bit of both, being both a contrived deity (man-made-god later) and a legitimate one, being the third member of the great triad of gods in Memphis, Egypt in or about 2900 B.C. where he probably lived as Imhotep, a mortal man at a later date (27th Century B.C.). He was in actual fact attached to the priesthood of RA, the Sun God, becoming the chief minister of the second king of the Egyptian Third Dynasty, Djoser (also spelled "Zoser"), for whom he bent his considerable skills as the innovative Master Architect who set the first profound standard of excellence in step pyramid building.
He designed and built King Zoser's burial complex at Saqqara, Egypt between 2778-2723 B.C. The ZoserComplex stands today as a world monument to innovativearchitecture. Thus Imhotep's legend began to loom large locally.
Imhotep the man received notoriety for his literary abilities which has earned him recognitionin modern times as "the first man of science in recorded history." As tales and evidence of Imhotep's accomplishments in Egypt spread to Greece, his legend began to loom so large there that he was brought to the City of Memphis, and adopted in the name of love as a son of Apollo, Greek God of the Sun. The Greeks erected a temple named "To Asklepjion" (Imhotep's Greek god name) in his honor some2500 years after his death."
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2 |
I |
9 |
9 |
9 |
2 |
E+M |
18 |
9 |
9 |
5 |
H+E+T+E+P |
54 |
28 |
9 |
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8+1 |
4+5 |
1+8 |
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ANUBIS
A
GOD DOG
IS
ANUBIS
A
NUMBER
IS
THE SIRIUS MYSTERY
Robert K.G..Temple
Page 69
" Back to Anubis. Wallis Budge says of him:26 'His worship is very ancient, and there is no doubt that even in the earliest times his cult was general in Egypt; it is probable that it is older than that of Osiris.' Also he points out here, as elsewhere, that the face of the deceased human becomes identified with Anubis, and it is just the head of Anubis which is symbolically represented by the jackal or dog. I have already pointed out that he is described as the circle or orbit separating the dark Nephthys from the light Isis or Sirius. In other words, I take Anubis to represent the orbit of Sirius B around Sirius A. We also find him described as 'time',27 a particularly intelligent way oflooking
at an orbit as progressive and sequential in time. 'Time the devourer', a motif common to us all, is no stranger to the Egyptians. It should not surprise us that Anubis is also represented as a devourer! More specifically, he is accused of
devouring the Apis bull. The Apis bull is the animal into which the dead Osiris was sewn and transported, according to a late legend which is widely known. But more basically, the 'Apis Bull' (the deity known under the Ptolemies as Serapis) is Asar-I;Iapi. It is Osiris himself! In The Gods of the Egyptians, we read 'Apis is called "the life of Osiris, the lord of heaven" , and 'Apis was, in fact, believed to be animated by the soul of Osiris, and to be Osiris incarnate'. 28
So, consequently, when Anubis devoured Apis, he was eating the husband of Isis! It is very colourfully represented in these dramatic mythological terms, but the meaning is clear.. We read later:29
'Others again are of the opinion that by Anubis is meant Time, and that his denomination of Kuon [the Greek word for 'dog'] does not so much allude to any likeness which he has to the dog, though this be the general rendering of the word, as to that other significance of the term taken from breeding; because Time begets all things out of itself, bearing them within itself, as it were in a womb. But this is one of those secret doctrines which are more fully made known to those who are initiated into the worship of Anubis. '
Exactly. A secret doctrine! What one would give for a fuller account! This is the trouble with most of our sources; they give away little except by inference. Secret doctrines are not scribbled down too frequently and left for posterity. The most secret doctrine" of the Dogon was only revealed with great reluctance after many, many years, and following upon a conference by the initiates. The Egyptians were no fools, and we can hardly expect them to have left papyri or ,texts specifically revealing in so many words what they were not supposed to reveal. We can only try to piece together clues. But we will see our clues eventually turn into a veritable avalanche.
The last passage from Wallis Budge was a quotation by him from Plutarch's 'Isis and Osiris'. Many Egyptologists have remarked on the irony that we have nowhere in Egyptian sources a full, coherent account of Isis and Osiris not even in all the sources put together! And we are forced to rely on Plutarch, who did preserve a long account which he wrote in his native Greek. Plutarch is thought to have been a priest himself, and was certainly a Delphic initiate.
Page 70
"He had a talent for befriending priests and priestesses. One of his best friends was the priestess Clea of the oracle at Delphi. His treatise 'Isis and Osiris' is dedicated to Clea and addressed to her. It begins with these words: 'All good things, my dear Clea, sensible men must ask from the gods; and especially do we pray that from those mighty gods we may, in our quest, gain a knowledge of themselves, so far as such a thing is attainable by men.' This gives some indication of what Plutarch was like as a man.
The Introduction to the Loeb edition of Isis and Osiris by F. C. Babbitt says: '[Plutarch] once visited Egypt, but how long he stayed and how much he learned we have no means of knowing. It is most likely that his treatise represents the knowledge current in his day, derived, no doubt, from two sources: books and priests.' It is certain that Plutarch's friend Clea, who was so important at Delphi, would have seen to it that Plutarch had ample introductions to leading
priests of Egypt. This sort of thing was standard practice - as with the study of Egyptian religion and astronomy undertaken centuries earlier by the Greek scholar Eudoxus (colleague of Plato and Aristotle), who was given a letter of introduction to the last of the native Pharaohs, Nectanebo, by the Spartan general Agesilaus, and who in turn sent him off to associate with his priests. The fact that Plutarch's treatise is addressed to Cl ea may indicate a debt to her for its preparation as well as common religious enthusiasms. So, no doubt Plutarch did with the Egyptian priests what Griaule and Dieterlen did with the Dogon - drew some secret traditions out of them. It is thus not surprising that Plutarch's essay is more respected by Egyptologists than by classicists.
Plutarch says: 'Some are of the opinion that Anubis is Cronos.'30 Chronos, of course, was the Greek 'time the devourer', spelt with an h. Cronos in Latin is Saturn. There is a considerable debate among scholars whether Cronos (Sa turn), the former chief god prior to Zeus (J u pi ter), has any definite relation to the word chronos spelt with the h and sometimes used as a proper name for Time. From this latter word we derive chronology, chronicle, etc. The Sumerian god Anu is quite similar to the Greek Cronos because both Cronos and Anu were 'old' gods who were displaced by younger blood - by Zeus and Enlil
respectively. Thus another possible link between Anu and Anubis, if one be willing to grant that Cronos and Chronos are not entirely separate words and concepts in ancient pre-classical Greece.
Wallis Budge continues with reference to Plutarch:
Referring to Osiris as the 'common Reason which pervades both the superior and inferior regions of the universe', he [Plutarch] says that it is, moreover, called 'Anubis, and sometimes likewise Hermanubis (i.e. I:Ieru-em-Anpu); the first of these names expressing the relation it has to the superior, as the latter, to the inferior world. And for this reason it is, they sacrifice to him two Cocks, the one white, as a proper emblem of the purity and brightness of things above, the other of a saffron colour, expressive of that mixture and variety which is to found on those lower regions.'
Here is what I take to be a possible reference to the white Sirius A and the
'darker' Sir ius B. But also, the 'lower regions' are the horizons, where white heavenly bodies at their 'births' and 'deaths' become saffron-coloured.
There is a clearer translation by Babbitt in the precise description of Anubis / Page 71 / as 'the combined relation of the things'31 rather than as 'the common Reason which pervades' the light world and the dark world. A circular orbit is just that - 'a combined relation' between the star revolving and the star revolved around. In order to make this more firmly established less as fancy than as fact, I shall cite Plutarch's words from his next paragraph (Babbitt's translation):
'Moreover, they (the Egyptians) record that in the so-called books of Hermes (the Trismegistic literature?) it is written in regard to the sacred names
that they call the power which is assigned to direct the revolution of the Sun Horus . . .'
This is important because we see here that they specifically call the orbit of the sun by a god's name. If they can call the revolution of the sun by a god's name, they can call the revolution of Sirius B (assuming they really knew about it) by a god's name. We are dealing with a precedent. Now we resume this quotation because it is interesting for other reasons: '. . . but the Greeks call it Apollo; and the power assigned to the wind some call Osiris and others Serapis; and Sothis in Egyptian signifies "pregnancy" (cyesis) or "to be pregnant" (cyein): therefore in Greek, with a change of accent, the star is called the Dog-star (Cyon), which they regard as the special star of Isis.'
A further piece of information from Plutarch about Anubis is :32 I 'And when the child (Anubis, child of Nephthys by Osiris) had been found, after great toil and trouble, with the help of dogs which led Isis to it, it was brought up and became her guardian and attendant, receiving the name Anubis, and it is said to protect the gods just as dogs protect men.'
If Anubis is conceived of as an orbit around Sirius, then he would indeed be attendant upon Isis! He would go round and round her like a guard dog.
Plutarch has an interesting tale: 'Moreover, Eudoxus says that the Egyptians have a mythical tradition in regard to Zeus that, because his legs were grown together, he was not able to walk. . .'33 This sounds very like the amphibious Oannes of the Sumerians who had a tail for swimming instead of legs for walking.
Plutarch provides us with an important and crucial clue linking Isis with the Argo and the Argonauts and demonstrating a probable derivation of an idea that has puzzled classicists enormously (and later on we shall see the links between Isis and the Argo considerably elaborated): 'Like these also are the Egyptian beliefs; for they often times call 1sis by the name of Athena, expressive
of some such idea as this, "I came of myself," which is indicative of selfimpelled motion. '34
I t must be remembered that the Greek goddess Athena, the goddess of the mind and of wisdom, was reputed to have sprung full-fledged from the brow of Zeus. She was not born. She came of herself. However, the quotation must be continued to make the point:
Typhon, as has been said, is named Seth and Bebon and Smu, and these names would indicate some forcible and preventive check or opposition or reversal.
Moreover, they call the lodestone the bone of Horus, and iron the bone of Typhon, as Manetho records. For, as the iron oftentimes acts as if it were being attracted and drawn toward the stone, and oftentimes is rejected / Page 72 / and repelled in the opposite direction, in the same way the salutary and good and rational movement of the world at one time, by persuasion, attracts and draws towards itself a:1d renders more gentle that harsh and Typhonian movement, and then again it gathers itself together and reverses it and plunges it into difficulties.
The identification of Isis with Athena here in connection with lodes tones and 'self-impelled motion' brings to mind the placing by Athena of a cybernetic* oak timber from the holy sanctuary of Dodona (supposedly founded by Deukalion, the Greek Noah, after his ark landed) in the keel of the Argo. H. W. Parke in his books Greek Oracles and The Oracles of Zeus refers to this: 'Athena when the Argo was built took a timber from the oak tree of Dodona (the oracular centre of Zeus) and fitted it into the keel. This had the result that the Argo itself could speak and guide or warn the Argonauts at critical moments, as it actually is represented as doing in our extant epics on the subject. The original epic is lost, but there is no reason to doubt that this miraculous feature went back to it, and, if so, was at least as old as the Odyssey in which the Argo and its story are mentioned.' Parke then emphasizes most strongly that it is the timber itself that acts as guide. It is self-sufficient and not merely an oracular medium. Thus we see that the Argo had a unique capacity for 'selfimpelled motion' which was built into it by Athena (whom Plutarch identifies with Isis). 35
Now is a suitable stage to return to the Sumerians, as in their culture we shall find many significant references to 'fifty heroes', 'fifty great gods', etc. But first we shall leave the fifty Argonauts and their magical ship to turn our attention to what appears to be a rather precise Egyptian description of the Sirius system preserved in an unusual source. The source is G. R. S. Mead (who was a friend of the poet Yeats and is mentioned by his nickname 'Old Crore' in Ezra Pound's Cantos), whose three-volume Thrice Greatest Hermes36 contains a translation of, with extensive prolegomena and notes to, the obscure and generally ignored ancient 'Trismegistic literature' of the Hermetic tradition. These writings are largely scorned by classical scholars who consider them Neoplatonic forgeries. Of course, ever since the wild Neoplatonic boom in the Italian Renaissance period when Marsilio Ficino translated and thereby preserved for posterity (one must grant the Medicis the credit for finding and purchasing the manuscripts!) such Neoplatonists as Iamblichus, as well as these Trismegistic writings, the Neoplatonists have been in the doghouse. The Loeb Classical Library still has not published all of Plotinus even now.
But most readers will not be familiar either with the term 'trismegistic' or with the Neoplatonists. So I had better explain. The Neoplatonists are Greek philosophers who lived long enough after Plato to have lost the name of Platonists as far as modern scholars are concerned (though they were intellectual disciples of Plato and considered themselves Platonists). Modern scholars have added the prefix 'Neo-' to 'Platonist' for their own convenience, in order to / Page 73 / distinguish them from their earlier predecessors, those Platonists who lived within 150 years of Plato himself. The Platonic Academy existed for over nine centuries at Athens. In actuality, scholars talk about 'Middle Platonists', 'Syrian Platonists', 'Christian Platonists', 'Alexandrian Platonists', and so on. I suggest the reader look at my Appendix I, which will tell him a lot about the Neoplatonists and their connection with the Sirius mystery, and which deals primarily with Proclus.
G. R. S. Mead, at the beginning of his work Thrice Greatest Hermes, explains fully what 'the Trismegistic Literature' is. He calls it 'Trismegistic' instead of
by its earlier designation 'Hermetic' (from the name of the Greek god Hermes) in order to distinguish it from other less interesting writings such as the Egyptian Hermes prayers and also the 'Hermetic Alchemical Literature'. The Trismegistic writings are now fragmentary and consist of a large amount of exceedingly strange sermons, dialogues, excerpts by Stobaeus and the Fathers of the Church from lost writings, etc. I hesitate to give a brief summary of them and suggest that the interested reader actually look into this subject himself. There are some matters which defy summary, and I consider this to be one of them. The writings contain some 'mystical' elements and certainly some sublime elements. Old Cosimo de Medici was told by Ficino that he could translate for him either the Hermetic Literature or the dialogues of Plato, but not both at once. Cosimo knew he was dying. He said something like: 'If only I could read the Books of Hermes, I would die happy. Plato would be nice but not as important. Do the Hermes, Ficino.' And Ficino did.
As I explain fully in Appendix I, the Neoplatonists are so thoroughly despised through the bias of the moment, however one cares to define that bias, that "the Trismegistic literature suffers with Neoplatonism under the onus of being considered too far removed from reality and logic and being inclined towards the mystical. This does not fit well with the hard rationalism of an age still bound by the (albeit decaying) fetters of nineteenth-century scientific deterministic prejudice. The sublime irony is, of course, that proven and authentic Egyptian texts are obviously mystical, but that is considered all right. However, as long as there is a belief that the Trismegistic literature is Neoplatonic it will be despised because it is mystical.
The Trismegistic literature may be Neoplatonic. But that does not make what it has to say about Egyptian religion any less valid per se than the 'Isis and Osiris' by the Greek Plutarch, who was only slightly earlier in time than the Neoplatonist Greeks. It is time for scholars to pay some attention to this sadly neglected material. Much of the Trismegistic literature probably goes back to genuine sources or compilations such as Manetho's lost So this. Or the literature may be quite ancient, in which case some of it cannot, in its present form, be earlier than the Ptolemaic period when the Zodiac as we know it was introduced into Egypt by the Greeks who in turn had it from Babylon. (I cannot here discuss the matter of earlier forms of zodiac, such as at Denderah.)
"Mead quotes an Egyptian magic papyrus, this being an uncontested Egyptian document which he compares to a passage in the Trismegistic literature: 'I invoke thee, Lady Isis, with whom the Good Daimon doth unite, He who is Lord in the perfect black. '37
We know that Isis is identified with Sirius A, and here we may have a / Page 74 / description of her star-companion 'who is Lord in the perfect black', namely the invisible companion with whom she is united, Sirius B.
Mead, of course, had no inkling of the Sirius question. But he cited this magic papyrus in order to shed comparative light on some extraordinary passages in a Trismegistic treatise he translated which has the title 'The Virgin of the World'. In his comments on the magic papyrus Mead says: 'It is natural to make the Agathodaimon ("the Good Daimon") of the Papyrus refer to Osiris; for indeed it is one of his most frequent designations. Moreover, it is precisely Osiris who is pre-eminently connected with the so-called "underworld", the unseen world, the "mysterious dark". He is lord there. . . and indeed one of the ancient mystery-sayings was precisely, "Osiris is a dark God." ,
'The Virgin of the World' is an extraordinary Trismegistic treatise in the form of a dialogue between the hierophant (high priest) as spokesman for Isis and the neophyte who represents Horus. Thus the priest instructing the initiate is portrayed as Isis instructing her son Horus.
The treatise begins by claiming it is 'her holiest discourse' which 'so speaking Isis doth pour forth'. There is, throughout, a strong emphasis on the hierarchical principle of lower and higher beings in the universe - that earthly mortals are presided over at intervals by other, higher, beings who interfere in Earth's affairs when things here become hopeless, etc. Isis says in the treatise: 'It needs must, therefore, be the less should give place to the greater mysteries.' What she is to disclose to Horus is a great mystery. Mead describes it as the mystery practised by the arch-hierophant. It was the degree (here 'degree' is in the sense of 'degree' in the Masonic 'mysteries', which are hopelessly garbled and watered-down versions of genuine mysteries of earlier times) 'called the "Dark Mystery" or "Black Rite". It was a rite performed only for those who were judged worthy of it after long probation in lower degrees, something of a far more sacred character, apparently, than the instruction in the mysteries enacted in the light.'
Mead adds: 'I would suggest, therefore, that we have here a reference to the most esoteric institution of the Isiac tradition. . .', Isiac meaning of course 'Isis-tradition', and not to be confused with the Book of Isaiah in the Bible (so that perhaps it is best for us not to use the word-form 'Isiac').
It is in attempting to explain the mysterious 'Black Rite' of Isis at the highest degree of the Egyptian mysteries that Mead cited the magic papyrus which I have already quoted. He explains the 'Black Rite' as being connected with Osiris being a 'dark god' who is 'Lord of the perfect black' which is 'the unseen world, the mysterious black'.
This treatise 'The Virgin of the World' describes a personage called Hermes who seems to represent a race of beings who taught earthly mankind the arts of civilization after which: 'And thus, with charge unto his kinsmen of the Gods to keep sure watch, he mounted to the Stars'.
According to this treatise mankind have been a troublesome lot requiring scrutiny and, at rare intervals of crisis, intervention.
After Hermes left Earth to return to the stars there was or were in Egypt someone or some people designated as 'Tat' (Thoth) who were initiates into the celestial mysteries I take this to refer to to the Egyptian priests. However, one of the most significant passages in the treatsie follows immediately upon this / Page 75 /
statement, and indicates to me that this treatise must have some genuine Egyptian source, for no late Greek should have been capable of incorporating this. But in order to recognize this one must know about the extraordinary Imhotep, a brilliant genius, philosopher, doctor, and Prime Minister (to use our terms) during the Third Dynasty in Egypt circa 2600 B.O. under King Zoser, whose tomb and temple he constructed and designed himself. (This is the famous step-pyramid at Sakkara, the first pyramid ever built and the world's earliest stone building according to some.) Imhotep was over the centuries gradually transformed into a god and 'a son of Ptah'. One reason why the process of his deification may have been retarded for some thousands of years is that writings by him survived, rather like the survival of the Cathas by Zarathustra (Zoroaster), making it impossible to claim that a man who left writings could in fact have been a god. Just like Mohammed and Zoroaster, Imhotep remained a sort of 'prophet' through his surviving writings.
For the significant passage, now, here is the entire paragraph: 'To him (Hermes) succeeded Tat, who was at once his son and heir unto these knowledges [this almost certainly implies a priesthood] ; and not long afterwards AsclepiusImuth, according to the will of Ptah who is Hephaestus, and all the rest who were to make enquiry of the faithful certitude of heavenly contemplation, as Foreknowledge (or Providence) willed, Foreknowledge queen of all.'
Now this is a really striking passage. We have the mysterious 'Hermes' succeeded by an Egyptian priesthood of Thoth. Then 'not long afterwards' we have someone called Asclepius-Imuth 'according to the will of Ptah'. This is Imhotep! Ptah, known to the Greeks as Hephaestus, was considered the father of Imhotep in late Egyptian times. In fact, it is interesting that this text avoids the late form 'son of Ptah' to describe Imhotep. Imhotep was known to the Greeks and provided the basis for their god Asclepi us (the Greek god of medicine, corresponding to Imhotep's late form as Egyptian god of medicine). Imhotep is also spelled Imouthes, Imothes, Imutep, etc. Hence the form in this treatise 'Asclepius-Imuth' .
There is absolutely no question that Imhotep is being referred to here. And in the light of that, certain other statements in this passage become quite interesting.
It has already been mentioned that in a treatise like 'The Virgin of the World', where gods' names are thrown round like birdseed, the authors were exceedingly restrained to have avoided labelling Asclepius-Imhotep as 'a son of Ptah-Hephaestus'. This may, indeed, point to a genuine early source from the time before that when the Egyptians ceased to regard Imhotep as a mortal.
Hurry says :38
For many years Egyptologists have been puzzled to explain why Imhotep, who lived in the days of King Zoser, ca. 2900 B.O., was not ranked among the full gods of Egypt until the Persian period, dating from 525 B.O. The apotheosis of a man, however distinguished, so many centuries after his life on earth seems mysterious. The explanation appears to be that first
suggested by Erman, viz. that Imhotep, at any rate during a large part of the interval was regarded as a sort of hero or demigod and received semidivine worship. Erman suggested that this rank of demigod was bestowed / Page 76 / on him at the time of the New Kingdom, i.e. about 1580 B.C., but more recent evidence seems to indicate that this demigod stage was reached at a much earlier period.
Here a bit of chronology helps. 'The Virgin of the World' correctly described Imhotep as 'not long afterwards', following upon the creation of the Egyptian priesthood, presumably in the First Dynasty after Menes, in the form in which it would be known after the unification of Egypt. Imhotep lived in the Third Dynasty, at the beginning of the Old Kingdom. I. E. S. Edwards39 estimates this as commencing about 2686 B.G. He puts the start of the First Dynasty about 3100 B.G. Imhotep is thus literally 'not long afterwards'. Whoever wrote 'The Virgin of the World' knew his Egyptian chronology and also did not call Imhotep 'son of Ptah'.
There is another point. Looking at this statement from 'The Virgin of the World': '. . . and all the rest (i.e. after Imhotep) who were to make enquiry of the faithful certitude of heavenly contemplation. . .', we find that we have a
reference to successors of Imhotep who 'enquired' into the riddles of the universe and also a description of Imhotep's own activities as an 'enquirer'. This also is accurate and reflects considerable knowledge of the subject. For Imhotep is often described as the first genuine philosopher known by name.
And on p. 30 of his book, Hurry refers to apparent successors mentioned in an Oxyrhyncus papyrus (in Greek, edited by Grenfell and Hunt) which relates that 'Imhotep was worshipped as early as the IVth Dynasty, and his temple was resorted to by sick and afflicted persons'. Hurry further says: 'The other persons are Horus son of Hermes, and Kaleoibis son of Apollo (Imhotep being a son of Pta h) ; it is not known who these were.' Could they have been successors
of Imhotep at 'enquiring'? It seems likely that we shall be learning more of these people as excavations in Egypt proceed. In 1971-2 there came to light at Sakkara a remarkable group of texts written by a man named Hor (from Horus), describing his life at an Egyptian temple in the Ptolemaic period, recounting his dreams and his political encounters. These texts should have been published by 1976 by the Egypt Exploration Society.
Hurry refers to the Trismegistic (Hermetic) literature as follows: 'If the references to Imhotep in Hermetic literature can be trusted, he was also interested in astronomy and astrology, although no special observations are associated with his name. Sethe gives various references to that literature, showing that Imhotep was reputed to have been associated with the god Thoth (Hermes) in astronomical observations.'4o Obviously Imhotep, as chief priest under King Zoser (for he held that office as well), was associated with Thoth
(Tat) in the form of the priesthood previously mentioned who had the 'Dark Rite' as their highest mystery. Here is actual confirmation, then, that it was astronomical matters with which they dealt. In other words, my astronomical interpretation receives some confirmation from this source as well. It is nice when loose ends tie up.
Inscriptions in a temple at Edfu built by Ptolemy In Euergetes I (237 B.G.) describe Imhotep as 'the great priest Imhotep the son of Ptah, who speaks or lectures'. Hurry says 'Imhotep enjoyed the reputation of being "one of the greatest of Egyptian sages" ;41 his fame for wisdom made so deep an impression / Page 77 / on his countrymen that it endured as a national tradition for many centuries.
'As regards his literary activities, he is said to have produced works on medicine and architecture, as well as on more general subjects, and some of his works were extant at the dawn of the Christian era. . . . his eminence as a man of letters led him to be recognized as the "patron of scribes." ,
In other words, he was the first great philosopher. And he obviously 'spoke and lectured' in his lifetime. Perhaps he was the first classical Greek in prototype. We also have something to look forward to - his tomb has yet to be discovered. It is thought to be at Sakkara, and the late Professor Emery more than once thought he had come close to discovering it in his excavations there, which are now being carried on by Professor Smith, who is a man with a strange enough aura about him to convince anyone that he is capable of making a discovery which would be the most important in archaeological history and beside which the minor and later tomb of a boy Pharaoh named Tutankhamen would entirely pale by comparison. But perhaps the most interesting thing about the possible forthcoming discovery of Imhotep's tomb is that it will almost certainly be full of books. Would a man like Imhotep be buried without them?
"Bearing these books in mind (and I am sure they are there waiting underground like a time bomb for us), it is interesting to read this passage in 'The Virgin of the World' following shortly upon that previously quoted:
The sacred symbols of the cosmic elements were hid away hard by the secrets of Osiris. Hermes, ere he returned to Heaven, invoked a spell on them, and spake these words: . . . 'O holy books, who have been made by my immortal hands, by incorruption's magic spells. . . (at this point there is a lacuna as the text is hopeless) . . . free from decay throughout eternity remain and incorrupt from time! Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until old Heaven doth bring forth meet instruments for you, whom the Creator shall call souls.'
Thus spake he; and, laying spells on them by means of his own works, he shut them safe away in their own zones. And long enough the time has been since they were hid away.
In the treatise the highest objective of ignorant men searching for the truth
is described as: '(Men) will seek out. . . the inner nature of the holy spaces which no foot may tread, and will chase after them into the height, desiring to observe the nature of the motion of the Heaven.
'These are as yet moderate things. For nothing more remains than Earth's remotest realms; nay, in their daring they will track out Night, the farthest Night of all.'
We 'will chase out into the height' of space to 'observe the nature of the motions of the Heavens', says this old (indeterminately old) treatise. How correct it was. We have now landed on the moon, which is 'chasing out into the height' with a vengeance. And we are indeed 'observing the nature of the motion of the Heavens'. And the treatise is also right in saying that 'these are yet moderate things'. For, as everyone knows, the people in the space programme feel as if they have only just begun. Man will only pause properly again when he has made the entire solar system his familiar and his own. Then we shall / Page 78 / be faced with the limitations of our solar system and the barrier that separates it from the stars. What then ? Yes, what we have done to date certainly deserves the description of 'yet moderate things'. Vasco da Gama may have congratulated himself on his brilliant navigational accomplishments, but as we can clearly see in his case, a beginning is only a beginning. It is 'yet moderate things'.
According to the treatise, after these moderate things we shall 'in our daring' even learn the greatest secret. . . we shall discover 'Night'. And the meaning of the 'Dark Rite' will become clear. And as this rite and this mystery concern Isis and the star Sirius and by the context of this prophecy clearly concerns the heavens, can we be accused of sensationalism in making the suggestion that nothing would shake up the human race more than having the discovery of intelligent life elsewhere in the universe proven for the first time? And what if the dark companion of Sirius really does hold the answer to this mystery? What if the nearest centre of civilization really is based at the Sirius system and keeps a watchful eye on us from time to time? What if this is proven by our detecting on our radio telescopes actual traces of local radio communications echoing down those nine light years of space in the vast spreading ripple of disintegrating signals that any culture remotely near to us in development would be bound to dribble forth into the surrounding universe? What if this happens ? It will be like the sky falling in, won't it?
Page 72 Note
"* Norbert Wiener in Cybernetics, the pioneer textbook of computer theory, said: 'We have decided to call the entire field of control and communication theory, whether in the machine or
in the animal) by the name Cybernetics. . . (from the Greek for)
http://www.youtube.com/watch?v=w9aYrHzEW-w
OSIRIS
FOREMOST OF THE WESTENERS
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1 |
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6 |
9 |
occurs |
x |
9 |
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81 |
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9 |
19 |
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95 |
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23 |
1+9 |
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10 |
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7 |
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14 |
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9 |
9 |
3 |
1 |
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9 |
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- |
9 |
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1 |
9 |
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3 |
1 |
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Ezekiel 38:2King James Version (KJV)
2 Son of man, set thy face against Gog, the land of Magog, the chief prince of Meshech and Tubal, and prophesy against him
THE
PACES IN SPACE
3 |
THE |
33 |
15 |
6 |
5 |
PACES |
44 |
17 |
8 |
2 |
IN |
23 |
14 |
5 |
5 |
SPACE |
44 |
17 |
8 |
15 |
- |
|
|
|
1+5 |
- |
1+4+4 |
6+3 |
2+7 |
6 |
- |
|
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|
A SPACE ODYSSEY
Arthur C. Clarke
www.mprinstitute.org/vaclav/Clarke.htm
Other cultures, forced by their surroundings to be aware of Time, have become obsessed by it..." (Arthur C. Clarke: ... (Arthur C. Clarke: All the Time in the World,
I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but to wait.
I do not think we will have to wait for long "The Sentinel" (1948), originally titled "Sentinel of Eternity" this is the short story which later provided the fundamental ideas for 2001: A Space Odyssey (1968) written by Clarke and Stanley Kubrick
M |
= |
4 |
- |
- |
MIND |
- |
- |
- |
M |
= |
4 |
- |
- |
MATTER |
- |
- |
- |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
D |
4 |
4 |
4 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
M |
= |
4 |
- |
- |
MATTER |
- |
- |
- |
M |
= |
4 |
- |
- |
MIND |
- |
- |
- |
- |
- |
- |
|
10 |
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+1+7 |
4+5 |
4+5 |
- |
- |
- |
- |
1 |
- |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
|
|
M |
= |
4 |
- |
4 |
MIND |
|
|
|
M |
= |
4 |
- |
6 |
MATTER |
|
|
|
- |
- |
8 |
|
10 |
|
|
|
|
- |
- |
- |
- |
1+0 |
- |
1+1+7 |
4+5 |
- |
- |
- |
8 |
- |
1 |
- |
|
|
|
1 |
I |
9 |
9 |
9 |
4 |
THAT |
49 |
13 |
4 |
2 |
AM |
14 |
5 |
5 |
11 |
|
145 |
55 |
1 |
16 |
|
213 |
78 |
6 |
3 |
AND |
19 |
10 |
1 |
9 |
|
86 |
32 |
5 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
|
First Total |
|
|
|
4+9 |
Add to Reduce |
5+5+8 |
2+1+6 |
4+5 |
|
Second Total |
|
9 |
9 |
1+3 |
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
9 |
9 |
I
THAT
AM
THAT
TIME EMIT
M |
= |
4 |
- |
- |
MES KHENT |
- |
- |
- |
- |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
K |
11 |
2 |
2 |
- |
- |
- |
- |
2 |
H+E+N |
27 |
9 |
9 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
M |
= |
4 |
|
9 |
MES KHENT |
|
|
|
- |
- |
- |
- |
- |
- |
9+5 |
3+2 |
2+3 |
M |
= |
4 |
- |
|
MES KHENT |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
- |
|
MES KHENT |
|
|
|
M |
= |
4 |
- |
- |
MES KHENT |
- |
- |
- |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
K |
11 |
2 |
2 |
- |
- |
- |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
M |
= |
4 |
|
9 |
MES KHENT |
|
|
|
- |
- |
- |
- |
- |
- |
9+5 |
3+2 |
2+3 |
M |
= |
4 |
- |
|
MES KHENT |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
- |
|
MES KHENT |
|
|
|
S |
= |
1 |
- |
- |
SURROUND |
- |
- |
- |
- |
- |
- |
- |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
5 |
S+O+U+N+D |
73 |
19 |
1 |
S |
= |
1 |
|
8 |
SURROUND |
|
|
|
- |
- |
- |
- |
- |
- |
1+3+0 |
4+0 |
2+2 |
S |
= |
1 |
- |
|
SURROUND |
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
S |
= |
1 |
- |
|
SURROUND |
|
|
|
S |
= |
1 |
- |
- |
SURROUNDS |
- |
- |
- |
- |
- |
- |
- |
2 |
U |
21 |
3 |
3 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
5 |
S+O+U+N+D+S |
92 |
29 |
2 |
S |
= |
1 |
|
8 |
SURROUND |
|
|
|
- |
- |
- |
- |
- |
- |
1+4+9 |
5+0 |
2+3 |
S |
= |
1 |
- |
|
SURROUND |
|
|
|
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
S |
= |
1 |
- |
|
SURROUND |
|
|
|
P |
= |
7 |
- |
- |
PERSEPHONE |
- |
- |
- |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
P |
= |
7 |
|
9 |
PERSEPHONE |
|
|
|
- |
- |
- |
- |
- |
- |
1+2+1 |
5+8 |
4+9 |
P |
= |
7 |
- |
|
PERSEPHONE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
P |
= |
7 |
- |
|
PERSEPHONE |
|
|
|
P |
= |
7 |
- |
- |
PERSEPHONE |
- |
- |
- |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
P |
16 |
7 |
7 |
- |
- |
- |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
P |
= |
7 |
|
9 |
PERSEPHONE |
|
|
|
- |
- |
- |
- |
- |
- |
1+2+1 |
5+8 |
4+9 |
P |
= |
7 |
- |
|
PERSEPHONE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
1+3 |
1+3 |
P |
= |
7 |
- |
|
PERSEPHONE |
|
|
|
14 |
|
- |
- |
|
- |
M+E |
18 |
9 |
9 |
- |
T |
20 |
2 |
2 |
- |
E+M |
18 |
9 |
9 |
- |
P+S+Y+C |
63 |
27 |
9 |
- |
H+O+S |
42 |
24 |
6 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
14 |
METEMPSYCHOSIS |
|
|
|
1+4 |
- |
1+8+9 |
9+0 |
4+5 |
- |
- |
|
|
|
- |
- |
|
|
|
5 |
METEMPSYCHOSIS |
|
|
|
14 |
|
|
|
|
- |
M+E+T+E+M+P |
72 |
27 |
9 |
- |
S+Y+C+H+O+S |
89 |
44 |
8 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
10 |
1 |
1+4 |
METEMPSYCHOSIS |
189 |
90 |
27 |
- |
- |
1+8+9 |
9+0 |
2+7 |
- |
- |
|
9 |
9 |
- |
|
|
- |
- |
5 |
METEMPSYCHOSIS |
|
9 |
9 |
- |
|
|
|
|
- |
- |
- |
- |
- |
- |
I |
9 |
9 |
9 |
|
M+E |
18 |
9 |
|
- |
- |
- |
|
- |
- |
|
|
- |
- |
- |
|
|
|
|
|
M+E |
18 |
9 |
|
|
T+E+M |
38 |
11 |
|
|
P+S+Y+C+H+O+S+I+S |
133 |
70 |
|
14 |
|
|
|
|
1+4 |
|
1+8+9 |
9+0 |
1+8 |
- |
|
|
|
|
- |
|
|
|
|
5 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
26 |
- |
- |
- |
- |
- |
- |
- |
1 |
- |
- |
8 |
6 |
1 |
9 |
1 |
+ |
= |
26 |
2+6 |
= |
8 |
= |
8 |
= |
8 |
89 |
- |
- |
- |
- |
- |
- |
- |
19 |
- |
- |
8 |
15 |
19 |
9 |
19 |
+ |
= |
89 |
8+9 |
= |
17 |
1+7 |
8 |
= |
8 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
- |
37 |
|
4 |
5 |
2 |
5 |
4 |
7 |
|
7 |
3 |
|
|
|
|
|
+ |
= |
37 |
3+7 |
= |
|
1+0 |
1 |
= |
1 |
|
|
13 |
5 |
20 |
5 |
13 |
16 |
|
25 |
3 |
|
|
|
|
|
+ |
= |
|
1+0+0 |
= |
|
|
1 |
= |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
13 |
5 |
20 |
5 |
13 |
16 |
19 |
25 |
3 |
8 |
15 |
19 |
9 |
19 |
+ |
= |
|
1+8+9 |
= |
18 |
1+8 |
9 |
= |
9 |
|
|
4 |
5 |
2 |
5 |
4 |
7 |
1 |
7 |
3 |
8 |
6 |
1 |
9 |
1 |
+ |
= |
|
6+3 |
= |
|
|
9 |
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
10 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
14 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
63 |
- |
|
4+5 |
1+4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
4+5 |
- |
- |
1+4 |
- |
6+3 |
- |
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
- |
|
|
|
4 |
5 |
2 |
5 |
4 |
7 |
1 |
7 |
3 |
8 |
6 |
1 |
9 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
- |
|
- |
|
13 |
|
- |
- |
|
- |
M+E |
18 |
9 |
9 |
- |
T+A |
21 |
3 |
3 |
- |
M+O |
28 |
10 |
1 |
- |
R |
18 |
9 |
9 |
- |
P+H+O+S |
58 |
22 |
4 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
1 |
1 |
13 |
METAMORPHOSIS |
|
|
|
1+3 |
- |
1+7+1 |
6+3 |
4+5 |
4 |
-METAMORPHOSIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
-` |
6 |
- |
- |
8 |
6 |
1 |
9 |
1 |
+ |
= |
31 |
3+1 |
= |
4 |
= |
4 |
= |
4 |
|
- |
- |
- |
- |
- |
- |
15 |
- |
- |
8 |
15 |
19 |
9 |
19 |
+ |
= |
85 |
8+5 |
= |
13 |
1+3 |
4 |
= |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
2 |
1 |
4 |
- |
9 |
7 |
- |
- |
- |
- |
- |
+ |
= |
|
3+2 |
= |
|
|
5 |
= |
5 |
|
|
13 |
5 |
20 |
1 |
13 |
- |
18 |
16 |
- |
- |
- |
- |
- |
+ |
= |
|
8+6 |
= |
14 |
1+4 |
5 |
= |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
13 |
5 |
20 |
1 |
13 |
15 |
18 |
16 |
8 |
15 |
19 |
9 |
19 |
+ |
= |
|
1+7+1 |
= |
9 |
= |
9 |
= |
9 |
- |
|
4 |
5 |
2 |
1 |
4 |
6 |
9 |
7 |
8 |
6 |
1 |
9 |
1 |
+ |
= |
|
6+3 |
= |
|
= |
9 |
= |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THREE |
3 |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
7 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
63 |
- |
|
|
1+3 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
9 |
- |
- |
- |
4+2 |
- |
- |
1+3 |
- |
6+3 |
- |
4+5 |
3 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
6 |
- |
- |
4 |
- |
9 |
- |
9 |
|
|
4 |
5 |
2 |
1 |
4 |
6 |
9 |
7 |
8 |
6 |
1 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
3 |
4 |
|
|
|
|
|
|
|
|
|
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6 |
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4 |
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6 |
- |
- |
8 |
6 |
1 |
9 |
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31 |
3+1 |
= |
4 |
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4 |
= |
4 |
- |
- |
- |
- |
- |
- |
15 |
- |
- |
8 |
15 |
19 |
9 |
19 |
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85 |
8+5 |
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13 |
1+3 |
4 |
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4 |
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4 |
5 |
2 |
1 |
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9 |
7 |
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3+2 |
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5 |
= |
5 |
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13 |
5 |
20 |
1 |
13 |
- |
18 |
16 |
- |
- |
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8+6 |
= |
14 |
1+4 |
5 |
= |
5 |
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13 |
5 |
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1 |
13 |
15 |
18 |
16 |
8 |
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9 |
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9 |
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9 |
|
4 |
5 |
2 |
1 |
4 |
6 |
9 |
7 |
8 |
6 |
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9 |
1 |
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6+3 |
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9 |
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3 |
= |
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2 |
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5 |
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occurs |
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7 |
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8 |
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9 |
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18 |
1+8 |
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63 |
- |
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1+3 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
9 |
- |
- |
- |
4+2 |
- |
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1+3 |
- |
6+3 |
- |
4+5 |
4 |
|
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- |
- |
6 |
- |
- |
4 |
- |
9 |
- |
9 |
|
4 |
5 |
2 |
1 |
4 |
6 |
9 |
7 |
8 |
6 |
1 |
9 |
1 |
|
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- |
- |
|
4 |
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- |
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6 |
- |
- |
4 |
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9 |
- |
9 |
13 |
|
- |
- |
|
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M+E |
18 |
9 |
9 |
- |
T+A |
21 |
3 |
3 |
- |
M+O |
28 |
10 |
1 |
- |
R |
18 |
9 |
9 |
- |
P+H+O+S+E |
63 |
27 |
9 |
- |
S |
19 |
1 |
1 |
13 |
METAMORPHOSES |
|
|
|
1+3 |
- |
1+6+7 |
5+9 |
3+2 |
4 |
METAMORPHOSES |
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- |
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4 |
METAMORPHOSES |
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6 |
- |
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8 |
6 |
1 |
- |
1 |
+ |
= |
22 |
2+2 |
= |
4 |
= |
4 |
= |
4 |
|
- |
- |
- |
- |
- |
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15 |
- |
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8 |
15 |
19 |
- |
19 |
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= |
76 |
7+6 |
= |
13 |
1+3 |
4 |
= |
4 |
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4 |
5 |
2 |
1 |
4 |
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9 |
7 |
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5 |
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= |
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3+7 |
= |
10 |
1+0 |
1 |
= |
1 |
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13 |
5 |
20 |
1 |
13 |
- |
18 |
16 |
- |
- |
- |
5 |
- |
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= |
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9+1 |
= |
10 |
1+0 |
1 |
= |
1 |
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- |
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13 |
5 |
20 |
1 |
13 |
15 |
18 |
16 |
8 |
15 |
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5 |
19 |
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1+6+7 |
= |
14 |
1+4 |
5 |
= |
5 |
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4 |
5 |
2 |
1 |
4 |
6 |
9 |
7 |
8 |
6 |
1 |
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1+4 |
5 |
= |
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3 |
= |
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2 |
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occurs |
x |
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= |
2 |
= |
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THREE |
3 |
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- |
- |
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occurs |
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= |
8 |
= |
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5 |
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5 |
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- |
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occurs |
x |
|
= |
10 |
1+0 |
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- |
- |
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occurs |
x |
|
= |
12 |
1+2 |
|
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- |
- |
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occurs |
x |
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= |
7 |
= |
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occurs |
x |
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= |
8 |
= |
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occurs |
x |
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= |
9 |
= |
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3 |
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59 |
- |
|
|
1+3 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
4+2 |
- |
- |
1+3 |
- |
5+9 |
- |
4+1 |
3 |
4 |
|
|
|
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|
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|
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|
- |
- |
6 |
- |
- |
4 |
- |
14 |
- |
5 |
|
|
4 |
5 |
2 |
1 |
4 |
6 |
9 |
7 |
8 |
6 |
1 |
5 |
1 |
|
|
|
|
|
|
|
1+4 |
- |
|
3 |
4 |
|
|
|
|
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|
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|
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|
|
|
|
- |
- |
6 |
- |
- |
4 |
- |
|
- |
5 |
13 |
|
- |
- |
|
- |
M+E |
18 |
9 |
9 |
- |
T+A |
21 |
3 |
3 |
- |
M+O |
28 |
10 |
1 |
- |
R |
18 |
9 |
9 |
- |
P+H+O+S+E |
63 |
27 |
9 |
- |
S |
19 |
1 |
1 |
13 |
METAMORPHOSES |
|
|
|
1+3 |
- |
1+6+7 |
5+9 |
3+2 |
- |
- |
|
|
|
- |
- |
|
|
|
4 |
METAMORPHOSES |
|
|
|
13 |
|
- |
- |
|
- |
M+E |
18 |
9 |
9 |
- |
T+A |
21 |
3 |
3 |
- |
M+O |
28 |
10 |
1 |
- |
R |
18 |
9 |
9 |
- |
P+H+O+S |
58 |
22 |
4 |
- |
I |
9 |
9 |
9 |
- |
S |
19 |
1 |
1 |
13 |
METAMORPHOSIS |
|
|
|
1+3 |
- |
1+7+1 |
6+3 |
4+5 |
4 |
-METAMORPHOSIS |
|
|
|
M |
= |
13 |
- |
13 |
METAMORPHOSIS |
|
|
|
- |
- |
4 |
- |
4 |
- |
- |
|
|
M |
= |
13 |
- |
13 |
METAMORPHOSES |
|
|
|
|
|
- |
- |
- |
1 |
|
18 |
9 |
|
4 |
|
45 |
18 |
|
1 |
|
15 |
6 |
|
1 |
|
18 |
9 |
|
|
METAPHOR |
|
|
|
- |
|
9+6 |
4+2 |
3+3 |
|
METAPHOR |
|
|
|
- |
|
1+5 |
- |
- |
|
METAPHOR |
|
|
|
|
|
|
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|
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- |
- |
- |
- |
- |
- |
8 |
6 |
- |
+ |
= |
14 |
1+4 |
= |
5 |
= |
5 |
|
- |
- |
- |
- |
- |
- |
8 |
15 |
- |
+ |
= |
23 |
2+3 |
= |
5 |
= |
5 |
|
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4 |
5 |
2 |
1 |
7 |
- |
- |
9 |
+ |
= |
|
2+8 |
= |
|
|
1 |
|
|
13 |
5 |
20 |
1 |
16 |
- |
- |
18 |
+ |
= |
|
7+3 |
= |
|
|
1 |
|
|
|
|
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- |
|
13 |
5 |
20 |
1 |
16 |
8 |
15 |
18 |
+ |
= |
|
9+6 |
= |
15 |
1+5 |
6 |
- |
|
4 |
5 |
2 |
1 |
7 |
8 |
6 |
9 |
+ |
= |
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4+2 |
= |
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6 |
- |
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- |
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occurs |
x |
|
= |
1 |
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2 |
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|
occurs |
x |
|
= |
2 |
|
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|
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THREE |
3 |
|
- |
- |
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- |
- |
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occurs |
x |
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= |
4 |
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5 |
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- |
- |
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occurs |
x |
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= |
5 |
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- |
- |
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occurs |
x |
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= |
6 |
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- |
- |
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occurs |
x |
|
= |
7 |
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occurs |
x |
|
= |
8 |
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occurs |
x |
|
= |
9 |
3 |
8 |
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8 |
|
42 |
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- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
4+2 |
- |
- |
|
- |
4+2 |
3 |
8 |
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- |
- |
6 |
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- |
8 |
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6 |
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4 |
5 |
2 |
1 |
7 |
8 |
6 |
9 |
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3 |
8 |
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6 |
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6 |
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8 |
6 |
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1+4 |
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5 |
= |
5 |
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- |
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15 |
- |
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2+3 |
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5 |
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13 |
5 |
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16 |
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18 |
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1+5 |
6 |
|
4 |
5 |
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1 |
7 |
8 |
6 |
9 |
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occurs |
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2 |
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occurs |
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occurs |
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5 |
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occurs |
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occurs |
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occurs |
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8 |
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occurs |
x |
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9 |
8 |
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8 |
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42 |
|
- |
- |
- |
- |
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9 |
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4+2 |
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- |
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4+2 |
8 |
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- |
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6 |
- |
- |
8 |
- |
6 |
|
4 |
5 |
2 |
1 |
7 |
8 |
6 |
9 |
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8 |
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6 |
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8 |
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6 |
grammar.about.com › ... › Main Clause - Oxymoron - Cached - Similar Metaphor - Wikipedia, the free encyclopedia
A common definition of a metaphor can be described as a comparison that shows how two things that are not alike in most ways are similar in another ...
en.wikipedia.org/wiki/Metaphor
Metaphor is the concept of understanding one thing in terms of another. A metaphor is a figure of speech that constructs an analogy between two things or ideas; the analogy is conveyed by the use of a metaphorical word in place of some other word. For example: "Her eyes were glistening jewels".
Metaphor also denotes rhetorical figures of speech that achieve their effects via association, comparison or resemblance (e.g., antithesis, hyperbole, metonymy and simile, which are all types of metaphor).[1]
The English metaphor derives from the 16th century Old French métaphore, from the Latin metaphora "carrying over", Greek (μεταφορά) metaphorá “transfer”,[2] from (μεταφέρω) metaphero “to carry over”, “to transfer”[3] and from (μετά) meta “between”[4] + (φέρω) phero, “to bear”, “to carry”.[5]
1 |
I |
9 |
9 |
9 |
4
|
INCA |
27 |
18 |
9 |
3 |
THE |
33 |
15 |
6 |
6 |
DIVINE |
63 |
36 |
9 |
3 |
SON |
48 |
21 |
3 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
18 |
9 |
25 |
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2+8+8 |
1+4+4 |
5+4 |
9 |
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- |
CHRIST |
- |
- |
- |
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C |
3 |
3 |
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RISH |
54 |
27 |
|
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T |
20 |
2 |
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6 |
CHRIST |
77 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
6 |
CHRIST |
14 |
5 |
5 |
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6 |
C |
H |
R |
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S |
T |
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9 |
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1+8 |
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8 |
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19 |
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1+4 |
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3 |
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18 |
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20 |
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4+1 |
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1 |
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1 |
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1 |
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FIVE |
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SIX |
6 |
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- |
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7 |
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- |
- |
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SEVEN |
7 |
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8 |
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8 |
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9 |
9 |
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18 |
1+8 |
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22 |
6 |
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23 |
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2+2 |
- |
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2+3 |
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3+2 |
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2+3 |
4 |
6 |
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5 |
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9 |
19 |
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3+6 |
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20 |
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4+1 |
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2 |
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9 |
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18 |
1+8 |
|
6 |
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23 |
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2+3 |
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2+3 |
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5 |
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19 |
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3+8 |
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1+1 |
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1 |
5 |
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3 |
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10 |
5 |
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21 |
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3+6 |
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10 |
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21 |
19 |
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7+4 |
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1+1 |
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1 |
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3 |
1 |
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1+1 |
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6 |
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7 |
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SEVEN |
7 |
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8 |
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9 |
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36 |
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3+6 |
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1 |
5 |
1 |
3 |
1 |
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- |
1+1 |
9 |
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1 |
5 |
1 |
3 |
1 |
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- |
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1 |
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1 |
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= |
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= |
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- |
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|
19 |
|
19 |
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3+8 |
= |
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1+1 |
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1 |
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3 |
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= |
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- |
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10 |
5 |
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21 |
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3+6 |
= |
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= |
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- |
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- |
- |
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10 |
5 |
19 |
21 |
19 |
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|
7+4 |
= |
|
1+1 |
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- |
|
1 |
5 |
1 |
3 |
1 |
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1+1 |
= |
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= |
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- |
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- |
-- |
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- |
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occurs |
x |
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= |
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- |
-- |
- |
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- |
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|
occurs |
x |
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= |
|
- |
-- |
- |
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- |
- |
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occurs |
x |
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= |
|
6 |
|
|
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|
3+6 |
|
1 |
5 |
1 |
3 |
1 |
|
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|
|
|
- |
1+1 |
9 |
|
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- |
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1 |
5 |
1 |
3 |
1 |
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- |
9 |
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2 |
|
20 |
2 |
|
5 |
|
45 |
18 |
|
2 |
|
34 |
7 |
|
5 |
|
57 |
21 |
|
|
First Total |
|
|
|
1+4 |
Add to Reduce |
1+5+6 |
4+8 |
2+1 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+2 |
1+2 |
|
|
Essence of Number |
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- |
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- |
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- |
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- |
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1 |
- |
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6 |
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- |
1 |
6 |
- |
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|
6 |
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|
2+0 |
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|
= |
|
= |
|
- |
- |
|
19 |
- |
|
|
15 |
|
|
- |
19 |
15 |
- |
|
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|
15 |
|
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|
8+3 |
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|
1+1 |
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= |
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- |
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- |
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- |
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- |
- |
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- |
- |
1 |
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- |
1 |
2 |
|
4 |
5 |
- |
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|
- |
2 |
5 |
3 |
|
5 |
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|
2+8 |
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|
1+0 |
|
= |
|
- |
- |
1 |
|
- |
1 |
2 |
|
22 |
5 |
- |
|
|
- |
2 |
5 |
12 |
|
23 |
|
|
|
7+3 |
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|
1+0 |
|
= |
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- |
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- |
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- |
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- |
|
|
- |
- |
1 |
19 |
- |
1 |
2 |
15 |
22 |
5 |
- |
19 |
15 |
- |
2 |
5 |
12 |
15 |
23 |
|
|
|
1+5+6 |
|
|
1+2 |
|
= |
|
- |
- |
1 |
1 |
- |
1 |
2 |
6 |
4 |
5 |
- |
1 |
6 |
- |
2 |
5 |
3 |
6 |
5 |
|
|
|
4+8 |
|
|
1+2 |
|
= |
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|
14 |
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- |
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- |
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- |
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- |
- |
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1 |
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1 |
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occurs |
x |
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= |
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= |
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2 |
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2 |
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occurs |
x |
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= |
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occurs |
x |
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= |
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= |
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4 |
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occurs |
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5 |
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occurs |
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= |
15 |
1+5 |
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6 |
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6 |
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6 |
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occurs |
x |
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= |
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1+8 |
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2+4 |
1+4 |
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2+1 |
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4+8 |
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3+0 |
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1 |
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1 |
2 |
6 |
4 |
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1 |
6 |
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2 |
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3 |
6 |
5 |
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1+2 |
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18 |
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- |
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S |
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- |
- |
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- |
- |
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8 |
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- |
8 |
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5 |
- |
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6 |
5 |
1 |
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9 |
|
5 |
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- |
- |
|
8 |
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- |
8 |
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14 |
- |
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15 |
14 |
19 |
|
9 |
|
14 |
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18 |
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- |
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- |
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S |
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- |
- |
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- |
- |
2 |
|
5 |
- |
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3 |
4 |
1 |
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- |
3 |
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3 |
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5 |
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3 |
5 |
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- |
- |
20 |
|
5 |
- |
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21 |
13 |
1 |
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- |
3 |
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3 |
|
5 |
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3 |
5 |
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18 |
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- |
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- |
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S |
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- |
- |
|
- |
- |
20 |
8 |
5 |
- |
8 |
21 |
13 |
1 |
14 |
- |
3 |
15 |
14 |
19 |
3 |
9 |
5 |
14 |
3 |
5 |
|
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- |
- |
2 |
8 |
5 |
- |
8 |
3 |
4 |
1 |
5 |
- |
3 |
6 |
5 |
1 |
3 |
9 |
5 |
5 |
3 |
5 |
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18 |
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- |
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- |
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- |
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- |
- |
- |
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occurs |
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2 |
= |
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occurs |
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= |
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- |
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occurs |
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= |
12 |
1+2 |
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occurs |
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4 |
= |
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- |
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occurs |
x |
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= |
30 |
3+0 |
|
- |
- |
- |
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occurs |
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6 |
= |
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7 |
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- |
- |
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occurs |
x |
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= |
16 |
1+6 |
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- |
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occurs |
x |
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= |
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= |
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- |
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- |
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- |
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- |
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- |
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11 |
|
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1+8 |
|
8+1 |
|
3+6 |
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- |
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- |
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6 |
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- |
- |
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- |
6 |
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- |
15 |
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1+5 |
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6 |
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- |
- |
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- |
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3 |
3 |
3 |
3 |
2 |
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1+4 |
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- |
|
3 |
3 |
21 |
12 |
20 |
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5+9 |
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1+4 |
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6 |
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- |
- |
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- |
15 |
3 |
3 |
21 |
12 |
20 |
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7+4 |
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1+1 |
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- |
6 |
3 |
3 |
3 |
3 |
2 |
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2+0 |
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6 |
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- |
- |
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1 |
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1 |
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- |
- |
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- |
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occurs |
x |
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= |
2 |
= |
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occurs |
x |
|
= |
|
1+2 |
|
4 |
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4 |
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- |
- |
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5 |
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5 |
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- |
- |
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occurs |
x |
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= |
6 |
= |
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7 |
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7 |
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- |
- |
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8 |
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8 |
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- |
- |
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9 |
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9 |
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- |
- |
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3+4 |
|
- |
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1+1 |
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2+0 |
|
1+1 |
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- |
6 |
3 |
3 |
3 |
3 |
2 |
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- |
- |
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6 |
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- |
- |
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- |
6 |
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- |
15 |
|
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1+5 |
|
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6 |
|
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- |
- |
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- |
|
3 |
3 |
3 |
3 |
2 |
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|
1+4 |
|
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|
|
|
|
|
- |
|
3 |
3 |
21 |
12 |
20 |
|
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|
5+9 |
|
|
1+4 |
|
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|
6 |
|
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|
- |
- |
|
|
- |
15 |
3 |
3 |
21 |
12 |
20 |
|
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|
7+4 |
|
|
1+1 |
|
|
|
|
- |
6 |
3 |
3 |
3 |
3 |
2 |
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2+0 |
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6 |
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- |
- |
|
- |
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occurs |
x |
|
= |
2 |
= |
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|
occurs |
x |
|
= |
|
1+2 |
|
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|
occurs |
x |
|
= |
6 |
= |
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3+4 |
|
- |
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1+1 |
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2+0 |
|
1+1 |
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- |
6 |
3 |
3 |
3 |
3 |
2 |
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- |
- |
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|
I |
9 |
9 |
|
|
INCA |
- |
- |
- |
|
I |
9 |
9 |
|
|
N |
14 |
5 |
|
- |
C |
3 |
3 |
|
|
A |
1 |
1 |
|
4 |
INCA |
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
4 |
INCA |
9 |
9 |
9 |
|
I |
9 |
9 |
|
|
INCA |
- |
- |
- |
|
I |
9 |
9 |
|
|
NCA |
18 |
9 |
|
4 |
INCA |
27 |
18 |
18 |
- |
- |
2+7 |
1+8 |
1+8 |
1 |
INCA |
9 |
9 |
9 |
|
INCA |
N |
C |
A |
|
I |
- |
- |
- |
|
NCA |
5 |
3 |
|
4 |
INCA |
- |
- |
- |
I
INCA
THE SON OF THE
SUN
1 |
I |
9 |
9 |
9 |
4
|
INCA |
27 |
18 |
9 |
3 |
THE |
33 |
15 |
6 |
3 |
SON |
48 |
21 |
3 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
3 |
SUN |
54 |
18 |
9 |
25 |
|
|
|
|
2+5 |
- |
2+2+5 |
9+9 |
4+5 |
9 |
- |
|
|
|
- |
- |
- |
1+8 |
- |
9 |
- |
|
|
|
|
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|
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|
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|
|
|
|
- |
- |
- |
9 |
14 |
|
|
|
|
|
2+3 |
|
|
= |
|
- |
- |
9 |
5 |
|
|
|
|
|
1+4 |
|
|
= |
|
|
|
|
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|
|
|
|
|
- |
|
|
|
- |
- |
- |
|
|
3 |
1 |
|
|
|
|
|
|
= |
|
- |
- |
|
|
3 |
1 |
|
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|
= |
|
|
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|
|
|
|
- |
|
|
|
- |
- |
- |
9 |
14 |
3 |
1 |
|
|
|
2+7 |
|
|
= |
|
- |
- |
9 |
5 |
3 |
1 |
|
|
|
1+8 |
|
|
= |
|
|
5 |
|
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|
- |
|
|
- |
- |
|
|
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|
occurs |
x |
|
= |
1 |
|
|
- |
- |
|
|
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|
|
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|
- |
|
3 |
|
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|
occurs |
x |
|
= |
3 |
|
|
- |
|
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|
- |
5 |
|
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|
occurs |
x |
|
= |
5 |
|
|
- |
- |
|
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- |
- |
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|
7 |
|
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- |
- |
|
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|
8 |
|
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- |
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|
occurs |
x |
|
= |
9 |
|
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|
2+7 |
|
- |
5 |
3 |
1 |
|
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1+8 |
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1+8 |
|
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9 |
5 |
3 |
1 |
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- |
- |
9 |
14 |
|
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|
2+3 |
|
|
= |
|
- |
9 |
5 |
|
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1+4 |
|
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= |
|
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- |
|
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- |
- |
|
|
3 |
1 |
|
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|
= |
|
- |
|
|
3 |
1 |
|
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|
= |
|
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|
|
|
|
|
|
- |
|
|
|
- |
- |
9 |
14 |
3 |
1 |
|
|
|
2+7 |
|
|
= |
|
- |
9 |
5 |
3 |
1 |
|
|
|
1+8 |
|
|
= |
|
5 |
|
|
|
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|
|
|
|
- |
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
1 |
|
- |
|
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
|
- |
5 |
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
|
|
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|
occurs |
x |
|
= |
9 |
|
|
|
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|
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|
|
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|
- |
5 |
3 |
1 |
|
|
1+8 |
|
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|
1+8 |
|
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|
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|
9 |
5 |
3 |
1 |
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|
FINGERPRINTS OF
|
12 |
|
|
|
|
|
|
- |
|
|
|
D |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
1 |
|
|
|
|
|
- |
|
9 |
1 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
19 |
|
|
|
|
|
- |
|
9 |
19 |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
- |
|
|
|
D |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
|
5 |
3 |
9 |
5 |
2 |
- |
5 |
|
|
4 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
5 |
3 |
18 |
5 |
20 |
- |
23 |
|
|
4 |
|
13 |
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
- |
|
|
|
D |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
19 |
5 |
3 |
18 |
5 |
20 |
- |
23 |
9 |
19 |
4 |
15 |
13 |
|
|
|
|
|
|
|
|
|
|
|
- |
1 |
5 |
3 |
9 |
5 |
2 |
- |
5 |
9 |
1 |
4 |
6 |
4 |
|
|
|
|
|
|
|
|
|
|
|
12 |
|
|
|
|
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|
- |
|
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5 |
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19 |
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5 |
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9 |
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4 |
15 |
13 |
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occurs |
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1+2 |
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1 |
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15 |
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19 |
15 |
12 |
15 |
14 |
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1 |
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3 |
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occurs |
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1 |
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occurs |
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3 |
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occurs |
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occurs |
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1+2 |
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1 |
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3 |
6 |
5 |
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- |
- |
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1 |
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23 |
5 |
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2 |
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28 |
10 |
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1 |
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5 |
5 |
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- |
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5+6 |
2+0 |
1+1 |
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- |
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1+1 |
- |
- |
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- |
- |
- |
1 |
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23 |
5 |
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2 |
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28 |
10 |
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1 |
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5 |
5 |
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- |
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5+6 |
2+0 |
1+1 |
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- |
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1+1 |
- |
- |
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- |
- |
- |
1 |
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23 |
5 |
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2 |
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- |
- |
- |
1 |
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5 |
5 |
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- |
- |
- |
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- |
- |
- |
1 |
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23 |
5 |
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2 |
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9 |
9 |
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1 |
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19 |
10 |
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1 |
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5 |
5 |
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- |
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5+6 |
2+9 |
1+1 |
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- |
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1+1 |
1+1 |
- |
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|
15 |
EGO OF THE GODLESS |
162 |
72 |
9 |
3 |
EGO |
27 |
18 |
9 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
7 |
GODLESS |
81 |
27 |
9 |
18 |
Add to Reduce |
162 |
72 |
27 |
|
Reduce to Deduce |
1+6+2 |
7+2 |
2+7 |
9 |
Essence of Number |
|
|
|
|
CHRYSALIS |
|
|
|
|
C+H |
11 |
11 |
|
|
R |
18 |
9 |
|
|
Y+S+A |
45 |
18 |
|
|
L |
12 |
3 |
|
|
I |
28 |
19 |
|
|
S |
19 |
10 |
|
9 |
CHRYSALIS |
114 |
60 |
24 |
- |
- |
1+1+4 |
6+0 |
2+4 |
9 |
CHRYSALIS |
6 |
6 |
6 |
11 |
CATERPILLAR |
115 |
52 |
7 |
4 |
PUPA |
54 |
18 |
9 |
9 |
BUTTERFLY |
129 |
39 |
3 |
4 |
MOTH |
56 |
20 |
2 |
5 |
|
54 |
18 |
|
4 |
|
54 |
18 |
|
|
Add to Reduce |
|
|
|
|
Reduce to Deduce |
1+0+8 |
3+6 |
1+8 |
|
|
|
|
|
9 |
CHRYSALIS |
111 |
66 |
3 |
7 |
CRYSTAL |
98 |
26 |
8 |
8 |
CRYSTALS |
117 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
9 |
CHRYSALIS |
111 |
66 |
3 |
7 |
CRYSTAL |
98 |
26 |
8 |
8 |
CRYSTALS |
117 |
27 |
9 |
11 |
CRYSTALLIZE |
150 |
51 |
6 |
12 |
CRYSTALLIZED |
154 |
55 |
1 |
15 |
CRYSTALLIZATION |
204 |
69 |
6 |
4 |
GODS |
45 |
18 |
9 |
8 |
CREATORS |
99 |
36 |
9 |
- |
RA MESSIAH |
- |
- |
- |
2 |
|
19 |
10 |
|
7 |
|
74 |
29 |
|
|
RA MESSIAH |
|
|
|
|
- |
9+3 |
3+9 |
|
|
RA MESSIAH |
|
|
|
|
- |
1+2 |
1+2 |
|
|
RA MESSIAH |
|
|
|
3 |
UFO |
24 |
15 |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
UNIDENTIFIED |
120 |
66 |
3 |
6 |
FLYING |
73 |
37 |
1 |
6 |
OBJECT |
55 |
19 |
1 |
24 |
First Total |
|
|
|
|
Add to Reduce |
2+4+8 |
1+2+2 |
- |
6 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
- |
- |
6 |
Essence of Number |
|
|
|
6 |
INSECT |
97 |
25 |
7 |
11 |
CATERPILLAR |
115 |
52 |
7 |
6 |
LARVAE |
59 |
23 |
5 |
5 |
LARVA |
54 |
18 |
9 |
4 |
PUPA |
54 |
18 |
9 |
5 |
PUPAE |
59 |
23 |
5 |
5 |
IMAGO |
45 |
27 |
9 |
6 |
IMAGES |
54 |
27 |
9 |
1 |
I |
9 |
9 |
9 |
|
INCA |
- |
- |
- |
|
I |
9 |
9 |
|
|
N+C+A |
45 |
9 |
|
4 |
INCA |
54 |
18 |
18 |
- |
- |
5+4 |
1+8 |
1+8 |
4 |
INCA |
9 |
9 |
9 |
THE
LIVING REALITY OF PLANET EARTH
DIVINE LOVE LOVE DIVINE
I = 9 9 = I
MIN DOTH DREAM WHAT DOTH MIN MEAN
THE
DREAM
OF
THE
RAINBOW COVENANT
AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA
THE
HOURS OF HORUS
NOW IS NOW
IS
HEAR ME SAY I SAY ME HEAR
HERMES THE MESSENGER THE MESSENGER HERMES
THE ELEMENTS OF THE GODDESS
Caitlin Matthews 1989
Page38
"This ennead of aspects is endlessly adaptable for it is made up of nine, the most adjustable and yet essentially unchanging number. However one chooses to add up multiples of nine, for example 54, 72, 108, they always add up to nine"
THE
ENNEAD 55555 ENNEAD
ENNEA+D 55555 ENNEA+D
THE
ENNEAD 55555 ENNEAD
CREATION SEE REACTION SEE CREATION
C REACTION C REACTION C
CREATORS C REACTORS
REACTORS SEE REACTORS
SOUL SO U LIVE SO U LEARN SO U LOVE
REAL REALITY REVEALED REALITY REAL
LOVE EVOLVE EVOLVE LOVE LOVE EVOLVE EVOLVE LOVE
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 199
"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"
THE SUN
Tuesday, December 27, 2005
FRONT PAGE
"IT WASN'T DEATH THAT WON THE DAY. HUMANITY TRIUMPHED"
(I Corinthians 15: 51-52)
Behold, I tell you a mystery; we shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet.
|
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6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
- |
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|
- |
- |
|
1 |
20 |
21 |
13 |
|
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|
5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
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|
1+0 |
= |
|
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- |
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|
- |
- |
|
1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
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|
1+0 |
= |
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- |
|
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
- |
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- |
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|
occurs |
x |
|
= |
|
- |
- |
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|
occurs |
x |
|
= |
|
- |
- |
- |
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|
occurs |
x |
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= |
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- |
- |
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|
occurs |
x |
|
= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
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- |
- |
- |
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3+5 |
|
1 |
2 |
3 |
4 |
|
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1+0 |
- |
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Q |
1+0 |
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|
THE HERMETICA
THE LOST WISDOM OF THE PHARAOHS
Timothy Freke & Peter Gandy
To the Memory of Giordano Bruno 1548 - 1600
Mundus Nihil Pulcherrimum
The World is a Beautiful Nothing
Page 23
"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45
The Being of Atum
"Atum is Primal Mind."
Page 45
The Being of Atum
Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight,
which comes only as a gift of grace.
It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it,
leaving behind not only the hearer, but even the teacher himself.
To conceive of Atum is difficult.
To define him is impossible.
The imperfect and impermanent cannot easily apprehend
the eternally perfected.
Atum is whole and conconstant.
In himself he is motionless, yet he is self-moving.
He is immaculate, incorruptible and ever-lasting.
He is the Supreme Absolute Reality. He is filled with ideas
which are imperceptible to the senses, and with all-embracing Knowledge.
Atum is Primal Mind.
Page 46
He is too great to be called by the name 'Atum'. He is hidden,
yet obvious everywhere.
His Being is known through thought alone, yet we see his form before our eyes.
He is bodiless,
yet embodied in everything. There is nothing which he is not. He has no name,
because all names are his name. He is the unity in all things,
so we must know him by all names and call everything 'Atum'.
He is the root and source of all. Everything has a source,
except this source itself,
which springs from nothing.
Atum is complete like the number one, which remains itself
whether multiplied or divided, and yet generates all numbers.
Atum is the Whole which contains everything. He is One, not two.
He is All, not many.
The All is not many separate things,
but the Oneness that subsumes the parts.
The All and the One are identical.
You think that things are many
when you view them as separate,
but when you see they all hang on the One,
/Page 47/ and flow from the One,
you will realise they are unitedlinked together,
and connected by a chain of Being from the highest to the lowest,
all subject to the will of Atum.
The Cosmos is one as the sun is one, the moon is one and the Earth is one.
Do you think there are many Gods? That's absurd - God is one.
Atum alone is the Creator
of all that is immortal,
and all that is mutable.
If that seems incredible, just consider yourself. You see, speak, hear, touch,
taste, walk, think and breathe.
It is not a different you
who does these various things, but one being who does them all.
To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley,
now planting a vine - then an apple tree.
Just as the same man plants all these seeds, so Atum sows immortality in heaven
and change on Earth.
Throughout the Cosmos
he disseminates Life and movementthe two great elements
that comprise Atum and his creation, and so everything that is.
Page 48
Atum is called 'Father' because he begets all things, and, from his example,
the wise hold begetting children
the most sacred pursuit of human life. Atum works with Nature,
within the laws of Necessity,
causing extinction and renewal, constantly creating creation
to display his wisdom.
Yet, the things that the eye can see are mere phantoms and illusions.
Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.
Just as the eye cannot see the Being of Atum,
so it cannot see these great ideas.
They are attributes of Atum alone,
and are inseparable from him.
They are so perfectly without blemish that Atum himself is in love with them.
There is nothing which Atum lacks, so nothing that he desires.
There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.
Atum makes everything,
and everything is a part of Atum.
Atum, therefore, makes himself.
This is Atum's glory - he is all-creative, and this creating is his very Being.
It is impossible for him ever to stop creatingfor Atum can never cease to be.
Page 49
Atum is everywhere.
Mind cannot be enclosed,
because everything exists within Mind.
Nothing is so quick and powerful.
Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention
you will be there!
Think of the ocean - and there you are.
You have not moved as things move, but you have travelled, nevertheless.
Fly up into the heavens -
you won't need wings!
Nothing can obstruct you -
not the burning heat of the sun, or the swirling planets.
Pass on to the limits of creation. Do you want to break out
beyond the boundaries of the Cosmos?
For your mind, even that is possible.
Can you sense what power you possess? If you can do all this,
then what about your Creator?
Try and understand that Atum is Mind.
This is how he contains the Cosmos. All things are thoughts
which the Creator thinks."
|
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6 |
ATUM |
- |
- |
- |
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A |
1 |
1 |
|
|
|
|
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|
T |
20 |
2 |
|
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|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
|
|
|
|
6 |
ATUM |
- |
- |
- |
|
|
|
|
|
A |
1 |
1 |
|
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|
|
|
|
T |
20 |
2 |
|
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|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
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|
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|
6 |
ATUM |
55 |
10 |
10 |
|
|
|
|
- |
- |
5+5 |
1+0 |
1+0 |
|
|
|
|
6 |
ATUM |
10 |
1 |
1 |
|
|
|
|
- |
- |
1+0 |
- |
- |
|
|
|
|
6 |
ATUM |
5 |
5 |
5 |
- |
|
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- |
- |
|
1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
|
1 |
2 |
3 |
4 |
|
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|
1+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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- |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
|
1+0 |
|
- |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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- |
- |
- |
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- |
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|
occurs |
x |
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= |
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- |
- |
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|
occurs |
x |
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= |
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- |
- |
- |
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|
occurs |
x |
|
= |
|
- |
- |
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occurs |
x |
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= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
|
NINE |
|
- |
- |
- |
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|
3+5 |
|
1 |
2 |
3 |
4 |
|
|
1+0 |
- |
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Q |
1+0 |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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- |
- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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1 |
2 |
3 |
4 |
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1+0 |
- |
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Q |
1+0 |
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|
ATUM QUANTUM ATOM
QUANTUM
QUNATUM
ATUM
ATUM
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
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1 |
20 |
21 |
13 |
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5+5 |
= |
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1+0 |
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1 |
2 |
3 |
4 |
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1+0 |
= |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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- |
- |
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occurs |
x |
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= |
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- |
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occurs |
x |
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= |
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1 |
2 |
3 |
4 |
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1+0 |
- |
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Q |
1+0 |
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6 |
ATUM RA |
- |
- |
- |
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|
ATUM |
- |
- |
- |
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A |
1 |
1 |
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T |
20 |
2 |
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U |
21 |
3 |
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M |
13 |
4 |
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|
2 |
RA |
- |
- |
- |
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|
R |
18 |
9 |
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|
1+0 |
|
|
A |
1 |
1 |
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6 |
ATUM RA |
74 |
20 |
20 |
|
|
|
|
- |
- |
7+4 |
2+0 |
2+0 |
|
|
|
|
6 |
ATUM RA |
11 |
2 |
2 |
|
|
|
|
- |
- |
1+1 |
- |
- |
|
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6 |
ATUM RA |
2 |
2 |
2 |
- |
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- |
- |
|
1 |
20 |
21 |
13 |
|
18 |
1 |
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7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
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2+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
|
18 |
1 |
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7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
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2+0 |
= |
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- |
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- |
- |
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1 |
20 |
21 |
13 |
|
18 |
1 |
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7+4 |
= |
|
1+1 |
|
- |
|
1 |
2 |
3 |
4 |
|
9 |
1 |
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2+0 |
= |
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- |
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- |
- |
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- |
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occurs |
x |
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= |
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- |
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- |
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|
occurs |
x |
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= |
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- |
- |
- |
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- |
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occurs |
x |
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= |
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- |
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- |
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|
occurs |
x |
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= |
|
5 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
FIVE |
|
- |
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
EIGHT |
|
- |
- |
- |
- |
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occurs |
x |
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= |
|
26 |
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2+6 |
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9 |
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1+9 |
- |
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- |
2+0 |
8 |
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- |
- |
1 |
2 |
3 |
4 |
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9 |
1 |
- |
- |
1+0 |
- |
- |
- |
- |
- |
8 |
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1 |
20 |
21 |
13 |
|
18 |
1 |
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7+4 |
= |
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1+1 |
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1 |
2 |
3 |
4 |
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9 |
1 |
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2+0 |
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21 |
13 |
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1 |
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= |
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1+1 |
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1 |
2 |
3 |
4 |
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1 |
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2+0 |
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13 |
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1 |
2 |
3 |
4 |
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9 |
1 |
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2+0 |
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- |
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1 |
2 |
3 |
4 |
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1 |
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1+0 |
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18 |
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1+1 |
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1 |
2 |
3 |
4 |
9 |
1 |
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2+0 |
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1 |
2 |
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4 |
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1 |
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2 |
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1 |
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1 |
2 |
3 |
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1 |
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6 |
RE ATUM |
- |
- |
- |
|
|
|
|
2 |
RE |
- |
- |
- |
|
|
|
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|
R |
18 |
9 |
|
|
|
|
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|
E |
5 |
5 |
|
|
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ATUM |
- |
- |
- |
|
|
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|
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A |
1 |
1 |
|
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T |
20 |
2 |
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|
U |
21 |
3 |
|
|
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1+0 |
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
RE ATUM |
60 |
24 |
24 |
|
|
|
|
- |
- |
6+0 |
2+4 |
2+4 |
|
|
|
|
6 |
RE ATUM |
6 |
6 |
6 |
|
|
|
|
- |
- |
1+1 |
- |
- |
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|
6 |
RE ATUM |
6 |
6 |
6 |
- |
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- |
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18 |
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1 |
20 |
21 |
13 |
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= |
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- |
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9 |
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1 |
2 |
3 |
4 |
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2+4 |
= |
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= |
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- |
- |
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18 |
5 |
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1 |
20 |
21 |
13 |
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6+0 |
= |
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= |
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- |
|
9 |
5 |
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1 |
2 |
3 |
4 |
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2+4 |
= |
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18 |
5 |
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5 |
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SIX |
|
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7 |
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|
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SEVEN |
|
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8 |
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|
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|
EIGHT |
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21 |
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2+1 |
|
9 |
5 |
|
1 |
2 |
3 |
4 |
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1+4 |
- |
|
|
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2+4 |
3 |
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- |
9 |
5 |
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1 |
2 |
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4 |
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3 |
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18 |
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1 |
20 |
21 |
13 |
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= |
|
= |
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|
9 |
|
|
1 |
2 |
3 |
4 |
|
|
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2+4 |
= |
|
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- |
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18 |
5 |
|
1 |
20 |
21 |
13 |
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6+0 |
= |
|
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|
9 |
5 |
|
1 |
2 |
3 |
4 |
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2+4 |
= |
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18 |
5 |
|
1 |
20 |
21 |
13 |
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|
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= |
|
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|
9 |
5 |
|
1 |
2 |
3 |
4 |
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|
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2+4 |
= |
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|
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|
9 |
5 |
|
1 |
2 |
3 |
4 |
|
|
1+4 |
- |
|
|
- |
2+4 |
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
|
1 |
2 |
3 |
4 |
- |
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
CREATUM |
- |
- |
- |
|
|
|
|
|
C |
3 |
3 |
|
|
|
|
|
|
R |
18 |
9 |
|
|
|
|
|
|
E |
5 |
5 |
|
|
|
|
|
|
A |
1 |
1 |
|
|
|
|
|
|
T |
20 |
2 |
|
|
|
|
|
|
U |
21 |
3 |
|
|
|
|
|
|
M |
13 |
4 |
|
|
|
|
|
6 |
CREATUM |
90 |
27 |
27 |
|
|
|
|
- |
- |
9+0 |
2+7 |
2+7 |
|
|
|
|
6 |
CREATUM |
9 |
9 |
9 |
- |
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
3 |
9 |
5 |
1 |
20 |
21 |
13 |
|
|
|
9+0 |
= |
|
= |
|
- |
|
3 |
18 |
5 |
1 |
2 |
3 |
4 |
|
|
|
2+7 |
= |
|
|
|
- |
|
|
R |
|
|
|
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|
|
|
|
|
|
|
- |
- |
|
3 |
9 |
5 |
1 |
20 |
21 |
13 |
|
|
|
9+0 |
= |
|
= |
|
- |
|
3 |
18 |
5 |
1 |
2 |
3 |
4 |
|
|
|
2+7 |
= |
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|
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- |
|
|
R |
|
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|
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|
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|
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- |
- |
|
3 |
18 |
5 |
1 |
20 |
21 |
13 |
|
|
|
9+0 |
= |
|
= |
|
- |
|
3 |
9 |
5 |
1 |
2 |
3 |
4 |
|
|
|
2+7 |
= |
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- |
|
|
R |
|
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|
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- |
- |
|
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- |
|
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occurs |
x |
|
= |
|
- |
|
|
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occurs |
x |
|
= |
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- |
- |
3 |
|
|
- |
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occurs |
x |
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occurs |
x |
|
= |
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- |
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|
5 |
- |
- |
- |
- |
- |
- |
|
occurs |
x |
|
= |
|
6 |
- |
|
|
|
- |
- |
- |
- |
- |
- |
|
SIX |
|
- |
- |
- |
7 |
- |
|
|
|
- |
- |
- |
- |
- |
- |
|
SEVEN |
|
- |
- |
- |
8 |
- |
|
|
|
- |
- |
- |
- |
- |
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|
EIGHT |
|
- |
- |
- |
- |
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9 |
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occurs |
x |
|
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21 |
|
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R |
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2+4 |
- |
|
|
- |
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3 |
|
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- |
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3 |
9 |
5 |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
|
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9 |
5 |
1 |
20 |
21 |
13 |
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3 |
18 |
5 |
1 |
2 |
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4 |
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5 |
1 |
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5 |
1 |
20 |
21 |
13 |
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= |
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3 |
9 |
5 |
1 |
2 |
3 |
4 |
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= |
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occurs |
x |
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occurs |
x |
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= |
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3 |
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- |
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occurs |
x |
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occurs |
x |
|
= |
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5 |
- |
- |
- |
- |
- |
- |
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occurs |
x |
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9 |
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occurs |
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R |
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2+4 |
- |
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2+7 |
|
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R |
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- |
3 |
9 |
5 |
1 |
2 |
3 |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
R |
|
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|
myEtymology.com: Latin etymology of creatum www.myetymology.com/latin/creatum.htm
Etymology of the Latin word creatum
the Latin word creatum (things made)
derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about)
derived from the Proto-Indo-European root *ker-
Derivations in Latin
creatura derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) ...
Creatum - Medieval Latin 105 https://coursewikis.fas.harvard.edu/ml105/Creatum
Creatum
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creatum
Root: creo
Dictionary form: creo (adjective, positive)
participle, perfect, passive
accusative, masculine, singular
26 Aug 2009 – From Medieval Latin 105. ... Retrieved from "https:/ /coursewikis.fas.harvard.edu/ml105/Creatum" ...
Latin Word Study Tool www.perseus.tufts.edu/hopper/morph?l=creatum&la=la&prior...
Latin Word Study Tool. ("Agamemnon", "Hom. ... creatum, noun sg supine neut nom. creatum, part pl perf pass masc gen poetic. creatum, part pl perf pass neut ...
EUdict | creatum esse | Latin-Croatian dictionary www.eudict.com/index.php?lang=latcro&word=creatum%20esse
Latin-Croatian translation for creatum esse - online dictionary EUdict.com.
Needlebase - 1000 Common Latin Words - creo, creare, creavi, creatum https://pub.needlebase.com/actions/.../V2Visualizer.do?...latin...
1000 Common Latin Words ... current path creo, creare, creavi, creatum >>.
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6 |
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SIX |
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7 |
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SEVEN |
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EIGHT |
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2+1 |
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ANCIENT EGYPT
THE LIGHT OF THE WORLD
Gerald Massey
BOOK 4 EGYPTIAN BOOK OF THE DEAD AND THE MYSTERIES OF AMENTA
Page 186
The Egyptian Book of the Dead contains the oldest known religious writings in the world. As it comes to us it is mainly Osirian, but the Osirian group of gods was the latest of all the divine dynasties, although these, as shown at Abydos (by Prof. Flinders Petrie), will account for some ten thousand years of time in Egypt. The antiquity of the collection is not to be judged by the age of the coffins in which the papyrus rolls were found. Amongst other criteria of length in time the absence of Amen, Maut, and Khunsu supplies a gauge. The presence and importance of Tum affords another, whilst the persistence of Apt and her son Sebek-Horus tells a tale of times incalculably remote.
As a key to the mysteries and the method of the book it must be understood at starting that the eschatology or doctrine of Last Things was founded in the mould of the mythology, and that the one can only be unravelled by means of the other. Moreover, there is plenty of evidence to prove that the Ritual was based on the mythology, and not the mythology upon the Ritual. The serpent, of darkness, was the evil reptile in mythology. In theology it becomes the deluder of mankind. Here the beginning was with darkness itself, which was the deceiver from the first. The serpent, being a figure of darkness, was continued by theology as the official adversary of souls in the eschatological domain. The eschatology of the Ritual, then, can only be comprehended by means of the mythology. And it is the mythos out of view that has made the Ritual so profoundly difficult to understand. Reading it may be compared with a dance seen by a deaf man who does not hear the music to which the motion is timed, and who has no clue to the characters being performed in the dumb drama. You cannot understand what they are doing and saying as Manes in another world without knowing what was thought and said by human beings in this concerning that representation of the nature powers, the gods and goddesses, which constitutes mythology.
Amenta is a huge fossil formation crowded with the dead forms of a past life in which the horny conspectuities of learned ignorance will only see dead shells for a modern museum. As a rule, Egyptis always treated differently from the rest of the world. No Egyptologist has ever dreamed that the Ritual still exists under thedisguise of both the gnostic and canonical gospels, or that it was the fountain-head and source of all the books of wisdom claimed to be divine. In the mythology - that is, in the primitive mode of rendering the phenomena of external nature - Osiris as light-giver in the moon was tom in fourteen pieces during the latter half of the lunation by the evil Sut, the opposing power of darkness. He was put together again and reconstituted by his son, beloved Horus, the young solar god. This representation could not have been made until it was known that the lunar light was replenished monthly from the solar source. Then Horus as the sun god and the vanquisher of Sut, the power of darkness, could be called the reconstituter of Osiris in the moon. In that way a foundation was laid in natural fact according to the science of mythology, and a mystery bequeathed to the eschatology which is doctrinal. For as it had been with the dismembered, mutilated god in the mythos, so it is with the Osiris deceased, who has to be reconstructed for a future life and put together bit by bit as a spiritual body in one of the great mysteries of Amenta. In the mythos Har-Makhu was the solar god of both horizons, or the double equinox, who represented the sun of today that rose up from the nether world as conqueror of darkness to join the west and east together on the Mount of Glory, as the connecting link of continuity in time betwixt yesterday and tomorrow. The type was continued in the eschatology, when Har-Makhu became the Horus of the greater mysteries, Horus of the religious legend who suffered, died, and was buried in Amenta, and who rose again from ,the dead like the winter sun, as Horus in spirit, lifting aloft the insignia of his sovereignty. This was he who made the pathway, not merely betwixt the two horizons, but to eternal life, as son of Ra, the holy spirit in the eschatology. The intermediate link in the mythos, which “connects the solar orb with yesterday”, is now the intermediary betwixt the two worlds and two lives in time and eternity. This is he who exclaims, “I am the link! I am the everlasting one! I am Horus who steppeth onwards through eternity.”(Rit., ch. 42.) This was he who, in the words of the gnostic Paul, “broke down the wall of partition” and “made both one”, “that he might create in himself one new man” and reconcile them both in one body”, even as the double Horus, Har-Sam-Taui, was made one when blended and established as one person in another mystery of Amenta(Rit., ch. 42). The mythology repeated in the Ritual is mainly solar and Osirian, but with glimpses of the lunar and the stellar mythos from the beginning. For example, Apt the ancient genetrix, as goddess of the Great Bear constellation, and leader of the heavenly host, was the kindler of the starry sparks by night in the mythology. In the eschatology she is continued as the mistress of divine protections for the soul, and she who had been the kindler of the lights in the darkness of night was now propitiated as rekindler of life from the spark in the dark of death (Rit., ch. 137B). Ra in the mythos is the solar god represented by the sun in heaven, and in the eschatology he became the god in spirit who is called the holy spirit and first person in the trinity which consisted of Atum the father god, Horus the son, and Ra the holy spirit; the three that were also one in the Osirian cult, first as three forms of the solar god and next as three forms of the god in spirit. It is thus we are enabled to trace the formation of the Egyptian eschatology in the mould of the mythology. There is no death in the Osirian religion, only decay and change, and periodic renewal; only evolution and transformation in the domain of matter and the transubstantiation into spirit. In the so-called death of Osiris it is rebirth, not death, exactly the same as in the changes of external nature. At the close of day the solar orb went down and left the sun god staring blankly in the dark of death. Taht the moon god met him in Amenta with the eye of Horus as the light that was to illuminate the darkness of the subterranean world. In the annual rendering on the third day light was generated by renewal in the moon. Thus Osiris rose again, and a doctrine of the resurrection on the third day was bequeathed to the eschatology. The sun in sinking was buried as a body (or mummy) in the nether world of Amenta. When rising again at dawn it was transformed into a soul, a supreme elemental soul, that preceded the god in spirit. This was in the mythology. In the eschatology the same types were reapplied to the human soul, which was imaged in the flesh as the inarticulate, blind, and impubescent Horus, who died bodily but was preserved in mummy form to make his transformation into the luminous Sahu, when he rose again in glory as Horus the divine adult. “I am the resurrection and the life” is the perfect interpretation of an Egyptian picture that was copied by Denon at Philæ. (Egypt, vol. ii., pl.40, No.8, p. 54-) (Lundy, fig. 183.) Divine Horus is portrayed in the act of raising the deceased Osiris from the bier by presenting to him the Ankh sign of life. He was the life in person who performed the resurrection, and therefore is “the resurrection and the life”. As such he simply stands for a soul considered to be the divine offspring of god the father, not for any historical character that makes preposterous pretensions to possess miraculous power. Previously he had been the resurrection and the life as solar vivifier in the physical domain, or otherwise stated in the mythology. It was this difference betwixt the mythology and eschatology that constituted the lesser and the greater mysteries. The lesser in their origin were partly sociological. They were the customs and the ceremonial rites of totemism. The greater mysteries are eschatological and religious. For instance, the transformation of the youth into the adult or the girl into a woman in the totemic mysteries was applied doctrinally to the transformation of the soul in the mysteries of Amenta. With the more primitive races, such as the Arunta of Australia, the mysteries remain chiefly totemic and sociological, though interfused with the religious sentiment. The greater mysteries were perfected in the Egyptian religion, to be read of in the Ritual as the mysteries of Amenta.
From the beginning to the end of the written Ritual we shall find it is based upon the mythical representation which was primary.The mythical representation was first applied to the phenomena of external nature, and this mode of representation was continued and re-applied to the human soul in the eschatology. Egyptian myths, then, are not inventions made to explain the Ritual. Totemic representation was earlier. This mode was continued in the mythology. Ritual arose from the rendering becoming religious in the phase of eschatology, and did not originate as an explanation of mythology and totemism. But not until the different phases are discriminated can the Ritual be read, that which has been founded on it under-stood, or the mental status of the thinkers ascertained. In the mythology the solar god, who in his primary form was Ptah (Khepr), is the maker of a complete circle for the sun as founder and opener of the nether earth, this solar pathway being a figure of for ever, a type of the eternal working in time. In the eschatology the god in spirit who is Ra the holy spirit is “the god who has created (or opened out) eternity” (Rit., ch. 15). The one is on the physical basis, the other on the spiritual plane. In the mythology the seven primordial powers that pass through various phases, elemental, stellar , or lunar, always in a group of seven, finally become the seven souls of Ra, who attained supremacy as the sun god in mythology and also as the holy spirit. Thence came the doctrine of the seven souls in man, as seven gifts of the holy spirit in the eschatology. In the mythical representation Sothis on New Year's Day was the bringer forth of the child that was mothered by Hathor or Isis. The type is employed in the eschatology of the Ritual when the Manes in Amenta prays for rebirth as a pure spirit and says, “May I live ( or rise up and go forth) from between the closed knees of Sothis”. The rebirth of the child in Sothis was the renewal of the year, Sothis being represented in the feminine character by Hathor as the bringer forth from betwixt her knees or, as elsewhere rendered, her kheptu, i.e., her thighs. So the Manes are reborn from between the thighs of Nut in the mysteries of Amenta, and here the visible birthplace of spirits perfected is localized in Sothis, the opener of the year and bringer of the babe to birth upon the horizon or the mount of glory. In this way the skies of night were made luminous with starry lore that was mythical in the astronomy and the words of a divine wisdom in the later eschatology when the mysteries were represented in Amenta. Instead of flashlights showing pictures on the housetops of a city after dark, the stars were used by the Egyptians to illustrate the mysteries that were out of sight. The triumph of Horus over Sut or over the Apap dragon of drought and darkness was illustrated in the stellar mythos when in the annual round Orion rose and the Scorpion constellation set upon the opposite horizon. The Egyptian nearing death could lie and look upon a future figured in the starry heavens.As it was with Osiris or Horus so would it be with him. The way had been mapped out, the guiding stars were visible. His bier or coffin of new birth could be seen in the mesken of the mother. He rose again in spirit as the babe of Sothis. “He joined the company of the holy Sahus” in Orion with the pilot Horus at the look-out of the bark. He saw the golden isles in a heaven of perpetual peace to which the pole was the eternal mooring post. Whilst he was passing from this life the bark of Ra was making ready for his soul to go on board.
The foundation of Amenta itself has yet to be delineated. It is a tangible threshold to the other world, the secret but solid earth of eternity which was opened up by Ptah when he and his seven Khnemmu erected the Tat pillar that was founded in the winter solstice as the figure of a stability that was to be eternal. In the mythos the Tat is a type of the sun in the winter solstice that has the power of returning from the lowest depth and thus completing the eternal road. In the eschatology it is the god in person as Ptah-Sekeri or Osiris, the backbone and support of the universe. Horus erecting the Tat in Sekhem was raising Osiris from the sepulchre, the father re-erected as the son in the typical resurrection and continuity of the human spirit in the after life. The figure of Amsu-Horus rising in the resurrection or “coming forth”, with member erect, has two characters, one in the mythology, one in the eschatology. In the mythology he images the phallus of the sun and the generative force that fecundates the Mother-earth. In the eschatology the image of erection is repeated as a symbol of resurrection, and in this phase the supposed phallic god, the figure of regenerative force, is typical of the resurrection or re-erection of the mortal in spirit. Horus the child with finger to mouth is portrayed in the sign of the Scales at the autumn equinox, the point at which the sun begins to lessen and become impotent. This the Egyptians termed the “little sun”, which when personified was infant Horus, who sank down into Hades as the suffering sun to die in the winter solstice and be transformed to rise again and return in all his glory and power in the equinox at Easter. This was matter of the solar mythos, also of life in vegetation and in the water of the inundation. In the eschatology Horus the child is typical of the human soul which was incarnated in the blood of Isis, the immaculate virgin, to be made flesh and to be born in mortal guise on earth as the son of Seb, and to suffer all the afflictions of mortality. He descended to Amenta as the soul sinking in the dark of death, and as the soul he was transfigured, changed, and glorified, to rise again and become immortal as a spirit perfected according to the teachings in the eschatology. A brief list will show how certain zootypes that were founded in the mythological representation were continued in the eschatology :
AMENTA A TEN AM I AM A TEN AMENTA
AMEN THE NAME THE NAME AMEN
I
MEAN THE NAME
THE
NAME I MEAN
R
I
S+H
I
RISHI+9 =72 7+2= 99 =7+2 72= 9+RISHI
A RISH = 54 5+4=99=5+4 54= RISH A
SAPTARSHI A STARSHIP A SAPTARSHI
SAPTARSHI = A PAST RISH = 99 = RISH PAST A = SAPTARSHI
GOD ONE GOD
AND ONE CHOSEN RACE THE HUMAN RACE
HOLY BIBLE
Scofield References
C 1 V 16
THE ACTS OF THE APOSTLES
Page 1148 (Part quoted)
"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED
WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"
HOLY BIBLE
Scofield References
JOB
C 9 V 9
Page 575
"Which maketh Arcturus, Orion, and Pleiades, and the chambers of the south."
HOLY BIBLE
Scofield References
JOB
C 9 V 9
Page 575
WHICH MAKETH ARCTURUS ORION AND PLEIADES AND THE CHAMBERS OF THE SOUTH
W |
= |
5 |
- |
5 |
WHICH |
51 |
33 |
6 |
M |
= |
4 |
- |
6 |
MAKETH |
58 |
22 |
4 |
A |
= |
1 |
- |
8 |
ARCTURUS |
121 |
31 |
4 |
O |
= |
6 |
- |
5 |
ORION |
71 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
P |
= |
7 |
- |
8 |
PLEIADES |
71 |
35 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
8 |
CHAMBERS |
69 |
33 |
6 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SOUTH |
83 |
20 |
2 |
- |
- |
39 |
|
59 |
First Total |
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|
|
- |
- |
3+9 |
- |
5+9 |
Add to Reduce |
6+4+9 |
2+7+1 |
5+5 |
- |
- |
12 |
- |
14 |
Second Total |
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|
|
- |
- |
1+2 |
- |
1+4 |
Reduce to Deduce |
1+9 |
1+0 |
1+0 |
- |
- |
|
- |
|
Third Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Produce |
1+0 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
O |
= |
6 |
- |
5 |
ORION |
71 |
35 |
8 |
N |
= |
5 |
- |
6 |
NEBULA |
55 |
19 |
1 |
S |
- |
11 |
|
11 |
Add to Reduce |
|
|
|
- |
- |
1+1 |
= |
1+1 |
Reduce to Deduce |
1+2+6 |
5+4 |
- |
S |
- |
2 |
|
2 |
Essence of Number |
|
|
|
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 82
The Sacred Fifty
"We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'
"Page 73
A Fairy Tale
'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,
HE WHO IS LORD IN THE PERFECT BLACK.'
20 |
OSIRIS IRIS ISIS SIRIUS |
|
|
|
|
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|
O+S |
34 |
16 |
|
|
|
|
I |
9 |
9 |
|
|
|
|
R |
18 |
9 |
|
|
|
|
I |
9 |
9 |
|
|
|
|
S |
19 |
10 |
|
|
|
- |
I |
9 |
9 |
|
- |
|
- |
R |
18 |
9 |
9 |
- |
9 |
- |
I |
9 |
9 |
|
- |
|
- |
S |
19 |
10 |
1 |
|
|
- |
I |
9 |
9 |
|
- |
|
- |
S |
19 |
10 |
1 |
|
|
- |
I |
9 |
9 |
|
- |
|
- |
S |
19 |
10 |
1 |
|
|
- |
S |
19 |
10 |
1 |
|
|
- |
I |
9 |
9 |
|
- |
|
- |
R |
18 |
9 |
9 |
- |
9 |
- |
I |
9 |
9 |
|
- |
|
- |
U+S |
40 |
13 |
4 |
|
|
20 |
|
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|
|
20 |
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|
ISIS |
56 |
38 |
|
|
IRIS |
55 |
37 |
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|
OSIRIS |
89 |
44 |
|
|
SIRIUS |
95 |
50 |
|
20 |
|
|
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|
2+9+5 |
1+6+9 |
1+6 |
20 |
|
|
|
|
- |
- |
1+6 |
1+6 |
- |
20 |
|
|
|
|
- |
ISIS OSIRIS |
|
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|
ISIS |
56 |
38 |
|
|
OSIRIS |
89 |
44 |
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|
ISIS OSIRIS |
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|
1+0 |
|
1+4+5 |
8+2 |
1+0 |
|
ISIS OSIRIS |
|
|
|
- |
- |
1+0 |
1+0 |
- |
1 |
ISIS OSIRIS |
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|
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- |
IRIS OSIRIS |
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|
IRIS |
55 |
37 |
|
|
OSIRIS |
89 |
44 |
|
10 |
IRIS OSIRIS |
|
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|
1+4+4 |
8+1 |
- |
1 |
IRIS OSIRIS |
|
|
|
|
ISIS |
9 |
1 |
9 |
1 |
- |
- |
|
IRIS |
9 |
9 |
9 |
1 |
- |
- |
|
OSIRIS |
6 |
1 |
9 |
9 |
9 |
1 |
6 |
SIRIUS |
1 |
9 |
9 |
9 |
3 |
1 |
- |
|
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ISIS |
9 |
1 |
9 |
1 |
- |
|
|
OSIRIS |
6 |
1 |
9 |
9 |
9 |
|
|
ISIS OSIRIS |
|
|
18 |
10 |
9 |
|
1+0 |
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1+5 |
- |
1+8 |
1+0 |
- |
- |
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9 |
1 |
9 |
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- |
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IRIS |
9 |
9 |
9 |
1 |
- |
|
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OSIRIS |
6 |
1 |
9 |
9 |
9 |
|
10 |
IRIS OSIRIS |
|
|
18 |
10 |
9 |
|
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1+5 |
1+0 |
1+8 |
1+0 |
- |
- |
1 |
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9 |
1 |
9 |
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10 |
I |
R |
I |
S |
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S |
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S |
- |
9 |
9 |
9 |
1 |
6 |
1 |
9 |
9 |
9 |
1 |
10 |
I |
R |
I |
S |
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S |
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S |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
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9 |
9 |
9 |
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- |
9 |
9 |
9 |
- |
10 |
I |
R |
I |
S |
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10 |
I |
S |
I |
S |
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- |
9 |
9 |
9 |
1 |
6 |
1 |
9 |
9 |
9 |
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10 |
I |
S |
I |
S |
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- |
- |
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- |
1 |
- |
1 |
- |
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1 |
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- |
- |
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6 |
- |
- |
- |
- |
- |
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9 |
9 |
9 |
- |
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- |
9 |
9 |
9 |
- |
10 |
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S |
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10 |
I |
S |
I |
S |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
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9 |
9 |
9 |
1 |
6 |
1 |
9 |
9 |
9 |
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+ |
= |
55 |
5+5 |
= |
10 |
1+0 |
= |
1 |
10 |
I |
S |
I |
S |
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- |
- |
- |
- |
- |
- |
- |
- |
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1 |
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1 |
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1 |
+ |
= |
4 |
- |
- |
4 |
- |
- |
- |
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6 |
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+ |
= |
6 |
- |
- |
6 |
- |
- |
- |
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9 |
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9 |
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9 |
9 |
9 |
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+ |
= |
45 |
4+5 |
= |
9 |
- |
- |
- |
10 |
I |
S |
I |
S |
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- |
- |
55 |
- |
- |
19 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5+5 |
- |
- |
1+9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
10 |
- |
- |
10 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
- |
- |
1+0 |
- |
- |
- |
10 |
I |
S |
I |
S |
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- |
- |
1 |
- |
- |
1 |
- |
- |
- |
8 |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
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+ |
= |
48 |
4+8 |
= |
12 |
1+2 |
= |
3 |
8 |
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- |
- |
- |
- |
- |
- |
- |
- |
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1 |
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1 |
+ |
= |
3 |
- |
- |
3 |
- |
- |
- |
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9 |
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9 |
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9 |
9 |
9 |
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+ |
= |
45 |
4+5 |
= |
9 |
- |
- |
- |
8 |
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- |
- |
48 |
- |
- |
12 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4+8 |
- |
- |
1+2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
12 |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+2 |
- |
- |
- |
- |
- |
- |
8 |
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- |
- |
3 |
- |
- |
3 |
- |
- |
- |
20 |
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I |
R |
I |
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I |
R |
I |
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- |
- |
- |
- |
- |
- |
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9 |
9 |
9 |
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9 |
9 |
9 |
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20 |
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I |
R |
I |
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I |
R |
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- |
- |
- |
- |
- |
- |
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1 |
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1 |
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1 |
- |
- |
- |
1 |
1 |
- |
- |
- |
- |
1 |
+ |
= |
7 |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
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3 |
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3 |
- |
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3 |
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6 |
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+ |
= |
6 |
- |
- |
6 |
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9 |
9 |
9 |
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9 |
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9 |
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9 |
9 |
9 |
- |
- |
9 |
9 |
9 |
- |
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= |
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9+9 |
= |
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20 |
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I |
R |
I |
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I |
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- |
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20 |
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I |
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- |
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9 |
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9 |
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9 |
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7+2 |
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1 |
1 |
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1 |
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- |
- |
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20 |
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I |
R |
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R |
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- |
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12 |
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R |
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- |
- |
- |
- |
- |
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- |
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- |
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9 |
- |
9 |
- |
- |
- |
9 |
- |
9 |
- |
- |
+ |
= |
36 |
3+6 |
= |
9 |
- |
- |
- |
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1 |
- |
- |
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1 |
- |
1 |
- |
- |
- |
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1 |
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4 |
- |
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1 |
9 |
- |
9 |
1 |
- |
1 |
9 |
- |
9 |
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1 |
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40 |
4+0 |
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4 |
- |
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12 |
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1 |
9 |
9 |
9 |
3 |
1 |
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13 |
1+3 |
= |
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12 |
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1 |
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1 |
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1 |
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4 |
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4 |
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6 |
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12 |
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3 |
occurs |
x |
1 |
= |
3 |
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3 |
6 |
occurs |
x |
1 |
= |
6 |
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6 |
9 |
occurs |
x |
6 |
= |
54 |
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9 |
19 |
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67 |
|
- |
22 |
1+9 |
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6+7 |
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10 |
- |
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3 |
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13 |
- |
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4 |
1+0 |
- |
- |
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1+3 |
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1 |
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4 |
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16 |
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9 |
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16 |
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9 |
9 |
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1 |
1 |
9 |
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3 |
1 |
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14 |
1+4 |
= |
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1 |
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1 |
- |
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1 |
1 |
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59 |
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- |
- |
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I |
R |
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- |
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14 |
- |
- |
- |
- |
- |
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- |
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- |
- |
- |
- |
- |
- |
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1+4 |
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I |
R |
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- |
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5 |
- |
- |
- |
- |
- |
- |
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= |
5 |
|
|
|
3 |
occurs |
x |
1 |
= |
3 |
|
|
3 |
6 |
occurs |
x |
1 |
= |
6 |
|
|
6 |
9 |
occurs |
x |
9 |
= |
81 |
|
|
9 |
19 |
|
|
|
|
95 |
|
|
23 |
1+9 |
|
|
|
|
9+5 |
|
- |
2+3 |
10 |
- |
- |
7 |
- |
14 |
- |
- |
5 |
1+0 |
- |
- |
- |
- |
1+4 |
- |
- |
- |
1 |
|
|
|
|
5 |
|
|
5 |
12 |
S |
I |
R |
I |
U |
S |
- |
S |
O |
T |
H |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
19 |
9 |
18 |
9 |
21 |
19 |
- |
19 |
15 |
20 |
8 |
9 |
19 |
+ |
= |
185 |
1+8+5 |
= |
14 |
1+4 |
= |
5 |
12 |
S |
I |
R |
I |
U |
S |
- |
S |
O |
T |
H |
I |
S |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
1 |
9 |
9 |
9 |
3 |
1 |
- |
1 |
6 |
2 |
8 |
9 |
1 |
|
|
|
|
|
|
1+4 |
= |
|
|
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
+ |
= |
4 |
- |
- |
|
|
|
4 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
+ |
= |
2 |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
3 |
|
|
|
|
|
3 |
|
|
|
|
|
|
|
- |
- |
6 |
- |
- |
- |
- |
+ |
= |
6 |
|
|
|
|
|
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
+ |
= |
8 |
- |
- |
- |
- |
- |
8 |
|
- |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
+ |
= |
|
3+6 |
= |
|
|
|
|
12 |
S |
I |
R |
I |
U |
S |
- |
S |
O |
T |
H |
I |
S |
+ |
= |
|
|
|
|
|
|
|
- |
|
9 |
- |
9 |
|
|
- |
- |
- |
- |
- |
9 |
- |
|
|
|
|
|
|
|
|
|
- |
1 |
|
|
|
|
1 |
- |
1 |
- |
- |
- |
- |
1 |
|
|
|
- |
- |
|
|
|
|
- |
S |
I |
R |
I |
U |
S |
- |
S |
O |
T |
H |
I |
S |
- |
- |
- |
- |
- |
|
|
|
- |
R |
= |
9 |
- |
6 |
RE ATUM |
78 |
24 |
6 |
1 |
S |
= |
1 |
|
3 |
SHU |
48 |
12 |
3 |
2 |
T |
= |
2 |
|
6 |
TEFNUT |
86 |
23 |
5 |
3 |
G |
= |
7 |
- |
3 |
GEB |
14 |
14 |
5 |
4 |
N |
= |
5 |
|
3 |
NUT |
55 |
10 |
1 |
5 |
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
I |
= |
9 |
|
4 |
ISIS |
56 |
20 |
2 |
7 |
S |
= |
1 |
|
3 |
SET |
44 |
8 |
8 |
8 |
N |
= |
5 |
- |
8 |
NEPHTHYS |
115 |
43 |
7 |
9 |
- |
- |
45 |
|
42 |
First Total |
|
|
|
|
- |
- |
4+5 |
|
4+2 |
Add to Reduce |
5+8+5 |
1+8+9 |
4+5 |
4+5 |
|
|
|
|
|
Second Total |
|
|
|
|
- |
- |
|
|
|
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
- |
9 |
|
|
Essence of Number |
|
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
ENNEA |
39 |
21 |
3 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
8 |
|
- |
- |
5 |
5 |
- |
|
+ |
= |
18 |
1+8 |
= |
9 |
|
9 |
= |
|
- |
- |
|
8 |
|
- |
- |
14 |
14 |
- |
|
+ |
= |
36 |
3+6 |
= |
9 |
|
9 |
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2 |
|
5 |
- |
5 |
|
|
5 |
1 |
|
|
|
1+8 |
|
|
|
|
|
9 |
- |
- |
20 |
|
5 |
- |
5 |
- |
- |
5 |
1 |
|
|
|
3+6 |
|
|
|
|
|
9 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
20 |
8 |
5 |
- |
5 |
14 |
14 |
5 |
1 |
|
|
|
7+2 |
|
|
|
|
|
9 |
|
|
2 |
8 |
5 |
- |
5 |
5 |
5 |
5 |
1 |
|
|
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
1 |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
2 |
- |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
- |
|
|
- |
- |
5 |
- |
|
5 |
5 |
5 |
|
|
|
|
occurs |
x |
5 |
= |
|
2+5 |
7 |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
- |
|
|
- |
8 |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
|
8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+9 |
- |
- |
- |
5 |
- |
|
5 |
5 |
5 |
- |
|
|
1+6 |
|
|
|
|
3+6 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+1 |
- |
2 |
8 |
5 |
|
5 |
5 |
5 |
5 |
1 |
|
|
- |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
9 |
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
8 |
|
- |
- |
5 |
5 |
- |
|
+ |
= |
18 |
1+8 |
= |
9 |
|
9 |
= |
|
- |
|
8 |
|
- |
- |
14 |
14 |
- |
|
+ |
= |
36 |
3+6 |
= |
9 |
|
9 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
2 |
|
5 |
- |
5 |
|
|
5 |
1 |
|
|
|
1+8 |
|
|
|
|
|
9 |
- |
20 |
|
5 |
- |
5 |
- |
- |
5 |
1 |
|
|
|
3+6 |
|
|
|
|
|
9 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
20 |
8 |
5 |
- |
5 |
14 |
14 |
5 |
1 |
|
|
|
7+2 |
|
|
|
|
|
9 |
|
2 |
8 |
5 |
- |
5 |
5 |
5 |
5 |
1 |
|
|
|
3+6 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
- |
|
|
|
|
1 |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
2 |
- |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
- |
- |
5 |
- |
|
5 |
5 |
5 |
|
|
|
|
occurs |
x |
5 |
= |
|
2+5 |
7 |
|
- |
8 |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
1 |
= |
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
5 |
- |
|
5 |
5 |
5 |
- |
|
|
1+6 |
|
|
|
|
3+6 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
|
5 |
5 |
5 |
5 |
1 |
|
|
- |
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
9 |
|
9 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
8 |
|
- |
- |
5 |
5 |
- |
|
|
+ |
= |
18 |
1+8 |
= |
9 |
= |
9 |
= |
|
- |
- |
|
8 |
|
- |
- |
14 |
14 |
- |
|
|
+ |
= |
36 |
3+6 |
= |
9 |
= |
9 |
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2 |
|
5 |
- |
5 |
|
|
5 |
1 |
4 |
|
|
|
2+2 |
|
|
|
|
|
4 |
- |
- |
20 |
|
5 |
- |
5 |
- |
- |
5 |
1 |
4 |
|
|
|
4+0 |
|
|
|
|
|
4 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
20 |
8 |
5 |
- |
5 |
14 |
14 |
5 |
1 |
4 |
|
|
|
7+6 |
|
|
1+3 |
|
|
4 |
|
|
2 |
8 |
5 |
- |
5 |
5 |
5 |
5 |
1 |
4 |
|
|
|
4+0 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
1 |
- |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
2 |
- |
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
3 |
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
4 |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
- |
- |
5 |
- |
|
5 |
5 |
5 |
|
|
|
|
|
occurs |
x |
5 |
= |
|
2+5 |
7 |
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
6 |
|
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
7 |
|
|
|
|
|
|
- |
|
|
- |
8 |
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
1 |
= |
|
|
8 |
|
|
- |
- |
- |
- |
|
|
|
|
|
- |
|
|
9 |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+5 |
- |
2 |
8 |
5 |
- |
|
5 |
5 |
5 |
1 |
4 |
|
|
2+0 |
|
|
|
|
4+0 |
|
2+2 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
4 |
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
8 |
|
- |
- |
5 |
5 |
- |
|
|
+ |
= |
18 |
1+8 |
= |
9 |
= |
9 |
= |
|
- |
|
8 |
|
- |
- |
14 |
14 |
- |
|
|
+ |
= |
36 |
3+6 |
= |
9 |
= |
9 |
= |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
2 |
|
5 |
- |
5 |
|
|
5 |
1 |
4 |
|
|
|
2+2 |
|
|
|
|
|
4 |
- |
20 |
|
5 |
- |
5 |
- |
- |
5 |
1 |
4 |
|
|
|
4+0 |
|
|
|
|
|
4 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
20 |
8 |
5 |
- |
5 |
14 |
14 |
5 |
1 |
4 |
|
|
|
7+6 |
|
|
1+3 |
|
|
4 |
|
2 |
8 |
5 |
- |
5 |
5 |
5 |
5 |
1 |
4 |
|
|
|
4+0 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
- |
- |
|
|
|
|
1 |
- |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
2 |
- |
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
occurs |
x |
1 |
= |
|
= |
|
|
- |
- |
5 |
- |
|
5 |
5 |
5 |
|
|
|
|
|
occurs |
x |
5 |
= |
|
2+5 |
7 |
|
- |
8 |
- |
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
1 |
= |
|
|
8 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
5 |
- |
|
5 |
5 |
5 |
1 |
4 |
|
|
2+0 |
|
|
|
|
4+0 |
|
2+2 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
4 |
|
4 |
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
- |
- |
|
8 |
|
|
|
|
|
9 |
|
|
|
|
|
1+7 |
|
|
|
|
- |
- |
|
8 |
|
|
|
|
|
9 |
|
|
|
|
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
- |
- |
2 |
|
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
|
|
|
2+8 |
|
|
1+0 |
|
- |
- |
20 |
|
5 |
|
6 |
1 |
13 |
9 |
12 |
25 |
|
|
|
8+2 |
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
- |
- |
20 |
8 |
5 |
|
6 |
1 |
13 |
9 |
12 |
25 |
|
|
|
9+9 |
|
|
1+8 |
|
- |
- |
2 |
8 |
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
|
|
|
4+5 |
|
|
|
|
9 |
9 |
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
- |
|
- |
- |
- |
- |
|
|
1 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
|
|
3 |
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
4 |
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
- |
- |
5 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
|
|
|
|
|
|
7 |
|
|
|
occurs |
x |
|
= |
|
|
|
- |
8 |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
- |
- |
|
|
|
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
|
4+5 |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
|
4+5 |
|
|
|
|
|
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
|
- |
- |
2 |
8 |
5 |
|
6 |
1 |
4 |
9 |
3 |
7 |
|
|
- |
|
|
|
|
- |
|
9 |
T |
H |
E |
|
|
|
|
I |
|
Y |
|
|
|
|
|
|
|
|